
Numero Homme
Featured Numero Homme projects
This week's top Numero Homme projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project Numero Homme · L’échappée belle
L’échappée belle for Numero Homme captures the essence of a wandering spirit through a sophisticated, cinematic lens. This high-end luxury fashion editorial leans into the raw, tactile allure of analogue film to craft a narrative that feels both timeless and deeply intimate. Under the precise eye of photographer James Harvey-Kelly, the series channels a moody, nomadic aesthetic, grounding high-fashion silhouettes in rugged, earthy landscapes. The visual language oscillates between golden-hour warmth and high-contrast black-and-white portraits, utilizing natural light to accentuate the textures of heavy-knit sweaters, supple leather, and tailored separates. Stylist Jean Michel Clerc curated a wardrobe that perfectly balances understated luxury with a sense of lived-in spontaneity, while casting director Paul Louisor selected model Max Knott, whose introspective gaze brings a quiet gravity to every frame. Whether situated against the backdrop of a coastal rock formation or a quiet roadside café, the project emphasizes a documentary-style immediacy that elevates fashion beyond the garment, transforming each composition into a piece of evocative storytelling. By embracing the grain and imperfection of 35mm film, the imagery avoids the sterile gloss of contemporary campaigns, opting instead for an authentic, soulful depth. L’échappée belle remains a compelling study in atmosphere, proving that the most powerful editorial moments often lie in the gentle, unscripted stillness of a journey.
Project Numero Homme · Vertigo
Vertigo for Numero Homme is a monochrome fashion editorial that centers on the interplay between human form and brutalist architecture. Shot from extreme low-angle perspectives, the imagery utilizes graphic geometry and stark natural light to accentuate the imposing scale of the surrounding concrete structures. Photographed by Jacob Sutton with styling by fashion editor Jean Michel Clerc, the project features model Just Verhoeff in structured tailoring, including wool overcoats and dark leather pieces. The work leans into a gritty, analogue film aesthetic, prioritizing high-contrast tonal depth and clean, vertical compositions to create an architectural profile.
Numero Homme · NICOLAS MAURY INTERPETS MUSIC ICONS
Numero Homme presents a series of editorial portraits featuring actor and director Nicolas Maury, exploring the visual language of music icons. The project leans into a monochrome aesthetic, utilizing dramatic low-key chiaroscuro lighting and analogue film textures to create a high-contrast, theatrical narrative. Photographer PA Hüe de Fontenay captures Maury through varied personas, ranging from feathered, emotive compositions to sharp, graphic tailoring. Styling by Jean Michel Clerc emphasizes form and structure, complemented by hair styling from Paolo Ferreira and distinct, stage-oriented makeup by Lloyd Simmonds. Manicures by Adrienne Soter provide final polished details to the series, which is set against stark black and seamless grey backgrounds.
Project Numero Homme · Nouvelle vague
Nouvelle vague for Numero Homme captures the sophisticated intersection of structural tailoring and bold, contemporary color palettes, asserting a definitive vision for modern luxury fashion. Through a series of carefully composed portraits, the project leans into editorial minimalism to highlight the evolving silhouette of the contemporary male wardrobe. Photographer Ethan Hart utilizes precise studio strobe lighting to emphasize the rich textures of satin, ribbed knits, and fine suiting, ensuring that every garment—from vibrant lime green sweaters to structured beige double-breasted blazers—retains its sculptural integrity against a monochromatic, neutral backdrop. The curation by fashion editor and stylist Anna Claassen brings a nuanced tension to the series, skillfully balancing avant-garde color blocking with classic sartorial elements. This dynamic interplay is further elevated by the deliberate casting of models like Chubath Kutien, whose focused gaze and measured presence ground the cinematic quality of the imagery. By stripping away extraneous environment, the work channels an aesthetic that is both timeless and strikingly current, favoring crisp, clean lines that draw the eye toward the interplay of fabric and form. Ultimately, the project serves as a compelling study in high-fashion portraiture, where the intentionality of the styling and the technical clarity of the capture converge to redefine the visual narrative of luxury menswear for a discerning, style-conscious audience.
Project Numero Homme · L’espion venu du froid
L’espion venu du froid is a menswear fashion editorial for Numéro Homme featuring model Alvar af Schultén. Captured by photographer Yulia Gorbachenko, the project explores high-contrast aesthetics through a blend of controlled studio environments and architectural outdoor locations. The editorial leans into a monochromatic palette, utilizing graphic composition and sharp, minimalist tailoring to define the silhouettes. Charles Varenne provides the styling, with hair by Daniel Martin and makeup by Marianna Yurkiewicz, emphasizing clean lines and refined grooming throughout the series. The work alternates between high-key studio lighting and natural light on urban terraces, creating a consistent yet varied cinematic atmosphere.
Project Numero Homme · L'Orée du bois
Numero Homme presents 'L'Orée du bois,' a fashion editorial feature captured by photographer Thomas Hauser. The series focuses on precise tailoring and dramatic silhouettes, set against a backdrop of misty, hand-painted woodland scenes that provide a theatrical contrast to the subjects. Fashion editor Samuel Francois utilizes oversized pleats, structured wool coats, and textured layering to define the editorial's minimalist aesthetic. Utilizing soft light and monochrome film techniques, the project maintains a moody, high-contrast visual language that prioritizes form and fabric composition.
Project Numero Homme · LAURENT LAFITTE
Numéro Homme features actor Laurent Lafitte in a high-contrast editorial portrait series. Photographed by PA Hüe de Fontenay with fashion styling by Jean Michel Clerc, the project highlights sharp tailoring and layered, tactile outerwear. Employing monochrome aesthetics and minimalist composition, the imagery integrates long exposure techniques to introduce kinetic motion blur against clean studio backgrounds. The editorial series focuses on textural details and structured garments, maintaining a consistent focus on silhouette and form.
Project Numero Homme · Numero Homme #50 Fall/Winter 2025 Covers
Numero Homme presents its #50 Fall/Winter 2025 cover, featuring entertainer Lucky Love. Photographed by Jean-Baptiste Mondino, the editorial work utilizes a clean, monochrome aesthetic, set against a stark white backdrop to emphasize the subject's expression and styling. The project features fashion editing and styling by Charles Varenne, alongside hair by Julie Bennadji and makeup by Angloma. The final layout integrates the signature masthead with minimal typography, leaning into the publication's established editorial style.
Project Numero Homme · Numero Homme #49 Spring/Summer 2025 Cover
Numero Homme presents its #49 Spring/Summer 2025 cover, featuring Travis Scott in a series of portraits captured by photographer Pieter Hugo. The project leans into a minimalist editorial aesthetic, utilising a clean studio backdrop to focus on garment texture and structure. Fashion styling is led by Peri Rosenzweig, with editorial contributions from Philip Utz. Grooming is handled by Merrell Hollis, maintaining a sharp visual presentation that complements the editorial style.
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