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Cara Magazine

9 projects·0 creatives·

Featured Cara Magazine projects

This week's top Cara Magazine projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.

Black male model with dreadlocks wearing an olive utility jacket and layered silver chain necklaces indoors. Project

Cara Magazine · Oral Fixation

Oral Fixation is a fashion editorial feature for Cara Magazine that explores the intersection of everyday habits and contemporary style. The series employs a mix of raw, direct flash lighting and diffused natural daylight to contrast intimate portraiture with candid street-style imagery. Photographer Mauro Maglione leads the visual direction, working alongside stylist Judit Melis to curate a collection of structured menswear and womenswear pieces. The editorial integrates technical textures and architectural silhouettes, supported by hair styling from Andrea Idini and makeup artistry by Mayumi Oda. The imagery captures a playful approach to editorial photography, utilizing common objects to ground the fashion narratives.

Diptych fashion editorial featuring a black and white close-up portrait and a model in a vibrant red pleated midi dress with lens flare. Project

Cara Magazine · Cara Magazine + Ilona

In this sophisticated fashion editorial for Cara Magazine, photographer Hicham Riad creates a visual narrative that thrives on the tension between graphic minimalism and bold, saturated color. By skillfully navigating the demands of luxury fashion, the project leans into a clean, contemporary aesthetic that elevates the subject, model Ilona Desmet, through a series of striking contrasts. The editorial photography, supported by the keen fashion direction of Ilja De Weerdt, captures a duality of intimacy and structure; it oscillates between monochromatic portrait sessions and vibrant, color-blocked compositions that feel both avant-garde and timeless. By utilizing high-key lighting to strip away visual noise, the team creates a sterile, polished stage where textures—from fine-pleated fabrics to sleek ceramic surfaces—become the true protagonists of the frame. Whether capturing a sharp, stiletto-clad product shot on a glass pedestal or a candid, soft-lit botanical study, the series demonstrates a masterclass in editorial composition. The deliberate use of natural light alongside precise studio strobe techniques highlights the intricacies of the styling, ensuring every detail from the patterned scarves to the layered tailoring resonates with authority. This work stands as a testament to the power of a refined, minimalist gaze, where every choice in lighting and staging contributes to a cohesive, high-fashion storytelling experience that feels entirely intentional.

Close-up portrait of a young woman with freckles and blue eyes looking intensely downward for Cara Magazine Project

Cara Magazine · Girl, interrupted

Cara Magazine features a series of editorial portraits and interior shots in 'Girl, interrupted.' The project leans into a clean, minimal aesthetic, utilizing natural light to capture sharp details and organic textures within a series of structured, light-filled rooms. Photographer Rita Lino leads the visual direction, working alongside stylist Gina Berenguer Barnils and makeup artist Lauren Aiello to maintain a consistent editorial tone. The imagery incorporates elements of set design by Justine Ponthieux and casting by Julia Llado to define the project's quiet, architectural focus.

Blonde model in a light blue button-down shirt holding a yellow pencil in her mouth for a Cara Magazine cover. Project

Cara Magazine · CARA Magazine Nº3 - The Mouth Issue Covers

Cara Magazine presents the covers for its third edition, titled 'The Mouth Issue.' This editorial project spans a collection of portraiture that leans into tactile textures and crisp, raw aesthetics. The series features photography by Mauro Maglione, Priscillia Saada, and Walter Pierre. Styling for the covers was provided by Abby Adler and Judit Melis, with beauty direction handled by hair stylist Andrea Idini alongside makeup artists Laura Yard, Maelys Jallali, and Mayumi Oda. The visual narrative is rounded out by the casting work of Arthur Méjean, Jordan Mergirie, and Troy Fearn, featuring models Camille Chifflot and Signe Michaelsson.

A profile view of a woman wearing a black embellished top against a grey seamless studio background for Cara Magazine. Project

Cara Magazine · A Crack in the Mirror

Cara Magazine's A Crack in the Mirror is an editorial fashion series that explores sculptural poses and artistic beauty applications. The collection utilizes a neutral grey studio palette to center the focus on the subjects, framed by clean compositions and macro details. Photographed by Irina Shestakova, the work features styling by Judit Melis, hair styling by Jesper Hallin, and makeup by Tiziana Raimondo. The project leans into a minimalist aesthetic, employing soft light to capture textured details across the skin and garments.

A model in an orange ruffle top and red thigh-high socks sits on a white couch holding a silver flute in natural sunlight. Project

Cara Magazine · L’Après-midi d’un faune

L’Après-midi d’un faune is an editorial fashion feature for Cara Magazine, exploring themes of tranquility and performance. The project presents an observational look at its subjects through a series of intimate, domestic portraits that lean into warm, tactile textures and layered drapery. Fashion editor and stylist Judit Melis leads the aesthetic direction, supported by the set design of Flavia Manacorda, which employs soft furnishings and musical motifs to frame the talent. Executed with a blend of hard and soft natural light, the imagery focuses on the interplay of high-contrast shadows and layered garment details. Hair styling by Gor Duryan and makeup by Jenneke Croubels complement the project’s dreamy, candid mood.

Fashion editorial diptych featuring models posing in layered neutral garments against a minimalist white studio backdrop. Project

Cara Magazine · Words Of Mouth

Cara Magazine presents Words Of Mouth, a fashion editorial project captured by photographer Nicole Maria Winkler. The series utilizes a clean studio aesthetic to focus on tactile layering and sculptural silhouettes, featuring models Abuk Manyang Adeer and Maria Mavarez. Naomi Miller serves as the fashion editor and stylist, coordinating a wardrobe of textured knits, corduroy, and lace. The imagery incorporates soft ambient lighting and sharp directional light to highlight the geometric forms and material depth of the collection. Casting was directed by Esther Boiteux, with hair styling by Sayaka Otama and makeup by Eny Whitehead.

Woman in yellow top resting chin on hands at white table with microphone and nameplate against blue background Project

Cara Magazine · “No Comment”

For Cara Magazine's 'No Comment' editorial series, the project adopts a rigid, minimalist aesthetic that mimics the environment of a press conference. Each subject is placed behind a stark white, glossy dais against a solid blue backdrop, creating a sense of narrative detachment. The series features a sequence of stylized portraits, each centered around the recurring elements of a gooseneck microphone, headphones, and a personal nameplate. The imagery leans into a clean, graphic composition that highlights textured wardrobe choices, from feathered collars to layered puffer vests, under soft, even studio lighting. With fashion styling by Judit Melis, hair by Josephine Brignon, and makeup by Kamila Vay, the project maintains a precise visual language. Casting was handled by Pina Marlene, rounding out the production of this conceptual editorial work.

Model in a black gown and sheer veil standing in a workspace for Cara Magazine hair issue Project

Cara Magazine · CARA Magazine Nº2 - THE HAIR ISSUE Covers

Cara Magazine presents the second issue, titled The Hair Issue, featuring a series of editorial portraits and covers captured by photographers Luca Campri and Sasha Marro. The project explores varied textures and compositions, ranging from industrial-inspired studio setups to warm, intimate table scenes. Fashion editor Judit Melis leads the styling, with hair styling by Tosh and makeup by Jennifer Le Corre and Maelys Jallali. The visual execution employs clean, vertical framing and earth-toned palettes, utilising natural light to define the featured subjects.