Tush Magazine
Featured Tush Magazine projects
This week's top Tush Magazine projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project Tush Magazine · Dew & Metal
Dew & Metal is a beauty editorial for Tush Magazine that explores the intersection of cosmetic art and metallic, reflective textures. Captured by photographer Laura Palm, the series features model Lotte Kleihauer in a range of extreme macro compositions that emphasize skin texture, fine lines, and the play of light across experimental surfaces. The work leans into a clinical, minimalist aesthetic, using clean studio lighting to isolate intricate details from crystal-embellished wire-rim glasses to beaded, translucent garments. The project highlights a precise approach to color and finish, utilizing vibrant teal-blue and metallic purple palettes alongside sharp, graphic beauty techniques. Makeup artists Helge Branscheidt and Loni Baur provide the artistry for the story, employing avant-garde embellishments and high-shine finishes that prioritize tactile, macro visual language throughout the editorial.
Project Tush Magazine · Chromatic Alchemy - Beauty Beyond Boundaries
Chromatic Alchemy—Beauty Beyond Boundaries is an editorial beauty series produced for Tush Magazine. The project explores the intersection of skin and sculptural texture, utilizing heavy metallic embellishments, foil, and micro-beading to transform the human face into an avant-garde canvas. Shot by photographer Marta Skovro, the series relies on crisp studio lighting and high-contrast composition to emphasize tactile surfaces against clean, minimalist backdrops. Working closely with makeup artist Miguel Lledo, the photography focuses on macro-level detail, isolating features like eyes and lips to highlight the interplay between reflective chrome, glossy skin, and matte pigments. Manicurist Nori contributes to the project with sharp, intricate nail styling that frames the subjects, leaning into a futuristic and polished aesthetic.
Project Tush Magazine · Julia Fox Tush
Tush Magazine presents a striking fashion editorial featuring actor Julia Fox. The series leans into an avant-garde aesthetic, utilizing theatrical silhouettes, structural garments, and elaborate headpieces to create a series of high-fashion portraits. Photographer Petros Kouiouris captures the subject across a variety of clean studio settings, employing techniques ranging from soft lighting to high-contrast chiaroscuro. The visuals emphasize bold architectural forms and metallic textures through a mix of monochrome and warm color palettes. Styling by fashion editor Briana Andalore and intricate hair design by John Novotny complete the editorial presentation, which incorporates elements of analogue film and clean composition throughout the set.
Project Tush Magazine · Tush Magazine #59 2026 Covers
The 59th issue of Tush Magazine presents a series of editorial portraits featuring Lena Gercke and Sarah Almoril. Photographed by Editor-in-Chief Armin Morbach, the covers adopt a clean, vertical aesthetic, focusing on precise styling and high-contrast studio visuals. The series highlights a collaborative approach to beauty and fashion production. The imagery incorporates sculptural hair styling by Patrick Gorra and bold makeup artistry by Rafa Delgado, while Laurent Dombrowicz provides fashion direction. The visual language leans into a polished editorial style, utilizing soft lighting and neutral tones to frame the subjects.
Project Tush Magazine · WIFI Material
The WIFI Material project for Tush Magazine is a fashion editorial series that explores the intersections of technology, avant-garde textures, and futuristic styling. Photographed by Illya Ovchar, the series features model Clara Heitkamp, with fashion direction by Sandy Kirik and editorial oversight by Armin Morbach. The work leans into a minimalist, clean aesthetic, utilizing a neutral studio backdrop to emphasize sculptural forms and bold motifs. Across the series, the imagery integrates technological elements—ranging from computer hardware components to retro telecommunications gear—alongside complex hair and makeup techniques to establish an experimental visual narrative. The collection employs consistent cool-toned lighting and sharp framing to unify these diverse editorial compositions.
Project Tush Magazine · before time had hands
Before Time Had Hands is a beauty editorial feature published in Tush Magazine. The series leans into a raw and intimate aesthetic, utilizing macro photography to isolate intricate textures, from skin pores and fine hairs to the tactile detail of a bumblebee resting on the skin. Photographer Laura Palm adopts a minimalist approach throughout the work, employing natural light and clean studio lighting to define facial contours and artistic makeup applications. The imagery transitions between high-contrast portraits against deep black backgrounds and bright, clinical frames, incorporating elements like stenciled patterns and bold, matte pigments to create a cohesive editorial narrative.
Project Tush Magazine · Zerkalo
In the latest editorial campaign for Tush Magazine, Zerkalo, photographer Jose Carvajal pushes the boundaries of cosmetic portraiture through a series of striking, extreme macro studies. This project leans into the intersection of raw, human vulnerability and high-concept artistry, prioritizing the visceral texture of skin over traditional notions of polished beauty. Working alongside movement director Weronika Kaminska, the imagery strips away the context of the face, favoring intense focus on freckles, pores, and the delicate architecture of the eye and lips. By utilizing cinematic lighting and high-contrast beauty light, the visuals emphasize the interplay between natural characteristics and experimental pigment. The work channels a sophisticated, editorial minimalism, where vibrant cyan blue graphic liner, heavy iridescent glitter, and dense, moody white pigments become sculptural elements rather than mere makeup. Each frame serves as an artistic exploration of surface, contrasting the organic warmth of skin with the synthetic allure of reflective metallic gloss. The resulting series reads as both an atmospheric narrative and a technical masterclass in macro photography, where the deliberate use of light creates a dialogue between the tactile reality of the model and the bold, otherworldly manifestations of color. This series captures a uniquely raw aesthetic that feels both hauntingly intimate and undeniably avant-garde, solidifying its place within the modern beauty landscape.
Project Tush Magazine · DER ANTI-HELD TRÄGT MAKE-UP
Tush Magazine leans into a provocative and genre-defying exploration of modern masculinity with their latest fashion editorial, DER ANTI-HELD TRÄGT MAKE-UP. By deconstructing the visual archetypes of the classic anti-hero, the spread pushes against rigid industry standards, favoring a raw, avant-garde aesthetic that feels both rebellious and meticulously curated. Featuring the striking presence of entertainer Duckwrth, the project serves as a masterclass in editorial portraiture, utilizing sharp studio strobe lighting to emphasize the stark contrast between delicate textures and aggressive silhouettes. The styling is anchored by heavy leather garments, ornate silver gauntlets, and intricate lace detailing, which collectively foster an atmosphere of dark, cinematic intensity. Central to the visual narrative is the transformative work of makeup artist isshehungry, who employs bold red pigments, metallic highlights, and stark, star-shaped graphic motifs to redefine the face as a primary canvas for self-expression. Every frame is balanced against a vibrant, solid blue backdrop that grounds the chaotic energy of the accessories and distressed fabrics in a clean, minimalist space. By centering on these deliberate juxtapositions, the editorial successfully challenges conventional luxury fashion house aesthetics, offering a nuanced look at identity that feels fresh, sharp, and unmistakably bold within the current landscape of high-concept creative photography.
Project Tush Magazine · DAS WERK - DIE SCHÖNEN FREMDEN
The latest editorial campaign for Tush Magazine, titled DAS WERK - DIE SCHÖNEN FREMDEN, presents a masterful exploration of avant-garde fashion through a series of evocative portraits that challenge traditional beauty standards. Photographer Armin Morbach captures a striking narrative of structural transformation, where the intersection of human form and industrial design takes center stage. By utilizing precise studio strobe techniques and a sharp, cinematic visual language, the project frames its subjects as both otherworldly entities and studies in meticulous craft. Model Linus Weber embodies this duality with a compelling, angular intensity, supported by dramatic grooming choices that include towering pompadour hairstyles and bleached aesthetics. The composition remains resolutely minimalist, allowing the intricate, high-gloss black body armor and sharp, high-key lighting to dictate the visual rhythm of the work. Each image acts as a sculptural dialogue, balancing the soft, luminous skin textures against the rigid, mechanical nature of the costume elements. With expert retouching by Jan Wischermann, the series maintains a uniform, polished finish that feels simultaneously futuristic and timeless. This project leans into the core tenets of high-fashion editorial storytelling, favoring crisp, clinical lines and an uncompromising, direct gaze that demands total viewer engagement. The result is a bold, cohesive display of creative vision that cements the magazine's reputation for pushing the boundaries of style through rigorous, conceptual portrait photography.
Project Tush Magazine · Tush Magazine #58 2026 Covers
Tush Magazine continues to redefine the boundaries of print media with its latest 2026 covers, a collection that leans into bold graphic minimalism and high-concept portraiture. Across this series, the publication maintains its reputation for industry-leading editorial storytelling by bridging the gap between raw, behind-the-scenes realism and polished studio perfection. Photographers Armin Morbach and Otto Masters masterfully employ studio strobe and soft natural light to emphasize the distinct personalities of their subjects, ranging from the cinematic presence of Sandra Hüller against a vibrant magenta backdrop to the sharp, layered tension of Lera Abova behind horizontal blinds. The aesthetic is anchored by meticulous styling from Laurent Dombrowicz and Veronika Heilbrunner, alongside transformative beauty work by artists like Anne Timper and Jane Richardson, whose use of graphic eyeliner and textured palettes elevates each frame into a standout piece of modern art. By incorporating elements of the studio process, such as visible hands and styling tools, the project provides a sophisticated glimpse into the collaborative labor behind professional magazine production. This collection not only captures the essence of its cover stars, including Toni Garrn, but also serves as a masterclass in clean, intentional composition. Through this fusion of fashion editorial vision and technical precision, Tush Magazine proves that even in an increasingly digital landscape, the power of a striking, well-crafted cover remains an essential cultural touchstone for the entertainment industry.
Project Tush Magazine · ALLE AUGEN AUF LERA
In the pages of Tush Magazine, the feature Alle Augen Auf Lera emerges as a masterclass in editorial minimalism and high-fashion portraiture. Centered around the commanding presence of model Lera Abova, the project leans into a monochromatic aesthetic, utilizing stark white backgrounds and crisp studio strobe lighting to elevate the sculptural qualities of modern tailoring. Photographer Armin Morbach adopts a disciplined lens, blending precise graphic elements with a refined beauty focus. The series is defined by a series of striking stylistic choices, including bleached eyebrows, wet-look hair, and sharp, geometric layering created by window blinds or corrugated glass filters, which lend a dreamlike, abstract texture to the imagery. This visual narrative is perfectly complemented by the layout design, which employs bold typography and extensive negative space to emphasize a sophisticated, luxury print sensibility. By incorporating YSL Beauty products into the visual storytelling, the work bridges the gap between high-fashion editorial and commercial beauty, resulting in a cohesive, rhythmic experience for the reader. The project succeeds by prioritizing silhouette and form over excess, allowing the interplay of light, shadow, and fabric to take center stage. Ultimately, Alle Augen Auf Lera serves as a profound testament to the power of restrained art direction, proving that when handled with intent, simplicity remains the most compelling language in the fashion industry.
Project Tush Magazine · Soft Discipline
Soft Discipline, a striking beauty campaign for Tush Magazine, redefines the boundaries of cosmetic editorial through a rigorous exploration of texture, pigment, and form. Captured by photographer Jason Kim, the project functions as a visual dialogue between human skin and industrial-grade artifice, frequently pairing close-up portraiture with abstract material studies. The execution leans heavily into editorial minimalism, utilizing the precision of studio strobe lighting to elevate the tactile quality of oil paint smears, thick mascara coatings, and vibrant matte pigments. This high-fashion approach is further grounded by the deliberate choices of fashion editor and stylist Lyla Cheng, whose curation of experimental silhouettes complements the bold, avant-garde makeup looks crafted by artist Marie Bruce. Hair stylist Roku Roppongi contributes equally to the sculptural impact of the series, creating architectural hairstyles—from horizontal finger waves to structured updos—that frame the subjects' expressions with technical perfection. Models Emily Liptow, Holly Sofia Farmer, and Xie Xinwen anchor the series with a raw, candid sensibility, allowing the intense, saturated color palettes to remain the primary focus. By balancing macro-level product studies with sharp, graphic portraits, Soft Discipline establishes a clean, high-definition aesthetic that challenges traditional cosmetic photography, ultimately transforming makeup application into a raw, discipline-driven performance of color and light.
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