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Showstudio

2 projects·0 creatives·

Featured Showstudio projects

This week's top Showstudio projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.

Model in black tights and suspenders holding a red violin above their head against a plain white studio background. Project

Showstudio · 'Naturally' by Nick Knight

In the striking series Naturally, legendary photographer Nick Knight once again challenges the conventions of fashion portraiture, delivering a visual exploration that feels both alien and intimately human. Through a collaboration with an elite roster of talent including Naomi Campbell, Anok Yai, and Mona Tougaard, the project navigates the intersection of editorial high fashion and avant-garde sculpture. The work leans into a masterclass of contrast, oscillating between the sharp, clinical precision of studio strobe lighting—which highlights the intricate interplay of silver chains and vibrant instruments—and a more brooding, cinematic atmosphere. In these instances, the use of low-key, chiaroscuro lighting techniques transforms the models into silhouettes against organic, cavern-like textures, underscoring the dramatic architecture of oversized black tulle headpieces and structural styling. With hair styling by Eugene Souleiman, the series acts as a testament to the transformative power of the editorial lens, pushing beyond mere documentation to create surrealist compositions. By stripping away extraneous noise, Knight centers the viewer on the physical elegance of the subjects and the tactile depth of their ensembles. Naturally stands as a poignant example of how refined technique and a clear creative vision can elevate the medium, resulting in a cohesive portfolio that remains deeply embedded in the contemporary visual language of modern fashion and art photography.

Model wearing a sculptural white dress standing on a bed of nails supported by a metal frame Project

Showstudio · HARRI

Showstudio’s project HARRI is a fashion editorial series that interrogates the relationship between avant-garde sculptural garments and brutalist architecture. Through a series of conceptual portraits, the work juxtaposes the organic, inflated forms of the clothing against the rigid, angular geometry of concrete structures and surreal outdoor landscapes. Photographer Valerio Nico employs a clean, minimalist aesthetic across the series, utilizing natural light to accentuate the textures of latex, polished brass, and voluminous inflatables. The project incorporates varied settings, ranging from intimate interior arrangements on decorative tile floors to expansive outdoor environments featuring split-vehicle installations. The resulting imagery leans into a surreal, editorial tone that highlights the interplay between human performance and wearable sculpture.