Novembre Magazine
Featured Novembre Magazine projects
This week's top Novembre Magazine projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project Novembre Magazine · Fashion East SS26 Backstage
Photographer Oda Eide captures the raw, tactile atmosphere of the Fashion East SS26 presentation in this backstage editorial series for Novembre Magazine. The collection documents the intricate prep process, highlighting the interplay between avant-garde garment construction and utilitarian runway styling. Eide’s work leans into a gritty, documentary aesthetic, frequently employing direct flash to accentuate the structural details of deconstructed sportswear, layered draping, and experimental accessories. The imagery moves fluidly between intimate beauty portraits and close-up examinations of fabric, highlighting key textures from distressed knits to technical athletic textiles. By focusing on the candid mechanics of the show—from makeup application and garment fittings to the assembly of casting boards—the project offers a visceral look at the behind-the-scenes world. The execution relies on a varied palette of techniques, alternating between clean, flash-lit editorial portraits and soft, natural light captures that reveal the authentic energy of the backstage environment.
Project Novembre Magazine · SÃO PAULO (A CAT SCREAMS LIKE A BABY ...
Captured with an eye for structural tension and textural play, the SÃO PAULO editorial for Novembre Magazine offers a striking meditation on modern fashion photography. Through the lens of photographer and stylist Juan Corrales, the project leans into an avant-garde aesthetic that bridges the gap between high-fashion luxury houses and raw, industrial simplicity. By employing a live-action technique that favors clean, minimalist environments, the series strips away excess to spotlight the intricate details of each garment, whether it is the delicate vintage-inspired floral patterns or the experimental use of crinkled plastic wrap layered over cotton. The visuals, bolstered by the presence of models Allexia de Jesus and Marcelo Lima, masterfully navigate the interplay between sheer, voluminous tulle and rigid concrete surfaces. Cinematic in its composure and rooted in editorial minimalism, the work utilizes soft, diffused lighting and natural light to heighten the tactile quality of the fabrics. Each composition serves as a deliberate exploration of form, blending streetwear sensibilities with avant-garde styling choices to create a visual dialogue that feels both grounded and otherworldly. The result is a sophisticated portfolio that prioritizes silhouette and material contrast, reinforcing the publication's commitment to unconventional storytelling and high-impact visual artistry in the contemporary fashion landscape.
Project Novembre Magazine · Story of Aprons by Luisa and Zoey
In the pages of Novembre Magazine, the Story of Aprons by Luisa Opalesky and Zoey Radford Scott emerges as a compelling exercise in juxtaposition, deconstructing the humble kitchen garment through a high-fashion, documentary-style lens. By marrying intimate domesticity with the gritty textures of industrial kitchens and urban rooftops, the project elevates the apron from a utilitarian staple to a provocative styling centerpiece. The visual narrative relies heavily on 35mm film and analogue techniques, which imbue the work with a tactile, nostalgic quality that feels both timeless and subversively modern. Through the lens of Opalesky, the subjects are captured in candid, unposed moments that emphasize human vulnerability, while the styling by Radford Scott deftly balances delicate lace and intricate ruffles against heavy stainless steel machinery and rustic wood surfaces. The editorial layout plays with light and shadow, using natural light to ground the subjects in their environments while occasionally employing flash to sharpen the contrast between the wearer and their surroundings. This collection of portraits functions as a nuanced study of personal expression, forcing the viewer to reconsider the intersection of identity, labor, and sartorial tradition. Whether capturing a subject posed atop a professional stove or reflected in an ornate mirror, the project succeeds as a masterful, moody exploration of contemporary editorial minimalism that refuses to be constrained by traditional lifestyle archetypes.
Project Novembre Magazine · Fran by Elizaveta and Samia
In this evocative series for Novembre Magazine, photographer Elizaveta Porodina and fashion editor Samia Giobellina collaborate to redefine the boundaries of high-fashion editorial imagery. Featuring model Fran Summers, the project leans into a surreal, cinematic aesthetic, meticulously layering textures and light to construct a dreamlike narrative. The visual language is defined by a mastery of low-key and chiaroscuro lighting techniques, which heighten the contrast between delicate lace, mohair knits, and shimmering, metallic embellishments. Each frame functions as a study in poise and artifice, enhanced by the experimental beauty direction of Valentina Li and the intricate, structural hair styling of Pierre Saint Sever. The collaboration with set designer Alice Kirkpatrick manifests in a series of disorienting, kaleidoscopic environments where mirrors, cascading crystal beads, and shimmering tinsel transform the studio space into an ethereal stage. Whether capturing the grit of monochrome film or the vivid, saturated palette of a studio strobe setup, the work avoids static portraiture in favor of dynamic, performative movement. From the tactile richness of the reflective, sequined surfaces to the precision of the manicured details provided by Eri Narita, every element serves the central concept of polished, conceptual luxury. The result is a profoundly stylish collection that captures the essence of contemporary fashion, balancing raw, atmospheric intensity with the refined, dreamlike artifice characteristic of the world’s most compelling luxury fashion houses.
Project Novembre Magazine · Story of Aprons
In a compelling exploration of domestic utility and personal identity, Story of Aprons for Novembre Magazine presents a multifaceted visual narrative that elevates the humble apron beyond its utilitarian roots. Through a raw, documentary-style lens, the project masterfully dissects the intersections of professional environments and intimate lifestyle spaces. Photographer Luisa Opalesky employs an evocative blend of natural light and moody flash to capture her subjects, creating a cinematic atmosphere that feels both candid and meticulously curated. The editorial work leans into a granular, tactile aesthetic, heavily utilizing analogue film techniques to ground the high-fashion sensibilities in a sense of authentic, lived-in reality. Under the sharp eye of fashion editor and stylist Zoey Radford Scott, the project transforms everyday kitchen attire into a striking fashion statement, juxtaposing crisp linens and bold patterns against industrial backdrops and rustic wooden textures. The result is an expansive diptych and triptych-heavy layout that reads as a celebration of character, where each individual subject is framed within a unique, atmospheric environment. By embracing the tension between professional performance and domestic spontaneity, Story of Aprons reinforces the magazine's reputation for pushing the boundaries of contemporary editorial photography, ultimately turning a mundane garment into a profound vehicle for artistic expression and character study.
Project Novembre Magazine · Photography Florian Joye Fashion Nat ...
Captured through the meticulous lens of photographer Florian Joye for Novembre Magazine, this fashion jewellery editorial creates a surreal dialogue between organic forms and industrial precision. Orchestrated by fashion editor and stylist Natacha Voranger, the spread leans into a high-concept aesthetic that transforms luxury accessories—from Maison Margiela pieces to Dior ear cuffs—into sculptural protagonists. The visual narrative relies on a sophisticated juxtaposition of textures, seamlessly integrating macro photography with fluid elements. Through the creative collaboration of set designer Manon Everhard, the project employs striking techniques such as high-speed freeze imagery, where jewellery is suspended in water, and complex collage layouts that challenge traditional catalogue tropes. The work masterfully balances high-key studio strobe lighting with moody chiaroscuro effects, allowing the metallic surfaces, faceted gemstones, and translucent glass components to catch the light with crystalline clarity. By weaving together botanical elements like rose petals and twigs with rigid metallic wires, the team crafts a tension between the manufactured and the natural. This editorial stands as a definitive exploration of fine art jewellery, pushing the boundaries of commercial photography into a realm of tactile, hyper-detailed abstraction that feels both playful and profoundly refined, resulting in a cohesive visual feast that prioritizes artistic composition over standard product placement.
Project Novembre Magazine · Laura & Kenza by Nicolas and Salomé
In this striking editorial for Novembre Magazine, photographers Nicolas and Salomé lean into the tension between clinical minimalism and high-fashion expression. Featuring models Laura Lekysha and Kenza Safsaf, the project serves as a masterclass in clean editorial portraiture, where the focus remains steadfast on the interplay of texture, form, and composition. The imagery oscillates between stark, neutral backdrops and deliberate, sculptural posing, creating a visual rhythm that is both edgy and refined. Central to the project is the work of hair stylist Charlie Le Mindu, whose treatment of voluminous, textured hair—ranging from bleach-blonde bobs to dark, curly cascades—acts as the primary catalyst for the aesthetic narrative. Supported by the sharp makeup artistry of Eny Whitehead and the precise movement direction of Franka Marlene Foth, the series avoids the clutter of conventional fashion photography in favor of a disciplined, studio-driven approach. By utilizing a mix of studio strobe lighting to emphasize the sheen of leather and patent fabrics against the soft, diffused quality of natural light, the photographers achieve a polished look that feels both contemporary and timeless. This collaboration thrives on a juxtaposition of raw, human emotion and hyper-styled, surrealistic accessories, solidifying its place as a compelling entry in modern luxury fashion editorial work that values intentionality above all else.
Project Novembre Magazine · A Miss Sixty Special
Novembre Magazine captures a distinct nineties-inflected revival in their latest editorial, A Miss Sixty Special, a project that bridges the gap between heritage denim luxury and contemporary high-fashion photography. The series leans into a polished, minimalist aesthetic, masterfully utilizing studio strobe lighting to emphasize the structural integrity of the garments—from heavily buckled denim bralettes to tailored light-colored suits. By shifting between intimate, high-key portraiture and dynamic, layered group compositions, the imagery maintains a cohesive narrative that feels both nostalgic and distinctly modern. Fashion editor and stylist Samia Giobellina curates a visual dialogue where raw, organic textures meet the clean lines of professional studio work. The execution is bolstered by the precise creative contributions of makeup artist Eny Whitehead, who emphasizes natural skin textures, and movement director Breckyn Drescher, whose influence is evident in the models' varied, deliberate stances. Whether capturing models like Sara Grace Wallerstedt in quiet, high-angle close-ups or orchestrating large-scale lineups against neutral backdrops, the editorial finds its strength in its restraint. Through the combined lens of editorial minimalism and deliberate, geometric staging, this project serves as a masterclass in fashion editorial storytelling, balancing soft, natural light elements with the sharp, crisp clarity of studio production to define a new era of denim-led luxury.
Project Novembre Magazine · A Special Jean-Charles de Castelbaja ...
In a vivid celebration of archival ingenuity, Novembre Magazine delivers a masterclass in fashion editorial storytelling with this sprawling tribute to the visionary work of Jean-Charles de Castelbajac. The project effortlessly maneuvers between the controlled environment of the studio and the gritty, candid energy of Parisian street life, creating a visual dialogue that feels both historic and startlingly contemporary. Through the lens of photographer Ewen Spencer, the collection breathes new life into iconic silhouettes, utilizing everything from bold graphic illustrations to whimsical teddy-bear-adorned outerwear that challenges the traditional constraints of luxury fashion. The editorial leans into a sophisticated mix of portrait and lifestyle techniques, where the starkness of a studio strobe provides a sharp, clinical contrast to the organic, reportage-style natural light found in the urban landscape. Casting director Sarah Small curates an ensemble that embodies this eclectic, avant-garde spirit, while the precision of hair stylist Michael Delmas and makeup artist Mantis Lepretre elevates each look, anchoring the high-contrast styling with intentional, polished detail. By blending raw architectural backdrops with surreal, sculptural garments, the series reads as a love letter to the power of design to transform the mundane into the extraordinary. Every frame serves as a testament to archival fashion as a living, breathing art form, capturing the spontaneous joy and artistic rebellion that define the intersection of legacy and modern aesthetics.
Project Novembre Magazine · Bratz by Valentin and Feranmi
In this striking editorial feature for Novembre Magazine, Valentin Herfray and creative leads Dor Edrie and Feranmi Eso reimagine the iconic Bratz doll as a vessel for avant-garde luxury fashion. The project, titled Bratz by Valentin and Feranmi, moves beyond traditional toy photography to channel a high-fashion aesthetic that feels both surreal and meticulously crafted. By utilizing studio strobe lighting and high-key photography, the team creates a visual dialogue between the artificial and the aspirational, showcasing miniature silhouettes that lean into current runway trends. From structured tailoring and opera-length gloves to conceptual embellishments like sculptural footwear accessories, the styling is executed with the same precision one would expect from a major luxury fashion house editorial. Art direction by Florence Tetier anchors the series, while the collaborative work of makeup artist Julian Stoller and casting director Troy Fearn ensures that each subject retains a unique, high-contrast personality. The project masterfully balances lifestyle imagery with clean, commercial sensibilities, utilizing macro details and stylized compositions to blur the lines between product photography and high-concept portraiture. Through deliberate framing and clean, minimalist backdrops, the work invites a fresh interrogation of fashion photography tropes, proving that even synthetic subjects can carry the weight of sophisticated, editorial minimalism.
Project Novembre Magazine · Scenes of Scene City
Novembre Magazine explores the intersection of classic urban life and high-fashion sensibility in Scenes of Scene City, a sophisticated editorial series that maneuvers through the streets and social spaces of London. This fashion editorial project moves beyond the typical studio aesthetic, leaning into the tension between mundane environments and elevated style. Under the discerning eye of fashion editor and stylist Patricia Villirillo, the project captures its lead model against a diverse array of backdrops, from the wood-paneled intimacy of a traditional British pub to the sterile, reflective surfaces of local delis and quiet street corners. The execution relies heavily on natural light to ground the editorial imagery, utilizing the soft glow of daylight to accentuate the textural depth of shimmering sequins, vibrant feather accessories, and layered drapery. Makeup artist Kosei Kitada complements these looks with a refined, understated approach that allows the architecture of the city—and the model’s striking auburn hair—to command the frame. By balancing low-key chiaroscuro lighting in interior vignettes with bright, airy compositions on the pavement, the series reads as a poetic documentation of modern lifestyle. It is a masterclass in visual storytelling that effectively leverages the interplay between the subject and her surroundings, proving that even the most quotidian settings can become the foundation for compelling, high-concept fashion photography.
Project Novembre Magazine · novembre magazine #18 2026 Covers
The latest edition of Novembre Magazine, issue number 18, arrives as a masterclass in visual storytelling, reinforcing the publication's reputation as a vanguard in the fashion media and entertainment landscape. Under the meticulous vision of creative director Florence Tetier, the project serves as a compelling exploration of editorial portraiture that leans into a sophisticated, dreamlike aesthetic. Central to this iteration are the captivating cover features, which utilize natural light to create an intimate, ethereal connection between the subjects and the viewer. The imagery, captured with the precision of photographers Elizaveta Porodina, Luisa Opalesky, and Nicolas Coulomb, masterfully balances stark elegance with raw texture. Models Fran Summers and Sara Grace Wallerstedt anchor the series, their presence elevated by the nuanced hair work of Charlie Le Mindu and Pierre Saint Sever, alongside the striking makeup artistry of Eny Whitehead and Valentina Li. The collaborative effort highlights a cohesive design language, where the lush, tactile set designs from Alice Kirkpatrick and Manon Everhard integrate seamlessly with the floral motifs of pink carnations. Through a delicate interplay of soft-focus backgrounds and sharp, high-contrast details, the magazine cements its status as a curator of modern beauty, offering a refreshed, stylized lens on contemporary fashion culture that feels both elevated and profoundly human in its execution.
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