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Revue Magazine

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Featured Revue Magazine projects

This week's top Revue Magazine projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.

Close-up macro photography of a person's eye and skin texture under dark moody lighting for Revue Magazine. Project

Revue Magazine · Labyrinthe du Soi

Labyrinthe du Soi is a comprehensive beauty and fashion editorial series featured in Revue Magazine. The project channels an avant-garde aesthetic, utilizing extreme macro photography and sharp, directional lighting to explore the interplay between human skin texture and high-concept cosmetic application. Photographer Arash Khaksari leads the visual execution, working alongside stylist Eline Hoyois and set designer Clara Lasagna to create a series of minimalist, highly textured compositions. The work balances precise tailoring and sculptural silhouettes with delicate, painterly makeup looks by Laura Dominique and intricate hair styling by Pierre Saint Sever.

Amber glass perfume bottle nestled inside a braided loaf of artisanal bread on a silver background Project

Revue Magazine · Odorama

Revue Magazine’s Odorama project is a series of conceptual still life photographs exploring the intersection of fragrance and sculpture. The imagery leans into artistic, editorial compositions that juxtapose perfume vessels with unexpected textures, ranging from baked bread and melting candles to polished metallic spheres and vintage silver. Photographer Cameron Bensley captures these arrangements through clean, directional lighting and macro techniques. The series maintains a consistent visual focus on material contrast and form, employing editorial, low-key, and natural light styles to accentuate the glass and metallic surfaces within each frame.

Model seated on a white chair wearing a sheer lace veil and outfit with ruffled trousers, captured in an interior room. Project

Revue Magazine · Les caractères ou les mœurs de ce siècle

Les caractères ou les mœurs de ce siècle is a fashion editorial series for Revue Magazine that explores contemporary tailoring and avant-garde silhouettes. Photographed by Joachim Müller-Ruchholtz, the project features model Steinberg in a sequence of experimental ensembles, ranging from voluminous denim and structured blazers to sheer lace and metallic-accented footwear. Fashion direction by Ali + Aniko leans into a raw, minimalist aesthetic, placing the subject against stark interior walls and dark flooring to highlight complex textures. The imagery, captured using analogue film and natural light, maintains a clean and intentional visual language. Key contributions include hair styling by Yoko Setoyama, makeup by Ciara O'Shea, and casting by Emilie Åström.

Model Selia Hamdani posing against a metal gate in an oversized black leather jacket and white tie blouse for Revue Magazine. Project

Revue Magazine · Portrait sans concession

In Portrait sans concession, Revue Magazine delivers a masterclass in fashion editorial storytelling, stripping away the superfluous to center on the raw intersection of high luxury and urban grit. Photographer Maxime Imbert expertly captures this tension, utilizing natural light and the evocative texture of analogue film to ground the subjects in a tangible, street-level reality. The project leans into a rigorous monochromatic aesthetic, where the interplay of structured leather, intricate pearl accents, and utilitarian silhouettes creates a visual language of sophisticated restraint. Asier Rodriguez serves as fashion editor and stylist, curating a wardrobe that balances the sharpness of contemporary biker jackets with the soft, classic elegance of pussy-bow blouses and oversized fabric bows. Model Selia Hamdani anchors these portraits with an unflinching, direct gaze, transforming every frame into a study of character as much as clothing. By blending high-contrast lighting with a disciplined approach to composition, the work avoids the pitfalls of over-production, instead favoring an editorial minimalism that demands attention. This series serves as a definitive exploration of modern luxury fashion houses, proving that when the styling is this precise, the image requires no garnish to leave a lasting impact. The result is a cohesive, high-impact collection that respects the viewer’s intelligence while elevating the featured garments through sheer atmospheric command and deliberate framing.

Monochrome close-up photograph of natural human skin folds and curved anatomical contours. Project

Revue Magazine · MEMBRANE

In the latest editorial spread for Revue Magazine, titled MEMBRANE, photographer Hordur Ingason explores the boundaries of the human form through a series of striking, intimate visual studies. By stripping away environmental context, Ingason transforms the body into a landscape of topography, treating skin as a sculptural element rather than a traditional subject. This fine art project leans into a minimalist aesthetic, utilizing natural light and low-key chiaroscuro techniques to heighten the interplay between deep shadows and organic contours. The editorial series oscillates between raw, tactile portrayals and highly stylized conceptual compositions, enhanced by the meticulous work of makeup artist Marie Thomsen and hair stylist Lasse Pedersen. Whether capturing the subtle, powdery dusting of matte pigment, the high-contrast glimmer of reflective particles, or the fluid, metallic sheen of silver paint, the imagery forces a meditative engagement with the physical. The macro-focused compositions feel both clinical and deeply personal, effectively turning the human silhouette into an abstract, monochromatic terrain. MEMBRANE succeeds by daring to look closer, finding beauty in the minute details of texture and light that often go unnoticed. This project serves as a compelling masterclass in modern portraiture, where the focus remains exclusively on the interplay of shape and surface to define a provocative new visual language for the publication.

Model Alexander Acquah wearing bold red lipstick and a green sweater with a red bow on the cover of Revue Magazine. Project

Revue Magazine · Revue Magazine #21 2026 Covers

For the twenty-first issue of Revue Magazine, the creative team has delivered a compelling study in contrasts that redefines the conventions of traditional editorial portraiture. Captured through the lens of photographer Alexandre Haefeli, the cover project leans into a striking visual juxtaposition that challenges gendered beauty norms while maintaining a sophisticated aesthetic. Central to the composition is model Alexander Acquah, whose presence is anchored by a sharp, intentional stillness that cuts through the negative space of a clean white backdrop. The execution draws heavily on natural light to highlight the intricate textures of both his dark hair and the moss-green knitted sweater he wears, but it is the bold, vibrant orange lipstick applied by makeup artist Jenneke Croubels that provides the project with its focal point. Further elevated by the meticulous fashion styling of Nelly Carle, the ensemble—punctuated by a prominent red necktie—creates a high-contrast color palette that feels both classic and distinctly contemporary. By integrating clean, oversized typography that frames the subject without obscuring his gaze, this issue successfully merges the worlds of high-fashion photography and magazine design. It is a masterclass in editorial minimalism, proving that when the casting, art direction, and beauty elements are perfectly aligned, a single portrait can command attention and set a provocative tone for an entire publication cycle.

Diptych editorial spread of a red-haired woman in a white top and jeans next to a portrait in a dark blazer against a red brick wall. Project

Revue Magazine · Usages Romanesques du Portrait

Revue Magazine presents Usages Romanesques du Portrait, an editorial project exploring human character through a series of contrasting portraiture styles. Photographed by Simons Pinckney Finnerty, the series alternates between minimalist interior settings and expansive outdoor environments to frame its subjects. The layouts employ a clean, editorial aesthetic, balancing sharp focus with soft, diffused natural light. Styling is supported by hair stylist Yoko Setoyama, whose work complements the varied textures of the project, ranging from formal studio settings to rugged masonry walls and natural park landscapes. The composition integrates bold typographic elements and occasional monochrome treatments to anchor the visuals within the magazine's format, capturing a cohesive yet diverse sequence of figures.

Model wearing a black leather coat, striped shirt, and tie while seated on a white chair against an indoor background. Project

Revue Magazine · Revue Magazine S/S 2025 Covers

Revue Magazine presents its S/S 2025 editorial cover series, a collection of fashion portraiture that explores minimalist composition and sculptural detail. Photographed by Carl Diner and Joachim Müller-Ruchholtz, the covers highlight distinct aesthetic directions ranging from relaxed, structured tailoring to avant-garde sheer garments with stylized facial elements. The project features fashion direction by Ali + Aniko and fashion editing by Kaduri Elyashar, with casting by Emilie Åström. The imagery utilizes natural light to emphasize clean, high-contrast silhouettes and textures. Featured models include Celeste Fitzpatrick and Steinberg, supported by hair styling from Clement Billon and Yoko Setoyama, and makeup artistry by Ciara O'Shea and Marie Duhart.

Model wearing a black leather coat, striped shirt, and tie while seated on a chair, with bold yellow typography overlay. Project

Revue Magazine · les caractères ou les mœurs ce siècle

Revue Magazine presents 'les caractères ou les mœurs ce siècle', an editorial fashion series that explores structured silhouettes and utilitarian styling. Photographer Joachim Müller-Ruchholtz captures the subject in a mix of oversized leather and pinstriped tailoring, set against a sparse interior backdrop. The project leans into an analogue aesthetic, utilising crisp direct lighting to emphasise the textures of the leather and shirting. Fashion direction by Ali + Aniko complements the clean visual approach, with hair by Yoko Setoyama and makeup by Ciara O'Shea.