novembre global
Featured novembre global projects
This week's top novembre global projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project novembre global · BELOW THE CLAVICLE BY KATIJA HIRSCH ...
Below the Clavicle, a fashion editorial for Novembre Global, explores a tactile approach to contemporary styling. Captured by photographer Andreas Bach, the series leans into intimate, low-angle perspectives and a minimalist studio aesthetic to emphasize the interplay between rich textiles and structured silhouettes. The project features intricate layering, from floral-print skirts and knitwear to avant-garde corsetry and sculptural padded garments. A recurring technique involves the use of delicate beadwork and sequin embellishments applied directly to the subjects' faces, creating a macro-level focus on detail. Stylized with hair by Natsumi Ebiko and makeup by Thomas Lorenz, the editorial utilizes soft, natural light and a clean white background to heighten the contrast between varied fabric textures and the subjects' candid expressions.
Project novembre global · BELOW THE CLAVICLE
BELOW THE CLAVICLE is a tactile fashion editorial produced for Novembre Global, captured by photographer Andreas Bach. The series leans into a raw, analogue aesthetic, utilizing macro framing to examine the interplay between ornate textile design and human form. The imagery features intricate beadwork, botanical sequin facial embellishments, and structural tailoring, set against a consistent, minimal studio backdrop. Technically, the work relies on natural light and a soft color palette to highlight the depth of the diverse materials, from floral-printed corsetry and layered satin to translucent, reflective plastics. Hair stylist Natsumi Ebiko and makeup artist Thomas Lorenz complement the avant-garde silhouettes with textured styling that prioritizes natural movement and intimate, tactile details.
Project novembre global · DAILY ROUTINES BY SANDRA SEATON & LI ...
In a striking convergence of high-fashion editorial and athletic precision, the project Daily Routines, captured by photographer Sandra Seaton and styled by fashion editor Lily Rimmer for Novembre Global, reimagines the monotony of everyday life through the lens of extreme physical discipline. The series leans into a compelling narrative where performers execute gravity-defying splits and gymnastic maneuvers within the constraints of mundane domestic and office environments. From a dancer brushing her teeth while balanced in a vertical split against a bold, red-walled bathroom to gymnasts finding poise atop vintage grand pianos and office furniture, the work masterfully contrasts the rigor of the body with the stillness of interior lifestyle photography. Seaton utilizes natural light throughout the series to ground these performative contortions in a soft, authentic glow that highlights the intricate textures of the layered ensembles, from metallic-studded tracksuits to ruffled electric blue lace. The project avoids traditional industry tropes, opting instead for a playful, highly stylized portrait aesthetic that feels both whimsical and intentional. By placing subjects in vibrant, color-blocked rooms that demand attention, the collaboration explores the tension between structured fashion and human flexibility, resulting in a series that is as much about the physical endurance of the subjects as it is about the visionary styling and composition that defines contemporary luxury fashion editorials.
Project novembre global · HAARKONSTRUKT
HAARKONSTRUKT, a visually arresting fashion project for Novembre Global, functions as an expansive study of structural grooming and contemporary portraiture. By foregrounding the interplay between precision-cut silhouettes and avant-garde texture, the series elevates hair design to a sculptural art form. Photographer Debora Brune employs a consistent, clean, and minimalist aesthetic across the editorial, utilizing soft beauty light to underscore the intricate architecture of the subjects' hair. Whether showcasing the graphic contrast of platinum blonde bowl cuts against deep skin tones or the rebellious layering of two-toned, vibrant orange extensions, the project eschews decorative excess to maintain a hyper-focused, cinematic quality. The collaboration benefits from the sharp vision of fashion editor and stylist Jordan Kelsey, whose selection of tactile textiles—ranging from black velvet and pleated satin to distressed denim—complements the deliberate, often experimental styling of the models. Casting director Carmen Young assembles a diverse group of talent, including Josephina Deng, Nyanchar Biu, and Queenie Grove, whose direct, neutral gazes anchor the compositions. By blending high-key studio setups with occasional gritty, naturalistic urban environments, HAARKONSTRUKT successfully captures a modern tension between the refined and the raw. The result is a sophisticated exploration of identity, where the hair itself becomes the narrative centerpiece of each frame, transcending standard beauty tropes through intentional, graphic precision.
Project novembre global · Beyond The Forest
Beyond The Forest, an arresting editorial series for Novembre Global, masterfully juxtaposes the raw, organic architecture of the woodland with the rigid geometry of high-fashion design. Captured through the lens of photographer Carly Scott, the project leans into a surreal, cinematic aesthetic, using the forest floor as a stark stage for avant-garde sartorial expression. Styling by Rubina Vita Marchiori breathes life into this interplay, pairing structured grey tailoring, vibrant yellow pillbox hats, and dramatic, voluminous silhouettes against the quiet, muted tones of the canopy. Models Maria and Alexandra Spanidou navigate this environment with an introspective, almost static poise, their presence rendered through soft natural light that emphasizes both the intricate textures of felted wool and the delicate, feathered embellishments of their high-fashion apparel. By intentionally contrasting clean, polished footwear with rugged, leaf-strewn ground and weathered bark, the narrative achieves a captivating visual tension. The imagery channels a refined, editorial minimalism, proving that the most profound fashion statements often arise when the hyper-constructed meets the untouched wild. Whether captured in crisp black-and-white or muted natural tones, this editorial transcends simple garment display, transforming the woods into a living gallery where every silhouette, from the towering beehive updos to the graphic-print halter tops, feels inherently connected to the earthy, atmospheric surroundings of a dreamlike, wooded landscape.
Project novembre global · IFM SEEN BY LAURA PELISSIER & CÉLEST ...
In this compelling series for Novembre Global, photographer Laura Pelissier explores the intersection of avant-garde garment construction and graphic composition. Captured in a series titled IFM Seen by Laura Pelissier & Céleste, the project functions as a sophisticated fashion editorial that celebrates the intricate interplay of texture and form. By utilizing a diverse array of studio strobe and natural light techniques, the imagery transcends traditional portraiture to embrace a collage-like aesthetic. Subjects, including models Adhieu Arok, Batura Aliaksandra, and Marta Buiko, are frequently framed with a distinct white outline, isolating their silhouettes against vibrant, monochromatic backdrops. This stylistic choice pushes the boundaries of luxury fashion presentation, transforming the models into central, sculptural elements. The series leans into a high-key visual narrative, where the focus remains steadfast on the tactile nature of the clothing—from shimmering iridescent fabrics and structured leather harnesses to shaggy faux fur and avant-garde layered knits. By weaving together elements of editorial minimalism with bold, surreal accents, the collection reads as a modern manifesto on style, successfully challenging the traditional uniformity of the luxury sector. The final result is a polished, highly stylized vision that balances contemporary graphic design with the timeless elegance of classic fashion photography, resulting in a cohesive portfolio that feels both experimental and masterfully curated.
Project novembre global · Tétier Bijoux x La Manso by Elizavet ...
The Tétier Bijoux x La Manso campaign captures a high-octane fusion of avant-garde jewelry and sculptural fashion, rendered through an aesthetic that feels both futuristic and dreamlike. Under the sharp creative vision of art director Florence Tétier, the project leans into editorial minimalism while embracing surreal, multi-dimensional textures. Photographer Elizaveta Porodina masterfully utilizes a mix of studio strobe and soft natural light to emphasize the interplay between reflective surfaces—such as curved chrome and polished dance poles—and the vibrant, translucent plastic jewelry that defines the collaboration. Fashion stylist Samia Giobellina orchestrates a visual narrative where shimmering metallics and intricate, floral-shaped accessories take center stage, often highlighted by iridescent beauty looks. The editorial relies on a precise balance of lighting techniques to capture the glistening, wet-look skin and the fluid movement of the talent, resulting in a series that feels kinetic yet meticulously composed. With sleek hair styling by Ali Pirzadeh and graphic, metallic-toned nail art by Lauren Michelle Pires, the imagery evokes a polished, high-fashion energy. The project effectively channels an ethereal, almost aquatic atmosphere, where the juxtaposition of industrial materials and playful, sculptural rings creates a distinct, contemporary visual language that feels entirely at home within the pages of a high-end fashion publication.
Project novembre global · The quiet between screens
In the fast-paced digital era, Novembre Global explores the disconnect between human presence and technological mediation in their latest fashion editorial series, The quiet between screens. This project functions as a visual study of modern detachment, leaning into a stark, clinical aesthetic that oscillates between high-end fashion and raw, conceptual portraiture. Across the series, the imagery captures a tension between the physical subject and their digital representation, utilizing techniques like visible pixelated grid overlays and lens flares to evoke a sense of digital fragmentation. The editorial intentionally strips away unnecessary noise, opting for a clean, minimalist white-space environment that forces the viewer to confront the sharp silhouettes and textural details of the garments. Makeup artist Paige Whiting plays a pivotal role in grounding these ethereal compositions, with high-gloss finishes and natural, understated palettes that emphasize the subjects' raw skin texture against the polished, structural elements of the clothing. By blending traditional studio strobe lighting with the soft, diffusion of natural light, the collection feels both timeless and aggressively contemporary. Whether examining the sculptural form of a tubular garment or the intricate play of reflection in a studio mirror, the project offers a thoughtful meditation on how we occupy space—both in front of the lens and within the digital landscape.
Project novembre global · PINKY IN THE LUNCHROOM
In Pinky In The Lunchroom, Novembre Global delivers a compelling masterclass in editorial fashion photography, masterfully blending the sterile, quiet atmosphere of a commercial office hallway with the intimate, high-fashion sensibilities of luxury fashion houses. Captured through the lens of photographer Sally Moore, the project leans into a nostalgic, lo-fi aesthetic, utilizing VHS/lo-fi techniques and vintage-inspired analogue film grain to evoke the raw, unfiltered quality of 90s reportage. The imagery oscillates between candid lifestyle captures and structured editorial portraiture, where the tactile qualities of knitwear, floral prints, and delicate lace are heightened by soft natural light. Creative cohesion is anchored by the sharp styling of Caro Jin Park, whose curation of pastel palettes and structured silhouettes creates a striking contrast against the mundane, patterned carpeted corridors and abstract architectural elements. Complementing this visual narrative, hair stylist Ginger Leigh Ryan and makeup artist Alex Levy emphasize a polished yet moody aesthetic, featuring bold red lips and defined, smoky eyes that ground the models in an introspective, cinematic reality. By subverting the expected commercial setting with artistic mannequin displays and geometric collages, the project transforms an ordinary space into a stage for modern fashion expression. The result is a quiet, rhythmic exploration of texture and identity that feels simultaneously archival and fresh, expertly balancing high-concept fashion with an accessible, documentary-style perspective.
Project novembre global · THE LAST CLIMB
In The Last Climb, Novembre Global delivers a visceral exploration of the intersection between high-fashion couture and the raw, unpolished grit of the nocturnal cityscape. This editorial project channels a cinematic mood by positioning its subject against a rugged backdrop of industrial scaffolding, construction netting, and darkened urban rooftops. Under the sharp creative vision of photographer Ken Ngan, the work effectively utilizes a mix of natural light and high-contrast flash techniques to interrogate the tension between refined textiles and the stark, geometric lines of modern infrastructure. Styled by Chloe Mak, the ensemble of looks—ranging from plush, oversized fur coats to avant-garde molded muscle-padded tops and vibrant patterned bodysuits—creates a deliberate friction against the gritty, semi-industrial settings. The aesthetic leans heavily into a documentary-infused editorial style, with the live-action technique capturing a palpable sense of movement as the models navigate metal ladders and concrete barriers. By framing the human form within the cold, complex architecture of a city in progress, the series transcends traditional fashion portraiture, transforming the urban environment into a stage for performance. Ultimately, the project succeeds in creating a layered narrative that feels both spontaneous and meticulously crafted, resulting in a cohesive visual language that celebrates the textures of luxury amidst the anonymity of the night.
Project novembre global · THE QUIET BETWEEN SCREENS
In the provocative fashion editorial series THE QUIET BETWEEN SCREENS, Novembre Global masterfully deconstructs the intersection of digital mediation and high-fashion portraiture. By utilizing the lens of a camera monitor and the reflective properties of mirrors, the project creates a meta-narrative that forces the viewer to interrogate the space between the physical subject and the captured image. The collection leans into an aesthetic of editorial minimalism, where stark white architecture and clean, industrial-style interiors serve as a canvas for complex textile interplay. Model Tessa Jean serves as the central conduit for this exploration, effortlessly transitioning through a series of sharp, textural contrasts that define the season. From the voluminous, floral-adorned whites to the heavy, structured faux fur and sleek patent leather, the styling emphasizes a tactile experience that defies the flatness of the screen. Throughout the shoot, the interplay of natural light and studio strobe lighting creates a sophisticated depth, while techniques such as double exposure and calculated mirror placement add a layer of intellectual rigor to the visual composition. By focusing on the interplay between the human form and the sterile, often clinical environments of the modern workplace, the campaign channels a quiet, introspective atmosphere that feels both avant-garde and unmistakably grounded in the language of contemporary luxury fashion.
Project novembre global · A STATE OF WOMANHOOD
In A State of Womanhood, Novembre Global presents a visually arresting exploration of the female form, masterfully traversing the intersection of maternity, identity, and raw physical expression. Through a series of conceptual editorial portraits, the project leans into a clinical yet deeply intimate aesthetic, utilizing high-key lighting and a stark, minimalist palette to command attention. Photographer Lara Angelil orchestrates a visual narrative where the human body becomes a landscape for both organic curve and avant-garde artifice. The work oscillates between the serene, contemplative nature of maternity—highlighted by soft, natural light and tactile, painterly elements—and the surreal, where modifications like citrus fruit and cracked yellow paint transform everyday white garments into sculptural, fine art statements. Hair stylist Kei Takano and makeup artist Jenneke Croubels contribute to the project's precise execution, with detailed, high-shine textures and bold cosmetic choices that sharpen the focus on the subjects' features. Models Mimi Dey and Riley anchor these compositions, maintaining a calm, steady gaze that grounds the ethereal concepts in human reality. By weaving together macro detail shots and expansive, clean studio portraiture, the project succeeds as a refined study of form. This collection is a quintessential example of contemporary editorial minimalism, challenging traditional perceptions of the body through a clean, polished, and unflinchingly direct artistic lens that favors texture, symmetry, and evocative, shape-focused storytelling.
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