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·Les Grandes Espérances

Model Adam Adler wearing a dark double-breasted coat and a hat against a textured grey studio background for Numero Homme.

Model wearing a grey wool suit and faux fur trapper hat seated on a stool against a plain backdrop

Model with long hair wearing a black double-breasted coat sitting on a wooden chair against a plain wall.

Model Adam Adler in avant-garde patterned suit against a textured grey wall for Numero Homme editorial photographed by Thomas Hauser.

Model seated on a wooden stool wearing a black cape, striped shirt, and trousers against an industrial painted backdrop.

Model with long hair wearing a white textured sweater and wide trousers seated on a dark stool against a grey wall

Portrait of a long-haired male model wearing a textured white sweater against a plain grey studio backdrop.

Model wearing a long grey coat and dark shoes standing against a textured studio background

Model wearing a tweed suit, vest, and matching beret standing against a dark wall in black and white

Typography title page featuring black text reading Les grandes esperances against a clean white background

Model with long hair sitting on a dark chair wearing a pinstripe suit and shiny thigh-high boots against an industrial backdrop.

Portrait of a male model with long hair wearing a double breasted textured jacket against a plain background

Model wearing a double-breasted suit jacket against a dark textured background for Numero Homme editorial

Model with long hair wearing a striped shirt, tie, and trousers standing in a studio with a grey backdrop

Model wearing a long dark high-collar coat standing against a painted studio backdrop for Numero Homme editorial.

Model with long hair wearing a dark suit seated backwards on a black wooden chair against a plain studio background

Numero Homme Les Grandes Espérances 2026

About

Les Grandes Espérances is a fashion editorial produced for Numero Homme, characterized by a stark, monochromatic aesthetic and a focus on sculptural tailoring. Shot by photographer Thomas Hauser, the series features model Adam Adler in a range of avant-garde and structured ensembles that explore volume and texture against neutral studio backdrops. Working with fashion editor Samuel Francois and hair stylist Peggy Kurka, the project emphasizes a clean, minimalist approach to portraiture. The imagery utilizes soft, directional lighting and analogue film techniques to highlight the tactile qualities of heavy wool, knitwear, and intricate fabric layers. The editorial balance shifts between grounded, contemplative poses and dynamic compositions, leaning into an industrial, moody atmosphere.