Pop Magazine
Pop Magazine's avant-garde fashion editorials, cultural profiles and luxury visual culture
Featured Pop Magazine projects
This week's top Pop Magazine projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project Pop Magazine · River
Captured for the Autumn/Winter 2021 issue of Pop Magazine, 'River' is a comprehensive fashion editorial featuring model River Klein. The project leans into a documentary-style aesthetic, moving through a diverse range of urban settings and domestic scenes that highlight layered, contemporary apparel. The photography, led by Laura Jane Coulson, maintains a cohesive visual identity through the consistent use of natural light and tactile, analogue film techniques. Helga Burrill curates a wardrobe of relaxed streetwear and textured knitwear, complemented by hair styling from Dylan Chavles and makeup by Emi Kaneko. The series oscillates between intimate, candid portraits and wide-angle architectural shots, employing various techniques including long exposure to capture motion and high-contrast monochrome grading to evoke a cinematic mood.
Project Pop Magazine · At Night - Sasha P / Louis Vuitton
Pop Magazine presents 'At Night,' a fashion editorial featuring Sasha Pivovarova that explores high-contrast aesthetics and graphic interior compositions. Photographed by Thurstan Redding, the shoot channels a cinematic mood through the interplay of shadow and texture, frequently utilizing low-key / chiaroscuro lighting to elevate the model's structured silhouettes. Art direction by Ben Kelway and styling by Claudia Sinclair define the visual rhythm of the series, pairing avant-garde headwear and tailored apparel against minimalist, architectural sets. From moody monochrome portraits to soft-light setups against pastel-toned panels, the imagery relies on precise geometric framing and intentional composition. Supporting the creative production are hair stylist Naoki Komiya, makeup artist Chiao Li Hsu, and set designer Samuel Overs, whose work balances clean lines with delicate floral elements.
Project Pop Magazine · Selena & Fumiko / Tourist (Once, Twice, Thrice)
Pop Magazine presents 'Selena & Fumiko / Tourist (Once, Twice, Thrice),' a fashion editorial series that places model Selena Forrest against the backdrop of iconic Parisian landmarks. Captured by photographer Fumiko Imano, the project utilizes wide-angle compositions and low-angle perspectives to frame the subject against architectural heavyweights like the Eiffel Tower and the Louvre, blending high-fashion silhouettes with an urban, public-square aesthetic. Fashion editor Vanessa Reid centers the styling on tactile, voluminous outerwear, showcasing sculptural fur pieces, raw-edged textures, and monochromatic layering. The series employs an analogue film feel and natural light, utilizing techniques that range from desaturated, nostalgic tones to clear, symmetrical framing. The creative team includes hair stylist Kalle Eklund, makeup artist Celine Martin, and casting director Julia Lange.
Project Pop Magazine · Nastassia
This fashion editorial for Pop Magazine, titled Nastassia, captures model Nastassia Legrand in a series of observational, sun-drenched settings. Moving between coastal boat excursions and textured, minimalist architectural backdrops, the project channels a candid, documentary-style aesthetic defined by warm, natural light. Photographer Jeremy Everett directs the visual narrative, which frequently leans into the visual qualities of analogue film and golden hour lighting. The production features art direction by Ben Kelway and fashion styling by Charlotte Rubenstein, with grooming provided by hair stylist and makeup artist Paco Garrigues and casting by Julia Lange.
Project Pop Magazine · Alexandra Leclerc
Pop Magazine presents this fashion editorial featuring Alexandra Leclerc, defined by its focus on textile detail and structural garment silhouettes. Captured by photographer Olya Oleinic, the series utilizes minimalist studio environments to emphasize the tactile quality of lace, faux fur, and tailored outerwear. The work channels a contemporary visual language through varied perspectives, from high-angle shots to layered, monochromatic compositions. Fashion styling by Charlotte Rubenstein complements the project's precise aesthetic, integrating ornate accessories and sharp tailoring. Production across the editorial is supported by hair styling from Kei Terada, makeup artistry by Rebecca Wordingham, and set design by Haleimah Darwish. Employing techniques such as clean editorial framing and natural light, the series provides a study in form and material contrast.
Project Pop Magazine · The Gallery (Private View)
In The Gallery (Private View), Pop Magazine reimagines the commercial footwear campaign as a high-concept art installation. Eschewing traditional retail tropes, the project transforms luxury silhouettes into curated exhibits, positioning iconic designs from brands like Loewe, Givenchy, and Gucci as sculptural artifacts. Photographer Guillaume Blondiau employs precise studio strobe lighting and dramatic low-key chiaroscuro techniques to heighten the architectural form of each piece, whether they are displayed on minimalist pedestals or captured within vintage television frames. Fashion editor Suzannah Snow brings an editorial sensibility to the curation, pairing distressed leathers and metallic hardware with unexpected, vibrant plinths and saturated textile backdrops. The work is bolstered by set designer Andrew Lim Clarkson, whose meticulous environments lean into a gallery-style aesthetic that oscillates between the sterile precision of a museum and the surrealism of a modern installation. By integrating live-action techniques and wide-angle perspectives, the series challenges the viewer to look beyond mere function, instead treating footwear as a deliberate study in craft, texture, and materiality. The result is a sophisticated interplay of shadows and crisp, directed light that elevates commercial product photography into the realm of fine art, celebrating the structural ingenuity inherent in contemporary fashion design through a lens that feels both timeless and subversively modern.
Project Pop Magazine · Sadie Sink
In this evocative series for Pop Magazine, photographer Pablo Di Prima and fashion editor Alex Assil collaborate to capture actor Sadie Sink through a lens that feels both raw and artfully constructed. The project leans into a minimalist editorial aesthetic, oscillating between the structured precision of studio portraiture and the candid, observational quality of reportage. By incorporating diverse techniques—ranging from delicate double exposure and high-key lighting to the nostalgic grain of analogue film—the editorial team crafts a visual narrative that prioritizes texture and intimate mood. Sadie Sink serves as a chameleon-like subject, transitioning effortlessly from high-fashion poses in vibrant opera gloves to quiet, introspective moments shot in natural light. The styling by Alex Assil emphasizes contrast, pairing oversized leather silhouettes with sheer lace and unexpected color palettes, while the deliberate use of tactile elements like crumpled paper and weathered wooden backdrops grounds the images in a tangible, organic reality. Through these compositions, the project channels a contemporary approach to portraiture that is as much about the surrounding environment as it is about the subject. The resulting work stands as a testament to the power of stripped-back, cinematic imagery, where every shadow and blurred background enhances the contemplative focus, ultimately defining a distinct visual identity for the editorial.
Project Pop Magazine · Rosie
In a masterclass of restraint and visual impact, Pop Magazine’s feature titled Rosie presents a sophisticated exploration of modern luxury fashion. Featuring Rosie Huntington-Whiteley, the editorial series leans into a polished, high-end aesthetic that prioritizes architectural silhouettes and material texture over traditional ornamentation. Under the precise lens of photographer Laura Jane Coulson, the shoot utilizes a mix of studio strobe and natural light to create a series of high-contrast compositions that shift between monochrome rigor and bold, punctuated color palettes. Fashion editor and stylist Helga Burrill anchors the visuals with a wardrobe defined by leather, structural tailoring, and tactile accessories like opera gloves and crystal-encrusted masks, while set designer Gemma Tickle provides a minimalist framework that allows each look to command the frame. The editorial’s signature slicked-back, damp hair—crafted by hairstylist Shon—and clean makeup by Brooke Turnbull further emphasize the sharp, geometric lines of the garments. By balancing a stark, high-key studio backdrop with occasional pops of sage and red, the project channels a timeless, minimalist editorial sensibility. These images avoid the clutter of contemporary trends, instead focusing on the interplay between form, shadow, and the model’s striking presence. This work serves as an elevated testament to the power of deliberate creative direction, resulting in a cohesive portfolio that feels both intimate and grand, solidifying the publication's reputation for visual excellence.
Project Pop Magazine · Léa Seydoux
In this evocative feature for Pop Magazine, actress Léa Seydoux takes center stage, embodying a refined balance between cinematic gravitas and high-fashion minimalism. Through the lens of photographer Senta Simond, the project leans into a deliberate, understated aesthetic where the focus remains anchored by soft, diffused natural light and a rigorous adherence to structural purity. The editorial narrative is masterfully curated by fashion editor Isabelle Sayer, who pairs Seydoux’s composed presence with tailored silhouettes, from structured puff-shouldered tops to intricate floral embroidery, effectively grounding the high-concept wardrobe in a sense of effortless modernity. Supporting the visual rhythm, hair stylist Shiori Takahashi emphasizes a textured, tousled bob that contrasts beautifully with the polished precision of makeup artist Sandrine Cano Bock’s work. The collaboration extends beyond traditional portraiture, with set designer Mila Taylor-Young crafting a sterile yet poetic environment—typified by minimalist concrete floors and clean white walls—that allows the subject and selective still-life motifs, such as delicate florals and industrial textures, to command the frame. This portrait-heavy editorial relies on a monochromatic palette and sharp attention to detail, creating a cohesive visual language that celebrates organic textures against sleek, architectural lines. By stripping away excess, the team achieves a sophisticated, contemporary portrait series that captures both the interior and exterior complexity of its subject.
Project Pop Magazine · Angelina Kendall in Oz
In Angelina Kendall in Oz, Pop Magazine delivers a sophisticated exploration of coastal escapism, blending the boundaries between luxury fashion editorial and candid lifestyle documentation. Photographer Zac Bayly captures the narrative across a sun-drenched, rugged terrain, utilizing the interplay between natural light and direct flash to build a cinematic, high-contrast visual language. The project centers on model Angelina Kendall, whose versatile presence anchors the story—from high-fashion portraits featuring intricate floral prints and dynamic fringe textures to intimate, multi-generational domestic scenes that ground the high-concept styling in a relatable, lived-in reality. Under the editorial guidance of stylist Suzannah Snow, the fashion choices lean into a blend of refined textures and relaxed, seaside-appropriate silhouettes, further enhanced by hair styling from Lok Lau that maintains an effortless, windswept aesthetic throughout. By juxtaposing stark, night-time beach sequences with the soft, golden-hour intimacy of indoor family gatherings, the project creates a multifaceted dialogue about heritage and place. Set design by Mariska Lowri emphasizes this atmosphere, utilizing organic textures and vintage-inspired motifs to frame each composition. This editorial project channels a sense of nostalgic warmth, ultimately presenting a comprehensive visual study that feels both polished and authentically spontaneous, perfectly capturing the intersection of luxury fashion houses and the timeless, quiet allure of the coastline.
Project Pop Magazine · Julia Garner for PoP Magazine
Pop Magazine features actress Julia Garner in this expansive editorial portrait series captured by photographer Polly Brown. The collection draws on a distinct monochrome and grainy aesthetic, leveraging natural light to define the subjects and botanical surroundings. Styling by Abby Adler, Charlotte Rubenstein, and Stephanie Waknine anchors the production, ranging from structural knitwear and balaclavas to muted, minimalist ensembles. The compositions oscillate between close-up character studies and wider, observational frames set within lush, fruit-bearing garden landscapes. Production detail is rounded out by hair styling from Bobby Eliot, makeup by Lynski, and set design by Samuel Pidgen, maintaining a cohesive, tactile narrative throughout.
Project Pop Magazine · Libby
Pop Magazine presents 'Libby', a fashion editorial that captures model Libby Taverner through a lens of raw, atmospheric intensity. Photographer Oliver Hadlee Pearch utilizes a mix of high-contrast monochrome and saturated warm tones to frame the subject across diverse, textured environments, ranging from industrial grid backdrops to intimate, wood-paneled interiors. The production leans into a gritty, analogue aesthetic, emphasizing tactile details through layered styling by Emilie Kareh. The series is defined by a moody chiaroscuro lighting scheme, employing everything from sharp, direct flash to diffused red ambient light, which highlights the structural elements of the clothing and the model's presence.
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