V Man
Featured V Man projects
This week's top V Man projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project V Man · Game Changers with Kit Butler
In the Game Changers project for V Man, photography duo Luigi & Iango masterfully reimagine the boundaries of contemporary luxury fashion through a sequence of stark, high-impact portraits featuring model Kit Butler. This editorial series leans into a polished monochromatic palette, utilizing a blend of high-key and chiaroscuro lighting to elevate the subject’s silhouette and highlight intricate material textures. From the tactile complexity of hand-knit sweaters and heavy fringe to the sleek, reflective sheen of leather trench coats and satin gowns, the visuals function as a modern archive of style evolution. Fashion editor and stylist Alexander Roth orchestrates a diverse wardrobe that bridges the gap between classic masculinity and fluid, avant-garde tailoring, while hair stylist Sasha Nesterchuk and makeup artist Georgi Sandev ensure a meticulously groomed aesthetic that maintains focus on the interplay of light and shadow. Shot with a cinematic sensibility often associated with medium format photography, the series captures Butler in a range of moods, moving from composed, architectural poses to raw, mid-motion sequences. By stripping away environmental distractions, the project emphasizes pure form and personal presence, resulting in a cohesive portfolio that remains rooted in minimalist editorial photography while pushing the boundaries of classic portraiture. This work stands as a testament to the power of deliberate, studio-based storytelling within the luxury fashion sector, where every frame prioritizes structural definition and high-contrast precision.
Project V Man · Maximum Matthew
In the pages of V Man, the feature titled Maximum Matthew serves as a masterclass in the power of the monochrome editorial portrait. This high-fashion campaign spotlights actor Matthew Noszka through a lens that prizes sculptural minimalism and graphic precision. Captured by the esteemed photography duo Luigi and Iango, the imagery leans heavily into a clean, studio strobe aesthetic that defines the modern male editorial space. By utilizing high-contrast black and white photography, the creative team strips away distraction, forcing an intense focus on the interplay of texture, shadow, and silhouette. The series channels a cinematic depth, especially evident in the portraits that employ low-key chiaroscuro lighting to contour Noszka’s physique against a neutral backdrop. With fashion styling by Anna Trevelyan, the shoot moves effortlessly between experimental newspaper prints and structured, pattern-heavy ensembles, demonstrating an acute attention to detail. This project is not merely a showcase of apparel; it is a curated visual narrative that balances the boldness of typography with the nuanced stillness of portraiture. Through the collaborative efforts of the editorial staff and the meticulous lighting techniques employed throughout the shoot, Maximum Matthew establishes itself as a definitive study in contemporary male aesthetics, proving that when the color palette is removed, the strength of the composition becomes the primary storyteller of the frame.
Project V Man · Connor Storrie Breaks The Ice
In a masterclass of monochromatic storytelling, V Man brings an elevated sense of drama to its latest editorial portrait campaign, titled Connor Storrie Breaks The Ice. Featuring actor Connor Storrie, the series strips away the noise of color to focus entirely on the architectural geometry of form and fabric. Under the expert creative direction of Stephen Gan and the precise eye of photographers Luigi and Iango, the project channels a sophisticated, cinematic aesthetic that leans heavily into low-key and chiaroscuro lighting techniques. The imagery is marked by a refined intensity, where sharp studio strobe lighting carves out the sharp contours of Storrie’s physique and the intricate textures of his formal attire. Anna Trevelyan’s styling plays a crucial role here, juxtaposing avant-garde elements like zebra-print gloves and sequin-laden tailoring against classic tuxedo silhouettes to create a layered visual narrative. Meanwhile, Lauren Berrones and Georgi Sandev ensure the aesthetic remains polished, with slicked, textured hair and a clean, sculpted grooming finish that complements the minimalist studio backdrop. Each shot reads as an exercise in editorial minimalism, using high-contrast compositions to command attention. By masterfully balancing these disparate elements of light and shadow, the team has produced a compelling series that transforms static portraiture into a vivid exploration of modern masculinity, texture, and refined, formal elegance.
Project V Man · Sombr Before The Storm
V Man presents Sombr Before The Storm, a compelling exploration of contemporary menswear that captures a distinct, cinematic mood through a series of striking studio portraits. This editorial campaign pivots away from traditional lifestyle setups, leaning instead into a minimalist, monochromatic aesthetic that relies on the interplay of high-contrast studio strobe lighting and soft, natural light. By utilizing low-key chiaroscuro techniques, the imagery emphasizes the architectural structure of the garments, from metallic-finish quarter-zips to structured double-breasted blazers, while maintaining a sharp focus on the subject's voluminous, curly dark hair. The series reads as a masterclass in classic editorial fashion photography, where the deliberate use of a seamless grey studio backdrop forces the viewer to engage with the textures of the clothing and the model's intense, direct gaze. The styling, marked by layers of metallic accessories and oversized, retro-inflected eyewear, introduces a modern, structural element that bridges the gap between formal tailoring and avant-garde fashion. Throughout the project, the composition remains intentional and disciplined, successfully blending high-fashion sensibilities with a moody, reflective atmosphere that defines the Spring Summer 2026 collection. Through this series, V Man confirms its commitment to precision in fashion storytelling, utilizing clean, balanced framing to create a portrait-heavy campaign that feels both timeless and aggressively current.
Project V Man · V Man November 2025 Digital Cover
V Man presents the November 2025 digital cover, a feature profiling musician and entertainer Kid Cudi. Photographed by Matthew Brookes, the editorial project showcases a series of portraits captured in a rugged, desert landscape. Creative direction by Stephen Gan and fashion styling by Anna Trevelyan frame the subject through a curated lens, emphasizing textured layering and classic outerwear. The imagery utilizes a blend of monochrome and warm-toned aesthetics, often leaning into the natural grain and depth associated with analogue film. The collection features a variety of compositions, from intimate profile close-ups to dynamic, wide-angle shots against sprawling arid vistas, all captured under natural light to highlight the high-contrast textures of the styled knitwear and leather garments.
Project V Man · Fernando Lindez
V Man presents a fashion editorial portrait series featuring model Fernando Lindez. Photographed by Alvaro Beamud Cortes, the images lean into a clean, monochromatic aesthetic that emphasizes structured tailoring and material textures. The series utilizes analogue film techniques and sharp, directional lighting to define silhouettes against neutral studio backdrops. The creative team includes stylist Martí Serra, who coordinates the layered outerwear and utility-focused ensembles. Hair styling is provided by Annesofie Begtrup, with makeup artistry by Camille Lutz. The editorial captures a high-contrast visual style, focusing on sharp composition and minimalist studio staging.
Project V Man · City Sleeker - Bách Buquen
City Sleeker is a monochromatic editorial project for V Man featuring influencer and model Bách Buquen. Photographed by Isaac Anthony with creative direction from Nicola Formichetti, the series leans into high-contrast studio techniques to highlight tailored silhouettes and textured knitwear. The compositions maintain a consistent vertical focus against a neutral seamless backdrop, showcasing a range of styling from sharp, structured double-breasted blazers to graphic knit vests and oversized leather outerwear. With hair styling provided by Peter Gray, the collection balances clean, direct lighting with moody chiaroscuro effects to define facial contours and fabric detail. The project leans into a minimalist aesthetic, often utilising analogue film techniques to capture the subjects movement and detailed tailoring.
Project V Man · Romeo Beckham
V Man presents an editorial portrait series featuring Romeo Beckham, captured by photographer Alvaro Beamud Cortes. The project leans into a blend of studio minimalism and location-based grit, moving from clean, evenly illuminated backdrops to high-contrast outdoor settings featuring sharp graphic shadows. The styling, directed by Martí Serra, emphasises a sharp menswear aesthetic, pairing tailored leather and structured blazers with textured knitwear and athletic apparel. These images utilise monochrome palettes and natural light, with select frames shot on analogue film to lend a tactile, retro edge to the editorial. Production credits include hair styling by Pete Burkill, makeup by Rachel Singer-Clark, and casting direction by Greg Krelenstein.
Project V Man · VMEN by Isaac Anthony
V Man presents VMEN by Isaac Anthony, a fashion editorial spotlighting actor D'Pharaoh Woon-A-Tai. Through a series of high-contrast studio portraits, the series explores contemporary menswear through varied silhouettes, ranging from minimalist, high-key studio setups to moody, low-key chiaroscuro compositions. Photographer Isaac Anthony captures the subject across both clean, white-seamless backgrounds and dark, textured environments. With grooming and styling contributions from Peter Gray, the imagery emphasizes tactile details such as leather outerwear, tailored sage green suiting, and distressed sheer fabrics.
Project V Man · Don't Fall Behind
V Man presents 'Don't Fall Behind,' a recurring fashion editorial series that showcases athletic-inspired menswear and seasonal outerwear. Photographed by Petros Kouiouris with creative direction from Stephen Gan, the project utilizes a clean, high-key studio aesthetic to emphasize textile and silhouette. Fashion editor and stylist Nicola Formichetti curates a diverse wardrobe, moving from collegiate tailoring and preppy rugby tops to technical nylon puffers and structured leather coats. The editorial relies on a minimalist approach, using a pure white seamless backdrop and balanced studio lighting to highlight the range of textures and layering techniques throughout the collection.
Project V Man · V Man #55 Fall/Winter 2025 Covers
V Man presents the Fall/Winter 2025 issue, V Man #55, featuring a series of covers captured by photographer Alvaro Beamud Cortes. The project leans into a polished editorial aesthetic, utilizing clean color grading and deliberate studio lighting to define the season’s look. Creative direction by Stephen Gan shapes the visual narrative, which sees styling by Davey Sutton. The covers feature on-camera talent including Romeo Beckham, captured against high-contrast backgrounds with integrated typographic elements. The work maintains a vertical format suitable for print publication.
Project V Man · Big Sean
V Man presents an editorial portrait series featuring musician Big Sean, captured by photographer Cameron Krone. The project utilises high-contrast monochrome aesthetics to define the visual narrative, focusing on layered styling and expressive gesture work. The series leans into a high-key studio environment, utilising vertical and horizontal framing to showcase detailed accessory work and textured apparel. These portraits, produced by Cameron Krone, serve as a contribution to the publication's ongoing media and entertainment editorial coverage.
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