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Model wearing a sculptural white dress standing on a bed of nails supported by a metal frame
Model wearing a sculptural white inflatable garment standing on a bed of nails within a sparse room.
Model wearing a black latex gown with oversized yellow inflatable robotic claw arms standing outside a brutalist building.
A musician playing a large brass sousaphone while wearing voluminous white sculptural garments against a building exterior at night.
Model wearing a black latex outfit and large yellow inflatable sculptural attachments standing before a brutalist concrete building.
A musician wearing an inflatable white suit plays a large brass sousaphone outdoors in front of a building.
Two models seated inside separate halves of a split white car outdoors on an unpaved road with trees in the background.
Two people seated inside separate halves of a split white car outdoors on a sandy terrain with trees in the background
A man and woman sitting inside the halves of a split white car outdoors on a paved road under a clear sky.
Model wearing avant-garde sculptural black garment posing on a brutalist concrete structure against a blue sky
Model wearing a sculptural white dress standing on a bed of nails supported by a metal frame
Model wearing a sculptural white inflatable garment standing on a bed of nails within a sparse room.
Model wearing a black latex gown with oversized yellow inflatable robotic claw arms standing outside a brutalist building.

Showstudio HARRI 2025

About

Showstudio’s project HARRI is a fashion editorial series that interrogates the relationship between avant-garde sculptural garments and brutalist architecture. Through a series of conceptual portraits, the work juxtaposes the organic, inflated forms of the clothing against the rigid, angular geometry of concrete structures and surreal outdoor landscapes. Photographer Valerio Nico employs a clean, minimalist aesthetic across the series, utilizing natural light to accentuate the textures of latex, polished brass, and voluminous inflatables. The project incorporates varied settings, ranging from intimate interior arrangements on decorative tile floors to expansive outdoor environments featuring split-vehicle installations. The resulting imagery leans into a surreal, editorial tone that highlights the interplay between human performance and wearable sculpture.

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