Atmos Magazine
Featured Atmos Magazine projects
This week's top Atmos Magazine projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project Atmos Magazine · The future of life on a warming Thir ...
Atmos Magazine presents an immersive editorial study of life within a warming, high-altitude environment, captured through the evocative lens of photographer Zachary Handley. This project functions as a documentary-style exploration of human and animal endurance against the stark, geological backdrop of a remote mountain region. Through a series of sweeping vistas and intimate portraits, Handley leans into a raw, cinematic aesthetic, utilizing natural light and high-contrast composition to emphasize the shifting landscapes. The imagery navigates the intersection of fragility and resilience, layering macro details—such as delicate wildflowers and alpine flora—against the immense, weathered scale of ochre-toned mountain ranges and glacial riverbeds. By documenting the quiet rhythms of nomadic life and the presence of livestock amidst deep, rhythmic shadows, the collection channels a profound sense of isolation and environmental scale. Stylistically, the work employs techniques like drone aerial photography and low-key chiaroscuro lighting to elevate the tactile, granular textures of the earth. From the striking silhouette of a rider against a golden-hour sky to the documentary focus on traditional daily life, this project stands as a sophisticated visual narrative. It bridges the gap between digital media and fine art photography, offering a poignant meditation on the future of remote terrains while grounding its broader themes in the singular, human moments that define them.
Project Atmos Magazine · Volume 12: How Sports Teams Are Turn ...
Atmos Magazine Volume 12 explores the intersection of sport and community in this fashion editorial series. Photographed by Johnson Lui, the project merges vintage athletic apparel with handcrafted textile sculptures and graphic installations in outdoor park settings. The series features styling by John Colver and makeup by Nolan Eakin, utilizing natural light and analogue film techniques to capture a tactile aesthetic. Casting by Arielle Berman, alongside set design from Javier Irigoyen, frames the models in dynamic motion and intimate portraiture that contrasts traditional sportswear with artistic, earthy textures.
Project Atmos Magazine · POST HUMAN
Atmos Magazine presents POST HUMAN, an editorial fashion series that explores avant-garde silhouettes and post-apocalyptic narratives. The project integrates organic fungal elements with industrial textures, resulting in a moody and atmospheric visual language. Fashion editor and stylist Sandra Sole crafts the futuristic aesthetic, featuring asymmetrical garments and structured vinyl pieces. Set designer Phoebe Shakespeare complements the styling through the use of textured concrete pedestals and overgrown natural foliage, emphasizing a gritty, surreal tension in the composition. Driven by high-contrast lighting and distinct chiaroscuro techniques, the series features model Hey Yeon. The imagery leans into a restrained, dark palette, punctuated by delicate detailing such as antenna-like facial filaments and sleek, sculptural headpieces.
Project Atmos Magazine · Micro/Macro
Micro/Macro, a fashion editorial for Atmos Magazine, leans into the intersection of sculptural form and raw materiality. The project explores tactile surfaces through a series of studio-based compositions that blend portraiture with installation art. Through the use of natural light and high-contrast black-and-white grading, the work emphasises the intricate textures of organic fibers, knits, and found objects. Photographer Arash Khaksari captures the series with an experimental lens, often juxtaposing models against minimalist, desaturated backgrounds. Fashion styling by Flora Huddart incorporates oversized, fibrous garments and avant-garde silhouettes, while set design by Clara Lasagna provides the sculptural framework that anchors the imagery. The production features talent Katrina Skudra, with hair styling by Shunsuke Meguro, makeup by Porsche Poon, manicures by Magda S, and casting by Nachum Shonn.
Project Atmos Magazine · Atmos Magazine May 2025 Cover
The May 2025 issue of Atmos Magazine features a series of editorial cover images captured by photographer Elizaveta Porodina. The collection utilizes macro photography to explore the intricate intersection of biological textures and synthetic elements. Each composition pairs iridescent insect life with abstract surfaces, from deep red glass vessels to organic, skin-like backgrounds. The work incorporates moody color grading and analogue film aesthetics to emphasize fine details like exoskeleton structures and crystalline reflections. Hair styling by Amidat Giwa and makeup by Lynski further define the nature-inspired, textural visual language of the issue.
Project Atmos Magazine · MICRO / MACRO
MICRO / MACRO for Atmos Magazine is a detailed editorial series that explores the intersection of human portraiture and the natural world. Through extreme close-up photography, the work blends the intricate anatomy of insects with human features, creating a surreal and tactile visual language. Photographer Elizaveta Porodina employs a moody, atmospheric aesthetic, often using natural light and high-contrast color grading to emphasize biological textures. The series channels a raw, cinematic quality, featuring stylized metallic makeup and iridescent pigments that bridge the gap between skin and exoskeleton. With beauty contributions from hair stylist Amidat Giwa and makeup artist Lynski, alongside casting by Chouaib Arif, the project maintains a consistent focus on macro detail and organic forms.
Project Atmos Magazine · In an Economy Built on Fossils, Who ...
Atmos Magazine presents In an Economy Built on Fossils, an editorial photo essay captured by photographer Max Miechowski. The series leans into a documentary aesthetic to explore themes of physical labor and resource extraction through a stark, observational lens. Employing analogue film techniques, the work utilizes monochrome grading and high-contrast lighting to emphasize granular textures and the visceral nature of industrial settings. The imagery moves between gritty, dust-filled workshops and intimate, quiet moments of inspection, framing its subjects within environments that highlight the interplay between humanity and raw materials.
Project Atmos Magazine · The End of Tornado Alley
In The End of Tornado Alley for Atmos Magazine, photographer Wade Schaul crafts a poignant visual essay that transcends traditional landscape reportage. By documenting the changing face of the American Midwest, the project leans into a cinematic exploration of rural spaces currently undergoing rapid transformation. Through a masterful blend of documentary photography and editorial minimalism, Schaul captures the tension between the enduring, raw power of the Great Plains' climate and the encroaching footprint of human infrastructure. The imagery moves seamlessly between expansive, brooding horizons defined by the shifting pressure of impending storms and intimate, high-key studio shots that isolate industrial artifacts, such as safety gear and commemorative spoons. This juxtaposition creates a narrative resonance, where the vast, moody landscapes—rendered with the distinct texture of medium format analogue film—contrast sharply with the sterile precision of commercial product photography. Whether framing the receding geometry of utility poles against sepia-toned skies or observing the quiet stillness of an unmade bed bathed in late afternoon light, the work serves as a profound study of place. By capturing the intersection of nature and industry, the project delivers a evocative, observational perspective on a region in flux, ultimately framing the American landscape as both an expansive natural entity and a site of quiet, unfolding human transition.
Project Atmos Magazine · Blowin’ in the Wind
Blowin’ in the Wind, a compelling editorial spread for Atmos Magazine, masterfully navigates the intersection of human movement and environmental fragility. Captured with the keen eye of photographer Bex Day, the project functions as a visual meditation on the elements, utilizing the persistent, often chaotic force of wind as a narrative anchor. Through the lens, the editorial leans into a cinematic aesthetic, frequently employing natural light to bathe subjects in the soft, transient glows of twilight and golden hour. The visual vocabulary is defined by intentional, raw textures, where custom-woven nautical rope and flowing, translucent fabrics interact with the landscapes of coastal fields and expansive shorelines. With fashion curation by Juanjose Mouko Nsue, the styling enhances this atmosphere, while the contributions of hair stylist Tommy Taylor and makeup artist Sandra Cooke preserve a sense of organic, unvarnished beauty. From surreal, high-speed freeze imagery capturing an inverted umbrella to the dreamlike quality of 35mm film light leaks, the series is both grounded and ethereal. By framing the models, including Benno Bulang and Edwina Preston, against distant offshore wind turbines, the project subtly invokes a dialogue about energy and our place within a changing climate. This is not merely portraiture but a sophisticated exercise in composition, where every gust of wind and shift in light serves a broader, atmospheric storytelling purpose.
Project Atmos Magazine · Tierra de Gigantes
Tierra de Gigantes, a striking visual feature produced for Atmos Magazine, serves as a profound exploration of cultural heritage and human connection to the land. Through the lens of photographer Diego Bendezu, the project bridges the gap between documentary reportage and high-end editorial, capturing the essence of traditional customs with remarkable depth and sensitivity. The series leans into a vibrant, textural aesthetic, utilizing natural light to elevate the intricate details of hand-woven textiles, ornate embroidery, and symbolic regalia. By blending candid lifestyle moments with staged, cinematic portraits, Bendezu creates a visual dialogue that respects the sanctity of the subjects while celebrating the kinetic energy of their traditions. The use of 35mm film adds a timeless, tactile quality to the imagery, grounding the narrative in a raw, authentic reality that feels both immediate and historical. Whether depicting the solemnity of religious processions in arid landscapes or the playful, intimate dynamics of daily life, the work maintains a consistent focus on human emotion and environmental storytelling. This project is a masterful example of contemporary media, expertly balancing rigorous documentary techniques with a sophisticated editorial eye to offer a vivid, multidimensional look at cultural endurance and identity within the Magazines, Media & Entertainment industry.
Project Atmos Magazine · Bog Fashion: The Designers Collabora ...
Atmos Magazine leans into a raw, tactile exploration of nature in this evocative fashion editorial, titled Bog Fashion: The Designers Collabora. Captured through the lens of photographer Dafy Hagai, the series masterfully bridges the gap between luxury fashion and the wild, untamed landscape of the bog. The editorial relies heavily on natural light to emphasize the intricate textures of the layered garments, which blend structured patterns with raw, frayed edges and earthy, desaturated tones. By placing models Ankitha Lakshmipathy and Jiwoo Chae amidst weathered logs, murky water, and dense woodland, the imagery channels a nomadic, almost primal aesthetic that feels both contemplative and grounded. Flora Huddart’s styling is central to this narrative, utilizing a mix of distressed knits, utility-style shorts, and heavy leather boots to create a striking contrast against the organic, muted environment. The deliberate use of foreground elements, such as dried grasses and out-of-focus tree branches, adds depth and cinematic quality to the portrait work, framing the subjects in an intimate, atmospheric space. With a focus on the interplay between fabric and forest, the project creates a cohesive visual study of sustainability and style. Through the combined efforts of hair stylist Lachlan Mackie and makeup artist Claire Urquhart, the cast maintains a haunting, neutral presence that allows the raw beauty of the styling to take center stage throughout this compelling portrait series.
Project Atmos Magazine · Atmos Magazine November 2025 Covers
Atmos Magazine presents its November 2025 cover series, a collection of portraits that lean into maximalist editorial aesthetics. The imagery features model Akuol Deng Atem and Aimee Byrne captured through a surreal, painterly lens that emphasizes saturated color and dramatic lighting. Photographer Elizaveta Porodina directed the visual execution, working with a team including fashion stylist Charlotte Buchal, hair stylist Claire Moore, and makeup artist Porsche Poon. The series alternates between botanical, layered arrangements and moody, underwater compositions to create an artistic, high-contrast visual experience.
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