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Les Hommes Publics

15 projects·0 creatives·

Featured Les Hommes Publics projects

This week's top Les Hommes Publics projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.

A man in a dark jacket and trousers balancing upright on a small dirt bike against a seamless white studio background. Project

Les Hommes Publics · Friction Pulse fet. Oneway Kyi

Friction Pulse for Les Hommes Publics is a fashion editorial series that explores the juxtaposition of structured, high-end tailoring and raw, industrial mobility. The campaign features model Oneway Kyi, with creative direction by Antonio Moscogiuri and photography by Nagi Sakai, set against a mix of minimalist studio environments and stark, outdoor asphalt landscapes. The imagery utilizes a blend of monochrome tones, heavy film grain, and natural light to emphasize the tactile quality of the textiles and the metallic finish of the mechanical subjects. Dione Davis leads the styling, which pairs oversized coats, wide-leg trousers, and leather footwear with the agile silhouettes of dirt bikes. Hair styling by Tuan Anh Tran rounds out the production, which employs varied techniques including macro photography and action-oriented framing to bridge the gap between street-inspired dynamism and formal fashion composition.

Three sequential frames of a man walking past a brown leather saddle against a white wall with a grey base Project

Les Hommes Publics · Saudade and Spurs

Saudade and Spurs is a fashion editorial produced for Les Hommes Publics. Photographed by Max von Treu, the series captures a distinct western-inspired aesthetic, featuring model Virgile Elana across a variety of outdoor and architectural settings. The project leans into documentary and editorial sensibilities, utilizing natural light to highlight textures in leather, denim, and knitwear. The compositions, often presented as diptychs or triptychs, integrate organic animal subjects and rustic settings with structured, patterned tailoring. The imagery adopts an earthy, warm color palette, incorporating analogue film techniques to emphasize a raw, tactile quality throughout the editorial layout.

An older man wearing a dark coat stands with arms outstretched outdoors near industrial structures, viewed through a car windshield. Project

Les Hommes Publics · Les Hommes Publics, Dior Men Special

Les Hommes Publics presents a focused fashion editorial series for the Dior Men Special project. The work leans into a sophisticated, moody aesthetic, utilizing natural light and raw textures to explore silhouettes within both industrial and austere outdoor environments. Photographer Clément Laguardia captures a series of portraits and group compositions featuring model Alain Gossuin. Under the creative direction of Antonio Moscogiuri and fashion styling by Juliette Da luz, the imagery moves between monochromatic, grainy analogue film aesthetics and desaturated, gritty framing. Hair styling for the production is provided by Frederic Kebbabi.

Monochrome portrait of a man wearing a structured coat with arms crossed against a plain studio background. Project

Les Hommes Publics · Timeless Theory

Timeless Theory is a menswear fashion editorial for Les Hommes Publics, exploring classic silhouettes through a series of studio portraits. The collection centers on clean lines and precision tailoring, ranging from structured coats and cable-knit vests to oversized suits. Photographer Mattias Bjorklund utilizes a moody, low-key lighting approach and monochrome palette to highlight fabric textures and garment drape. The editorial features model Mike Vasilakis, with styling by Amanda Nadele and hair by Tony Lundström. The project leans into minimalist compositions and chiaroscuro techniques to emphasize form and silhouette.

Model wearing a dark tailored blazer standing outdoors against historic stone architecture in Delhi. Project

Les Hommes Publics · Delhi

Les Hommes Publics presents Delhi, a fashion editorial series that explores the interplay between contemporary tailoring and the historic, textured landscape of the city. Shot by photographer Andrew Jim and featuring model Nakul Bhardwaj, the work leans into an authentic, documentary-style aesthetic that documents the collection against a backdrop of carved sandstone archways, vibrant urban markets, and weathered street facades. Utilizing a combination of monochrome and warm color palettes, the project relies on natural light to highlight the intricate textures of the garments—ranging from embroidered crop tops and tailored blazers to layered beaded jewelry. The editorial adopts an analogue film sensibility, balancing composed, poised portraits with candid, atmospheric street scenes to bridge the gap between high-fashion editorial and heritage architecture.

A man lying face down on a white bed with his head resting on his arms, beside a wooden floor with a ceramic mug. Project

Les Hommes Publics · Sacha Bilal

Les Hommes Publics presents Sacha Bilal, a fashion editorial project that documents a series of intimate and architectural portraits. Photographer Rob Tennent utilizes natural light to capture tactile fabric textures and minimalist silhouettes, working across varied indoor and outdoor environments. The series emphasizes structure and form, leaning into a clean, editorial aesthetic. Fashion styling by Alberto Vegue and hair styling by Bastien Zorzetto complement the photography, focusing on tonal palettes and refined garment details. The work employs a range of clean and warm treatments, resulting in a cohesive visual narrative.

Actor James Norton in a powder blue suit and black glasses posing for a magazine editorial spread by Charlie Gray. Project

Les Hommes Publics · James Norton

Les Hommes Publics elevates the art of modern menswear in this sophisticated editorial portrait series featuring British actor James Norton. Captured through the lens of photographer Charlie Gray, the campaign serves as a masterclass in luxury fashion styling, curated with precision by fashion editor David Bradshaw. The project leans into a cinematic aesthetic, blending the polished, high-end sensibilities of traditional tailoring with a quiet, contemplative mood. Throughout the series, Norton is framed in varied, intimate settings, from billiards tables and classic studio backdrops to ornate, maximalist interiors that contrast beautifully with his structured blazers and refined leather outerwear. These images masterfully utilize a mix of soft natural light and precise studio strobe setups to highlight the intricate textures of fine suiting, crisp shirts, and, most crucially, the collection of luxury timepieces gracing the subject's wrist. The editorial composition is both clean and rhythmically complex, frequently incorporating diptych layouts and intentional reflections to pull the viewer into the frame. By balancing these sharp, sartorial choices with a lived-in lifestyle quality, the project communicates an atmosphere of timeless masculine elegance. The result is a cohesive, highly professional editorial package that avoids the static nature of standard lookbooks, opting instead for a narrative-driven approach that celebrates heritage, craft, and the enduring appeal of the well-dressed man.

Aubrey O'Mahony seated in a brown leather armchair wearing a patterned black and white knit sweater for Les Hommes Publics. Project

Les Hommes Publics · AUBREY MAHONY

In the latest campaign for Les Hommes Publics, titled AUBREY MAHONY, the luxury fashion house delivers an masterclass in editorial portraiture that leans into the sophisticated tension between geometric precision and soft materiality. Centering on a striking series of portraits, the project documents model Aubrey O'Mahony in a seated, confrontational pose that commands immediate attention, grounding the high-fashion narrative in a sense of intimate stillness. Under the visionary creative direction of Antonio Moscogiuri, the imagery masterfully utilizes natural light to highlight the intricate textures of a long-sleeve shirt featuring a bold black and white geometric stripe pattern, paired seamlessly with refined grey trousers. Photographer Nagi Sakai captures the scene with a disciplined eye, favoring a clean, editorial aesthetic that allows the craftsmanship of the garments to take center stage against a backdrop of sweeping, floor-to-ceiling grey pleated curtains. The meticulous attention to detail is further elevated by the styling of Aryeh Lappin and the sharp, controlled grooming from hair stylist Roberto Di Cuia, ensuring every element reinforces the brand’s commitment to modern elegance. By stripping away extraneous noise, this campaign avoids the trap of over-production, instead finding its power in the quiet dialogue between character and cloth. The resulting portrait work serves as a testament to the brand's enduring influence, proving that true luxury remains rooted in deliberate, thoughtful composition.

Actor James Norton in a powder blue suit and black glasses seated at a table for Les Hommes Publics magazine spread. Project

Les Hommes Publics · Les Hommes Publics #16 2026 Covers

For its 2026 issue, Les Hommes Publics #16 leans into a masterclass of modern sartorial storytelling, curated by Editor-in-Chief Antonio Moscogiuri. This editorial feature prioritizes a refined masculine aesthetic that feels both timeless and bracingly contemporary. Photographer Charlie Gray captures the essence of this high-end menswear project through a series of portraits that move beyond mere fashion cataloging into the realm of cinematic character study. By utilizing a deliberate mix of natural light and studio strobe, Gray emphasizes the tactile qualities of velvet, suede, and nappa leather, ensuring the intricate textures of the clothing remain the focal point. Fashion Editor and stylist David Bradshaw elevates the visual narrative, pulling together bespoke-quality pairings of tailored blazers, crisp shirting, and luxury timepieces that ground the subjects in a world of understated opulence. The inclusion of actor James Norton as a primary subject further cements the issue's authoritative tone, with compositions that favor symmetrical balance and shallow depth of field. Whether framed against vibrant floral wallpapers or the moody, low-light backdrop of a billiards hall, the photography maintains an editorial minimalism that allows the subjects’ direct gazes to command attention. This project successfully channels a classic editorial spirit while pushing the boundaries of portrait photography, resulting in a cohesive, sophisticated package that honors the legacy of print media.

Dark brown leather puffer jacket styled over a mid-century swivel armchair against a pale grey studio backdrop. Project

Les Hommes Publics · Looking at You

Looking at You, the latest editorial campaign from Les Hommes Publics, serves as a masterclass in modern sartorial precision. Under the expert creative direction of Antonio Moscogiuri and captured through the lens of photographer Nagi Sakai, the series leans into an aesthetic of deliberate restraint and architectural minimalism. The project explores the intersection of high fashion and professional environments, utilizing studio strobe lighting to emphasize the structural integrity of layered ensembles, from structured overcoats to sharp, tailored suits. With styling by Aryeh Lappin and grooming by Roberto Di Cuia, the imagery transforms the male form into a sculptural element, often juxtaposing human subjects against clean, neutral studio backdrops or mid-century furniture. The campaign channels a cinematic sensibility, employing low-key chiaroscuro techniques to heighten the emotional resonance of each portrait. By integrating subtle vintage props like two-way radios and classic leather goods, the visuals ground the avant-garde silhouettes in a grounded, yet stylized, professional reality. Casting director Shawn Dezan ensures the models, including Aubrey O'Mahony, carry these complex, textured garments with an effortless, contemplative ease. This editorial showcase successfully balances hard-edged luxury fashion house aesthetics with the tactile warmth of natural light and studio precision, cementing Les Hommes Publics as a definitive voice in contemporary menswear narrative and visual culture.

Man wearing a brown blazer, striped unbuttoned shirt, and grey pleated trousers with a black belt indoors Project

Les Hommes Publics · Suitable time

In the latest campaign for luxury fashion house Les Hommes Publics titled Suitable time, photographer Annelie Bruijn masterfully explores the intersection of intimacy and high-end tailoring. The editorial project leans into a sense of quiet reflection, moving beyond traditional static imagery to capture the subject, model Itshak Vanunu, in moments that feel both composed and unguarded. The visual narrative relies heavily on soft, natural light, which effectively highlights the depth of the fabrics—from rich velvet to structured plaid—curated with precision by fashion editor and stylist Jos van Heel. Every frame operates with a deliberate editorial minimalism, allowing the intricate textures and relaxed silhouettes of the garments to command the viewer's attention. Through the inclusion of organic elements like lush indoor houseplants and the clever use of deep shadows, the work achieves a lived-in warmth that elevates the fashion portrait genre. Complementing the technical direction, subtle makeup artistry by Irena Ruben ensures a polished yet authentic finish. Whether captured in crisp color or grainy, moody monochrome via analogue film techniques, the series presents a sophisticated study of masculine grace. By blending curated interior staging with a raw, contemplative spirit, the collaboration successfully carves out a modern identity for the brand that feels timeless, accessible, and deeply intentional.

Monochrome portrait of Pierfrancesco Favino with raised fists wearing a metal wristwatch for Les Hommes Publics Project

Les Hommes Publics · Les Hommes Publics October 2025 Cover

The October 2025 issue of Les Hommes Publics features a dual-cover editorial series. The project, overseen by editor-in-chief Antonio Moscogiuri, explores portraiture through contrasting visual approaches. One cover captures Pierfrancesco Favino in a monochrome, analogue-style composition. The second features Benito Skinner, utilizing a warmer, retro-influenced palette. Both iterations incorporate bold masthead typography and clean layout design typical of commercial editorial media. The production included hair styling by Ben Jones and makeup artistry by Alexandra French, with fashion styling provided by Max Weinstein.