Harper's Bazaar Vietnam
Featured Harper's Bazaar Vietnam projects
This week's top Harper's Bazaar Vietnam projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project Harper's Bazaar Vietnam · Harper's Bazaar Vietnam August 2025 Digital Cover
Harper's Bazaar Vietnam presents a digital cover featuring Liza Koshy. The editorial series centers on portraiture set against a minimal studio backdrop, emphasizing clean lines and high-contrast styling. Photographer Tom Marvel captures the aesthetic through beauty light and polished composition. The visual narrative highlights intricate textures, ranging from oversized reflective gold jewellery to the dimensional velvet floral appliqués of the featured gown. The production team included hair stylist Linh Nguyen and manicurist Casey Herman.
Project Harper's Bazaar Vietnam · Liza Koshy is Dressed to Thrill
This fashion editorial for Harper's Bazaar Vietnam features digital creator and influencer Liza Koshy in a series of dynamic portraits. Captured by photographer Tom Marvel, the project centers on structural silhouettes and tactile fabrics, including tulle, metallic mesh, and velvet. The series leans into a clean, editorial aesthetic, utilizing directional lighting to accentuate form and motion. Each frame is set against a neutral grey background to maintain a minimalist focus on the garment details and styling. Key contributions include hair styling by Linh Nguyen and manicurist work by Casey Herman, which complement the sculptural and embellished wardrobe selections.
Project Harper's Bazaar Vietnam · Harper's Bazaar Vietnam August 2025 Digital Cover by Dalvin Adams
Harper's Bazaar Vietnam presents its August 2025 digital cover, a high-fashion editorial featuring Tyra Banks. The image centers on a portrait captured by photographer Dalvin Adams, emphasizing a dynamic silhouette and the movement of a draped crimson gown. Stylist Wilford Lenov pairs the garment with a sculptural floral cuff, while beauty direction is handled by hair stylist Kiyah Wright and makeup artist Valente Frazier. The shoot, produced by Valentina Gurova, utilizes soft light and a monochromatic warm rust studio backdrop to achieve a refined, vertical editorial look.
Project Harper's Bazaar Vietnam · Emma Jane Holdsworth: The light she carries
Harper's Bazaar Vietnam presents 'The light she carries,' a fashion editorial feature showcasing model Emma Jane Holdsworth. Photographed by Tom Marvel, the series utilizes directional studio lighting and chiaroscuro techniques to highlight the architectural details of couture garments, ranging from voluminous tulle gowns to intricate lace and metallic textures. The layout balances polished studio portraits with moody, low-key compositions. With hair styling by Linh Nguyen and manicures by Casey Herman, the project maintains a consistent aesthetic across multiple editorial spreads, integrating fashion photography with article-led typography.
Project Harper's Bazaar Vietnam · Paloma Suarez talks style self belief and her breakthrough in high fashion
Harper’s Bazaar Vietnam presents a feature editorial exploring the design philosophy and creative breakthroughs of Paloma Suarez. This fashion series showcases the designer in a collection of high-fashion ensembles that emphasize sculptural silhouettes, intricate pleating, and metallic textures. The imagery employs a range of techniques, including multiple exposure, long exposure, and chiaroscuro lighting, to create a sense of motion and abstraction against minimal studio backdrops. The editorial design adheres to traditional high-fashion conventions, prioritizing clean typographic hierarchy and a refined color palette that transitions between warm golden tones and dramatic monochrome contrasts.
Project Harper's Bazaar Vietnam · WEAVING DREAMS
WEAVING DREAMS is a sophisticated fashion editorial series for Harper's Bazaar Vietnam, captured by photographer Shin Yatagai. The project explores a contemplative and quiet aesthetic, placing models Xue Huizi and Zhiqin Zuo within weathered, rustic interior spaces characterized by distressed plaster walls and natural light. Throughout the series, the imagery leans into a moody, low-key chiaroscuro style, using high-contrast lighting to accentuate the sculptural silhouettes of knitwear, draped gowns, and textured fabrics. The composition emphasizes a tactile interplay between the subjects and their architectural surroundings, often utilizing desaturated or monochrome palettes to enhance a sense of timeless elegance and minimalist detail.
Project Harper's Bazaar Vietnam · A conversation with Frida Aasen, equestrian and former Victoria’s Secret model
Harper's Bazaar Vietnam presents a fashion editorial feature centered on model Frida Aasen. The series captures a refined aesthetic, leaning into a minimalist studio approach that prioritizes clean compositions and high-contrast silhouettes. Photographed by Tom Marvel, the editorial explores a range of textures—from metallic chainmail and structured silver corsetry to sheer layers and crocodile-embossed leather. The imagery is anchored by a consistent use of clean, high-key studio lighting and seamless backdrops to maintain a sharp, editorial focus. Styling for the session includes hair by Linh Nguyen and manicures by Casey Herman. The editorial integrates beauty light and monochrome techniques to highlight the subject’s poise and the craftsmanship of the featured garments.
Project Harper's Bazaar Vietnam · Eman Agwet Adwok Deng: From South Sudan to the World Stage
Harper's Bazaar Vietnam presents a feature editorial spotlighting model Eman Agwet Adwok Deng. The project captures the subject across a series of studio-based portraits, leaning into a minimal aesthetic that emphasizes architectural silhouettes and intricate textile details. Executed with a clean, high-key approach, the series utilizes a consistent neutral backdrop to foreground structured garments and sculptural accessories. The imagery employs editorial styling, ranging from monochromatic portraits to dynamic, full-length poses that highlight the interplay of movement and form.
Project Harper's Bazaar Vietnam · ELIKYA: Giữa ánh sáng và bóng tối
Harper’s Bazaar Vietnam presents ELIKYA: Giữa ánh sáng và bóng tối, a fashion editorial project featuring model Blessing Thomas. Captured by photographer Elena Belousova, the series explores avant-garde tailoring and high-fashion structural design within an urban, architectural context. The photography leverages natural light and high-contrast, low-key lighting to emphasize the intricate textures of lace jackets, leather detailing, and elaborate headpieces. With a deliberate cool color grade and desaturated tones, the work leans into a moody, cinematic aesthetic that plays with dramatic shadows across concrete and industrial settings.
Project Harper's Bazaar Vietnam · Lauren Nguyen recounts her memorable ...
Harper's Bazaar Vietnam presents a series of fashion editorials featuring model Lauren Nguyen, captured by photographer Tom Marvel. The collection leans into a painterly, classical aesthetic, using mottled concrete backdrops and distressed studio walls to ground the ornate, highly textured garments. Stylized with vintage waves, retro-inspired hair, and dramatic makeup, the portraits explore sculptural silhouettes through layering of lace, feathers, sequins, and metallic fabrics. Throughout the series, the visual narrative is reinforced by botanical arrangements and floral elements that complement the warm, directional lighting. Techniques such as analogue film aesthetics and subtle multiple exposure effects introduce an ethereal, artistic quality to the compositions. The production brings together hair stylist Linh Nguyen, makeup artist Romero Jennings, manicurist Casey Herman, and casting director Bobby Gutierrez to define the opulent visual identity of the shoot.
Project Harper's Bazaar Vietnam · His Clothes, Her Rules
Harper's Bazaar Vietnam presents His Clothes, Her Rules, a fashion editorial that explores structured tailoring through a series of sharp, monochromatic portraits. Photographed by Tom Marvel, the project features a model framed against weathered grey studio backgrounds, utilizing a mix of natural light and low-key lighting to enhance the textures of leather, oversized shirting, and embellished denim. Techniques such as analogue-inspired film aesthetics and chiaroscuro lighting define the visual identity of the series. Manicuring by Casey Herman adds refined detail, with bold red accents providing a consistent color story throughout the editorial.
Project Harper's Bazaar Vietnam · After The Crown Came Everything Else
In the vibrant editorial feature After The Crown Came Everything Else for Harper's Bazaar Vietnam, photographer Nicholas Tamposi crafts a visually arresting narrative that blurs the lines between heritage architecture and high fashion. The project leans into a sophisticated Mediterranean aesthetic, utilizing intricate blue and white geometric tiles, terracotta flooring, and rustic wooden carvings to ground the luxury fashion houses' collections in a tangible, old-world elegance. Through a lens of refined lifestyle photography, the imagery captures a series of poised portraits that harmonize the delicate textures of ruffles and floral prints with the structured boldness of ceramic patterns. Expertly supported by makeup artist Marianne Tamposi, the editorial maintains a consistent, soft-focus warmth that emphasizes natural light, allowing the interplay of color and pattern to take center stage. The styling oscillates between minimalist silhouettes and dramatic, layered romanticism, creating a cinematic rhythm throughout the sequence. By balancing traditional craftsmanship with contemporary luxury, the project transforms simple settings into evocative, storied environments. Each frame functions as a study in poise and texture, where the composition relies on the deliberate contrast between the model's neutral, composed expression and the vivid, ornate backgrounds. This shoot is an exercise in editorial minimalism, proving that when the visual storytelling is sufficiently layered, the surroundings become just as expressive as the garments themselves.
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