COAT Magazine
Featured COAT Magazine projects
This week's top COAT Magazine projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project COAT Magazine · Chess Club
Chess Club for COAT Magazine is a sophisticated fashion editorial series that explores the interplay of narrative and composition through the lens of a classic, contemplative game. The project employs a mix of clean studio portraiture and warm, cinematic interior scenes to frame its subjects in a series of highly textured looks, featuring layered contemporary apparel, tailored coats, and sharp, vintage-inspired accessories. Photographer and creative director Adrian Price captures the cast with a disciplined eye for shadow play and chiaroscuro. The work frequently utilizes analogue film techniques to build a moody, tactile atmosphere, emphasizing the grain of wooden chessboards and the distinct folds of patterned fabrics. With fashion styling by Patrick Zaczkiewicz and meticulous grooming from hair stylist Michael Brennan and make-up artist Kristyan Low, the imagery leans into a grounded, documentary-adjacent aesthetic. Produced by Kylie Farrington and the team at Saunders & Co, the editorial moves between isolated, high-contrast studio profiles and dense, group-focused narratives. The collection maintains a consistent visual language centered on geometry and gesture, documenting the quiet focus of its subjects in a series of monochromatic and warmly lit compositions.
Project COAT Magazine · Origami
COAT Magazine presents Origami, a fashion editorial series that explores movement and texture through a range of curated, layered looks. Photographed by Sheree Porter, the project focuses on sculptural silhouettes, juxtaposing intricate embroidery and draped fabrics against both sterile studio environments and contrasting urban backdrops. Fashion stylist Patrick Zaczkiewicz complements the visual narrative with heavy beaded accessories and bold, metallic accents. The editorial leverages a mix of monochrome aesthetics and natural light, utilizing analogue film techniques to capture sharp, high-contrast imagery that emphasizes the structural lines of the garments. The project features hair styling by Daren Borthwick and make-up by Katie Angus.
Project COAT Magazine · Boys Like Us
Boys Like Us is a multifaceted fashion editorial produced for COAT Magazine. The series moves between controlled studio environments and raw, outdoor settings, offering a study of contemporary masculine style through a lens of quiet intimacy. Photographer Oliver Begg utilizes a mix of clean studio lighting and natural light to capture an array of textured layers and streetwear-inspired silhouettes. The project relies on a predominantly monochrome aesthetic, elevated by a distinct analogue film grain that emphasizes the tactile qualities of the wardrobe. With styling by Patrick Zaczkiewicz and hair by Darren Summors, the work leans into a gritty, documentary-style portraiture that prioritizes tonal depth and high-contrast chiaroscuro techniques.
Project COAT Magazine · HONEY DEW
HONEY DEW is a fashion editorial series produced for COAT Magazine. Captured by photographer Adrian Mesko, the project leans into a moody, clean aesthetic that prioritizes delicate textures and minimalist studio compositions. The series features styling by Patrick Zaczkiewicz and makeup by Nicole "Pinky" Thompson. Throughout the editorial, the imagery employs natural light and a muted, earthy color palette to highlight intricate garment details, including botanical prints and layered, voluminous textures. The project also includes cinematography support from James Anderson.
Project COAT Magazine · COAT Magazine
This fashion editorial project for COAT Magazine showcases a series of portraits defined by a clean, minimalist aesthetic. Through a focus on textile textures and high-contrast accessories, the imagery highlights the interplay between wardrobe styling and detail-oriented makeup artistry. Photographer Adrian Mesko utilizes consistent soft light and natural light across the series to maintain a cohesive visual language. The project incorporates contributions from fashion stylist Patrick Zaczkiewicz and cinematographer James Anderson, with makeup artistry provided by Nicole 'PINKY' Thompson. The editorial pieces lean into a warm color palette, presented in both vertical and horizontal formats.
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