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A model in an orange ruffle top and red thigh-high socks sits on a white couch holding a silver flute in natural sunlight.
A woman in a strapless black dress sits thoughtfully on a blue bedsheet holding a silver flute in bright sunlight.
Young woman in a sheer white ruffled top reclining among colorful fabrics and bedding in soft, warm lighting.
A seated woman holding a silver flute in profile, wearing a brown top and a pink tiered skirt for Cara Magazine.
A model reclines on a cream couch wearing a sheer pink long-sleeve knit top and matching sheer briefs with sheet music nearby.
Close-up of a model wearing a draped cream knit halter top and white satin fabric in a studio fashion editorial.
Model lying on a bed wearing a black top and patterned trousers with light coming through a window
A model in an orange ruffle top and red thigh-high socks sits on a white couch holding a silver flute in natural sunlight.
A woman in a strapless black dress sits thoughtfully on a blue bedsheet holding a silver flute in bright sunlight.
Young woman in a sheer white ruffled top reclining among colorful fabrics and bedding in soft, warm lighting.

Cara Magazine L’Après-midi d’un faune 2025

About

L’Après-midi d’un faune is an editorial fashion feature for Cara Magazine, exploring themes of tranquility and performance. The project presents an observational look at its subjects through a series of intimate, domestic portraits that lean into warm, tactile textures and layered drapery. Fashion editor and stylist Judit Melis leads the aesthetic direction, supported by the set design of Flavia Manacorda, which employs soft furnishings and musical motifs to frame the talent. Executed with a blend of hard and soft natural light, the imagery focuses on the interplay of high-contrast shadows and layered garment details. Hair styling by Gor Duryan and makeup by Jenneke Croubels complement the project’s dreamy, candid mood.

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