Atmos Magazine
Featured Atmos Magazine projects
This week's top Atmos Magazine projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project Atmos Magazine · The future of life on a warming Thir ...
Atmos Magazine presents an immersive editorial study of life within a warming, high-altitude environment, captured through the evocative lens of photographer Zachary Handley. This project functions as a documentary-style exploration of human and animal endurance against the stark, geological backdrop of a remote mountain region. Through a series of sweeping vistas and intimate portraits, Handley leans into a raw, cinematic aesthetic, utilizing natural light and high-contrast composition to emphasize the shifting landscapes. The imagery navigates the intersection of fragility and resilience, layering macro details—such as delicate wildflowers and alpine flora—against the immense, weathered scale of ochre-toned mountain ranges and glacial riverbeds. By documenting the quiet rhythms of nomadic life and the presence of livestock amidst deep, rhythmic shadows, the collection channels a profound sense of isolation and environmental scale. Stylistically, the work employs techniques like drone aerial photography and low-key chiaroscuro lighting to elevate the tactile, granular textures of the earth. From the striking silhouette of a rider against a golden-hour sky to the documentary focus on traditional daily life, this project stands as a sophisticated visual narrative. It bridges the gap between digital media and fine art photography, offering a poignant meditation on the future of remote terrains while grounding its broader themes in the singular, human moments that define them.
Project Atmos Magazine · Volume 12: How Sports Teams Are Turn ...
Atmos Magazine Volume 12 explores the intersection of sport and community in this fashion editorial series. Photographed by Johnson Lui, the project merges vintage athletic apparel with handcrafted textile sculptures and graphic installations in outdoor park settings. The series features styling by John Colver and makeup by Nolan Eakin, utilizing natural light and analogue film techniques to capture a tactile aesthetic. Casting by Arielle Berman, alongside set design from Javier Irigoyen, frames the models in dynamic motion and intimate portraiture that contrasts traditional sportswear with artistic, earthy textures.
Project Atmos Magazine · POST HUMAN
Atmos Magazine presents POST HUMAN, an editorial fashion series that explores avant-garde silhouettes and post-apocalyptic narratives. The project integrates organic fungal elements with industrial textures, resulting in a moody and atmospheric visual language. Fashion editor and stylist Sandra Sole crafts the futuristic aesthetic, featuring asymmetrical garments and structured vinyl pieces. Set designer Phoebe Shakespeare complements the styling through the use of textured concrete pedestals and overgrown natural foliage, emphasizing a gritty, surreal tension in the composition. Driven by high-contrast lighting and distinct chiaroscuro techniques, the series features model Hey Yeon. The imagery leans into a restrained, dark palette, punctuated by delicate detailing such as antenna-like facial filaments and sleek, sculptural headpieces.
Project Atmos Magazine · Micro/Macro
Micro/Macro, a fashion editorial for Atmos Magazine, leans into the intersection of sculptural form and raw materiality. The project explores tactile surfaces through a series of studio-based compositions that blend portraiture with installation art. Through the use of natural light and high-contrast black-and-white grading, the work emphasises the intricate textures of organic fibers, knits, and found objects. Photographer Arash Khaksari captures the series with an experimental lens, often juxtaposing models against minimalist, desaturated backgrounds. Fashion styling by Flora Huddart incorporates oversized, fibrous garments and avant-garde silhouettes, while set design by Clara Lasagna provides the sculptural framework that anchors the imagery. The production features talent Katrina Skudra, with hair styling by Shunsuke Meguro, makeup by Porsche Poon, manicures by Magda S, and casting by Nachum Shonn.
Project Atmos Magazine · Atmos Magazine May 2025 Cover
The May 2025 issue of Atmos Magazine features a series of editorial cover images captured by photographer Elizaveta Porodina. The collection utilizes macro photography to explore the intricate intersection of biological textures and synthetic elements. Each composition pairs iridescent insect life with abstract surfaces, from deep red glass vessels to organic, skin-like backgrounds. The work incorporates moody color grading and analogue film aesthetics to emphasize fine details like exoskeleton structures and crystalline reflections. Hair styling by Amidat Giwa and makeup by Lynski further define the nature-inspired, textural visual language of the issue.
Project Atmos Magazine · MICRO / MACRO
MICRO / MACRO for Atmos Magazine is a detailed editorial series that explores the intersection of human portraiture and the natural world. Through extreme close-up photography, the work blends the intricate anatomy of insects with human features, creating a surreal and tactile visual language. Photographer Elizaveta Porodina employs a moody, atmospheric aesthetic, often using natural light and high-contrast color grading to emphasize biological textures. The series channels a raw, cinematic quality, featuring stylized metallic makeup and iridescent pigments that bridge the gap between skin and exoskeleton. With beauty contributions from hair stylist Amidat Giwa and makeup artist Lynski, alongside casting by Chouaib Arif, the project maintains a consistent focus on macro detail and organic forms.
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