Replica Man Magazine
Featured Replica Man Magazine projects
This week's top Replica Man Magazine projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project Replica Man Magazine · Photography Daniel Archer
This fashion editorial for Replica Man Magazine features model Valentin Caron, captured by photographer Daniel Archer. The series leans into a moody, industrial aesthetic, utilizing raw concrete environments and distressed textures to ground the high-fashion menswear looks. The imagery employs techniques like long exposure and multiple exposure to explore movement and form within the editorial framework. Fashion editor Gro Curtis styles the pieces, which range from sculptural pleated capes and experimental fringed garments to sharp, tailored suits. The visual narrative is supported by set design from Tobias Blackmore, who integrates industrial elements like wire mesh, cabling, and bespoke platforms to create depth. The production was overseen by executive producer Giorgio Tsintoukidis, with hair styling by Pablo Kuemin, makeup by Samanta Falcone, and casting by Goran Macura.
Project Replica Man Magazine · Jackson Wang x Louis Vitton
Replica Man Magazine presents a sprawling editorial feature centering on musician and global ambassador Jackson Wang, showcasing an array of Louis Vuitton apparel. The series leans into a high-contrast aesthetic, alternating between sharp, clean-lined studio portraiture and surreal, layered compositions. Techniques such as monochrome processing and the integration of vivid aquatic elements—specifically goldfish swimming over submerged portraits—define the project's visual narrative. The shoot highlights the tactile quality of the collection, from heavy-textured herringbone overcoats and monogram motifs to intricate, embellished tailoring, captured through soft, directional lighting and atmospheric landscape portraiture.
Project Replica Man Magazine · Joel
Replica Man Magazine presents "Joel," a fashion editorial series featuring model Joel Kemp. The project showcases a diverse range of menswear, captured through both stark studio portraiture and environmental location shots. Across the series, the styling by Celestine Cooney emphasizes textural interplay, utilizing heavy knits, tailored suiting, and layered accessories against both minimalist white backgrounds and rich, architectural settings. Photographer Dale Cutts employs a mix of clean lighting and high-contrast monochrome aesthetics to define the subjects silhouette. With makeup artistry by Claire Urquhart and casting by Sarah Small, the series relies on Editorial, Monochrome, and Analogue film techniques to explore movement and tactile fashion detail.
Project Replica Man Magazine · Photography Jessica Madavo
For Replica Man Magazine, photographer Jessica Madavo delivers a series of editorial portraits that explore intimate, contemplative character studies. The work relies on a grainy, tactile finish and soft, diffused light to draw focus toward the subjects' expressions and facial contours. Styling by Billy Lobos, hair by John Allan, and makeup by Marcelo Gutierrez complement the raw, minimal aesthetic. With casting by Mischa Notcutt, the imagery leans into a moody, naturalistic approach that emphasizes form and silhouette.
Project Replica Man Magazine · It is Waterproof Shatterproof Proof
It is Waterproof Shatterproof Proof is a fashion editorial series for Replica Man Magazine, captured by photographer Ben Taylor. The project presents a collection of portraits and styled compositions that contrast structured menswear with varied interior and outdoor settings, from industrial garages and glass-enclosed greenhouses to domestic spaces defined by intricate mosaic tiling and wood panelling. Throughout the series, fashion editor and stylist Vincent Pons employs a diverse textile palette, layering textured tweeds, faux fur, and bold knitwear against more classic tailoring. The work leans into a clean, naturalistic aesthetic, with hair styling by Nicolas Philippon and casting directed by Andrea Prato and Daniel von der Graf. Featuring models Adrian Timmermanns and Jesse Rinderknecht, the imagery relies on natural light to highlight the depth of the garments and the atmospheric, often contemplative, mood of the subjects.
Project Replica Man Magazine · Replica Man Magazine Summer/Autumn 2 ...
Replica Man Magazine presents its latest editorial series, captured through a series of high-profile cover portraits that lean into minimalist, moody, and monochrome aesthetics. Featuring talent including actors Ben Whishaw, Earl Cave, and Tom Sturridge, the series highlights bold fashion direction across a diverse range of seasonal covers. The photography makes extensive use of natural light and soft studio lighting to define the editorial tone. Each portrait is characterized by distinct styling choices, from structured Rick Owens and Vivienne Westwood to tailoring by Saint Laurent. The magazine emphasizes visual storytelling through typography-led layouts and evocative, earthy, or graphic compositions. The collection showcases a collaborative effort from a wide roster of photographers, including Siân Davey, Jessica Madavo, Josh Hight, Ben Taylor, and Karl Felix, with editorial leadership provided by Editor-in-Chief Jo Barker.
Project Replica Man Magazine · Earl Cave
In a striking editorial spread for Replica Man Magazine, photographer Siân Davey captures actor Earl Cave through an intimate and atmospheric lens. This project leans into the duality of urban restlessness and pastoral serenity, moving seamlessly from the metallic, structural backdrop of a city park to the immersive, organic textures of dense woodland rivers. Under the creative direction of fashion editor and stylist Jo Barker, the aesthetic is defined by a bold color palette—ranging from vibrant yellow and deep red knits to structured monochrome tailoring—that contrasts sharply against the muted, lush greens of the natural environment. The imagery masterfully utilizes natural light, favoring the soft diffusion of the golden hour and dappled forest canopy to build a cinematic quality that elevates the subject’s composed, contemplative persona. Through hair styling by Michael Harding and casting direction by Ricky Michiels, the series achieves a raw, tactile elegance that feels both grounded and deeply stylized. The project excels as a sophisticated portrait study, where the juxtaposition of modern fashion against untamed, watery settings creates a visual narrative that is at once vulnerable and commanding. By prioritizing a clean, focused composition and authentic, windswept styling, the feature serves as a quintessential example of high-end editorial storytelling that remains firmly rooted in the personality and magnetic screen presence of its subject.
Project Replica Man Magazine · On/Off
For the latest issue of Replica Man Magazine, the editorial feature titled On/Off masterfully navigates the tension between raw intimacy and controlled fashion narrative. Photographed by Andy Jackson, the series leans into a distinct editorial aesthetic, utilizing natural light to elevate the tactile interplay between skin, high-end leather, and textured knitwear. Rather than relying on ornate settings, the project finds its power in the quiet domesticity of confined spaces, utilizing the clean lines of minimalist interiors to frame its subjects with stark, intentional precision. Fashion editor and stylist Erik Ziemba curates a wardrobe that dances between classic tailoring and provocative silhouettes, expertly supported by casting from Ricky Michiels, who selected models including Anthony Foster, Charlie Pavia, and Erik Lemus-Calderon to bring a grounded, human energy to the portraiture. The execution is remarkably balanced; the movement direction by Ash Rucker, combined with precise set design by Maisie Sattler, allows the models to occupy the frame with a quiet, lingering authority. With hair styling by Tsuki and makeup by Ai Yokomizo, the project avoids the polished sterility of standard fashion shoots, opting instead for a gritty, organic warmth. Whether capturing a cascading glass of water or the stillness of a bedroom, the collection feels like a contemporary exploration of masculinity, rendered in a series of images that feel both vulnerable and undeniably composed.
Project Replica Man Magazine · Men with Teddies
In the latest issue of Replica Man Magazine, the Men with Teddies cover story offers a masterclass in editorial portraiture that leans into the juxtaposition of rugged masculinity and playful sentimentality. Photographer Karl Felix captures his subject with a deliberate, deadpan intensity, balancing a small plush teddy bear atop the model’s head to subvert traditional expectations of male fashion imagery. The composition utilizes a clean, studio strobe aesthetic, yet the soft, even lighting maintains a sense of intimacy that feels both accessible and high-fashion. This choice of lighting, combined with the solid, neutral beige backdrop, places the entire focus on the subject's expression and the raw, frayed textures of his sleeveless plaid top. The project benefits significantly from the cohesive vision of fashion editor and stylist Nicole Walker, whose curation grounds the eccentric prop in a sophisticated visual language. Furthermore, the meticulous work of hair stylist Christos Bairabas and makeup artist Mantis Lepretre adds a level of polished precision that prevents the editorial from slipping into mere caricature. With casting by Barbara Nicoli and Leila Ananna, the selection of talent ensures the concept retains a grounded, authentic quality. Ultimately, this editorial project stands out as a striking example of contemporary magazine media, proving that even the most whimsical props can serve a powerful, composed narrative when executed with this level of stylistic restraint.
Project Replica Man Magazine · It is Waterproof Shatterproof Proof
It is Waterproof Shatterproof Proof for Replica Man Magazine acts as a compelling exercise in juxtaposition, where high-concept luxury fashion meets the grit and unpredictability of domestic and industrial environments. Through the lens of photographer Ben Taylor, the series masterfully balances an editorial sensibility with a grounded lifestyle aesthetic. The project leans into the fluidity of contemporary menswear, featuring models Adrian Timmermanns and Jesse Rinderknecht who inhabit an array of layered silhouettes that oscillate between sharp, formal tailoring and deconstructed casual wear. With styling by fashion editor Vincent Pons, the imagery highlights a sophisticated, monochromatic color palette punctuated by bold textural elements like faux-fur, tweed, and structured neck ruffs. Utilizing natural light throughout, the compositions exploit the contrast between organic outdoor foliage and the clinical, geometric constraints of greenhouses and tiled interiors. Every frame feels deliberate, moving away from traditional catalogue polish toward a more raw, intimate portrait style. By integrating unconventional accessories and layering tailored blazers with rubber boots or utilitarian jackets, the work challenges the boundaries of traditional masculinity. With the meticulous hair styling of Nicolas Philippon and precise casting by Andrea Prato and Daniel von der Graf, the collection serves as a visual exploration of how high-fashion garments can recalibrate within ordinary, everyday spaces, ultimately proving that true style is as resilient as the subjects themselves.
Project Replica Man Magazine · Replica Man the Summer/Autumn 26
Replica Man the Summer/Autumn 26 issue marks a masterclass in editorial minimalism, leaning into a sophisticated, clean-lined aesthetic that prioritizes texture and silhouette over unnecessary noise. Captured through the lens of photographer Pavel Golik, this series of portraits channels a contemplative mood, placing a diverse cast of models—including Cas Lambrechts, Leander Cowie, Romeo Burel, and Timur Saryyev—against stark, neutral studio backdrops. The project excels in its structural layering, where the fashion curation by editor and stylist Mauricio Nardi brings together contrasting materials, such as supple leather trousers, heavy geometric-knit vests, and structured wool blazers. By utilizing a mix of natural light and precise studio strobe setups, the imagery emphasizes the tactile quality of the fabrics, from the plush faux fur collars to the sleek pinstripe tailoring. With the meticulous hair styling of Joseph Pujalte and makeup artistry by Thierry Do Nascimento, the project maintains a consistent, high-fashion narrative that feels both timeless and grounded. The inclusion of subtle lifestyle elements, such as chessboards and wooden studio furniture, adds a layer of quiet, intellectual depth to the portraits. Ultimately, the work serves as a testament to the power of a restrained visual language, allowing the intricate design details of each luxury garment to take center stage within the publication's signature editorial framework.
Project Replica Man Magazine · TOM STURRIDGE
For this editorial feature in Replica Man Magazine, photographer Carmine Romano captures actor Tom Sturridge in a sequence of portraits that redefine the boundaries of modern masculine portraiture. By masterfully oscillating between high-contrast chiaroscuro techniques and vibrant, saturated studio strobe setups, the series leans into a cinematic visual language that is as versatile as its subject. The imagery channels a sense of theatrical introspection, with Sturridge appearing in contexts ranging from minimalist, graphic compositions to moody, atmospheric vignettes set in vintage cars and lush, overgrown gardens. Stylist Brando Prizzon curates a narrative through sharp tailoring, ornamental props, and unexpected layering, while hair stylist Yuri Napolitano and makeup artist Serena Congiu contribute to the project's visceral texture, specifically through the use of wet-look hair styling and dramatic, evocative makeup applications. Whether utilizing 35mm analogue film or precise natural light, the collection feels both timeless and intentionally disruptive. The inclusion of live-action techniques, such as projected text onto the subject, punctuates the editorial with a sharp, contemporary edge. Through the lens of these varied aesthetic choices, the project explores the interplay between performance and presentation, ultimately creating a compelling, multi-faceted study of identity that remains firmly rooted in the high-end, artistic traditions of international fashion media.
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