Harper's Bazaar Kazakhstan
Featured Harper's Bazaar Kazakhstan projects
This week's top Harper's Bazaar Kazakhstan projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project Harper's Bazaar Kazakhstan · THE GLOW FOCUS
Harper's Bazaar Kazakhstan presents THE GLOW FOCUS, a beauty editorial series captured by photographer Tamara Arne. The project explores high-gloss textures and precise facial details, featuring model Ariunzul in a sequence of intimate, minimalist portraiture. The series utilizes chiaroscuro lighting and reflective surfaces to emphasize skin finish and bold chromatic contrasts. By layering multiple exposures and clean, editorial framing, the work creates a series of fractured perspectives that highlight luminous tones and deliberate makeup application.
Project Harper's Bazaar Kazakhstan · The Secret Garden
Harper’s Bazaar Kazakhstan explores the intersection of high fashion and botanical environments in The Secret Garden. This fashion editorial series leans into a tactile aesthetic, juxtaposing structured luxury garments and intricate accessories against the raw, organic elements of a manicured garden setting. Photographer and art director Olga Rubio Dalmau employs diffused natural light to ground the subjects, framing them amidst weathered stone, topiary hedges, and lush foliage. The styling, executed by Nieves Elorduy, bridges the gap between polished couture and earthy textures. With a focus on editorial composition and atmospheric depth, the project highlights a contrast between synthetic metallic textiles, crochet knitwear, and the deep, moody greenery of its outdoor backdrop.
Project Harper's Bazaar Kazakhstan · # Like a Girl
Harper's Bazaar Kazakhstan presents '# Like a Girl', a fashion editorial series that explores the intersection of luxury attire and athletic iconography. The project incorporates elements of traditional high-fashion photography while integrating props like basketballs, soccer balls, and tennis rackets into dynamic, studio-based compositions. Photographer Alexander Ermakov and fashion editor and stylist Beagy Zielinski emphasize kinetic energy and textural detail throughout the series. The work utilizes varied techniques, including clean, bright studio lighting, subtle motion blur, and a desaturated palette to highlight structured garments, layered silhouettes, and intricate accessories. The imagery leans into a blend of professional and leisure aesthetics, captured through a mix of clean studio backdrops and modern interior settings.
Project Harper's Bazaar Kazakhstan · БЕЗ СЛОВ
Commissioned for Harper's Bazaar Kazakhstan, 'БЕЗ СЛОВ' is a fashion editorial series that explores movement and architectural interaction. Through a lens of cinematic storytelling, photographer Matthias Ogger captures models Alla Kostromichova and Yorick Simon in a variety of European urban settings, ranging from cobblestone streets and stone bridges to muted interior corridors. The visual narrative relies on natural light to emphasize the interplay between raw textures, such as weathered stone and polished marble, and structured garments. The production leans into an analogue film aesthetic, utilizing a vertical composition to heighten the scale of the environments and the subjects' presence within them. Hair stylist Leslie Thibaud and makeup artist Hind Sousan contribute to the clean, polished look, supporting a sophisticated mood that bridges contemporary luxury fashion with classical European architecture.
Project Harper's Bazaar Kazakhstan · Taste of Color
Harper's Bazaar Kazakhstan reinvents the aesthetic landscape of modern beauty with Taste of Color, a striking editorial project that bridges the gap between high-fashion cosmetics and retro futurism. Captured through the lens of photographer Ekin Can Bayrakdar, the series leans into a refined, high-key visual language that prioritizes meticulous detail over complex set dressing. The imagery masterfully channels the 1960s mod spirit, utilizing a disciplined, glossy palette of pale blue, lavender, and vibrant yellow to create a graphic, artistic narrative on the face. Central to the project is the work of makeup artist Megumi Matsuno, whose technical precision with sharp black eyeliner and bold color blocking transforms the subject into a living piece of modern art. Fashion editor and stylist Celine Sheridan grounds these avant-garde beauty choices with a restrained, soft pink ribbed garment, allowing the intricate, stylized eye makeup to command the viewer’s full attention. By utilizing soft beauty light against a minimalist cool grey backdrop, the team creates a timeless, editorial atmosphere that feels both nostalgic and distinctly contemporary. This series functions as a bold exploration of color theory within the fashion industry, proving that deliberate, thoughtful artistry remains the most potent tool in building a compelling visual identity for print and digital media alike.
Project Harper's Bazaar Kazakhstan · The Art of the Wing
In The Art of the Wing, Harper's Bazaar Kazakhstan pushes the boundaries of traditional beauty editorials, transforming the human face into a sculptural canvas for graphic expression. This beauty campaign serves as an immersive study of structural makeup application, where the line between cosmetics and high-fashion accessory becomes effectively blurred. Photographer Tamara Arne expertly orchestrates the visual narrative, utilizing crisp studio strobe lighting to emphasize the juxtaposition of textures, from the reflective sheen of latex headpieces to the matte precision of liquid pigments. The work channels a bold, minimalist aesthetic that feels both clinical and intensely vibrant, favoring monochromatic palettes that command attention. Whether framing the subject in high-impact red or exploring a more subdued, sharp-edged black liner, the compositions lean into a rigorous attention to detail that elevates every stroke. By stripping away the extraneous, the imagery forces a singular focus on the interplay between geometry and skin texture, proving that the most arresting beauty imagery often stems from a disciplined, architectural approach. The result is a series of editorial portraits that feel perfectly at home on the pages of a global fashion authority, offering a masterclass in how precise technique can transform standard makeup into high-concept art. It is a striking exploration of form, color, and the transformative power of a well-placed line, effectively cementing its place in the canon of contemporary beauty editorial work.
Project Harper's Bazaar Kazakhstan · Lakeside Geometry
Lakeside Geometry for Harper's Bazaar Kazakhstan presents a masterclass in modern luxury fashion, where the interplay of structured apparel and organic, tranquil environments creates a compelling visual dialogue. Captured through the lens of photographer Oksana Baranchykova, this fashion editorial leans into a sophisticated, minimalist aesthetic that feels both grounded and aspirational. The series utilizes natural light to heighten the rich textures of the styling, curated by Fashion Editor Medina Gadzhi-Ismaylova, which juxtaposes sheer layers, sharp tailoring, and sculptural accessories against the rugged stone architecture and vast waters of the lakeside setting. The portraits channel a quiet intensity, enhanced by the deliberate styling choices of hair stylist Mamrez Abbasi and the dark, bold makeup applications by artist Mattia Andreoli. By framing the subject within stone archways and against expansive mountain horizons, the work highlights the deliberate geometry of the fashion pieces, ensuring each composition remains clean and precise. This editorial project succeeds in balancing the soft, evocative quality of natural light with the stark, deliberate poses of the model, resulting in a cohesive narrative that feels timeless. Under the guidance of Editor-in-Chief Larissa Azanova, the feature serves as a striking exploration of contemporary silhouettes that are as much about their physical placement in space as they are about the luxury garments themselves.
Project Harper's Bazaar Kazakhstan · We Love Dogs
Harper's Bazaar Kazakhstan explores the intersection of high fashion and companionship in the editorial project 'We Love Dogs.' Featuring model Ola Kursa, the series pairs intricate textile-heavy ensembles with a variety of canine breeds across a sequence of curated, ornate interior and outdoor locations. Photographer Oksana Baranchykova captures the narrative using natural light, leaning into earthy palettes and retro sensibilities. The production features fashion styling by Medina Gadzhi-Ismaylova, with creative direction provided by Editor-in-Chief Larissa Azanova. The work employs clean composition and soft, atmospheric lighting to highlight the textures of both the garments and the environment.
Project Harper's Bazaar Kazakhstan · Evelina
Harper's Bazaar Kazakhstan presents 'Evelina,' a fashion editorial series captured by photographer Matthias Ogger. The project leans into a clean, editorial aesthetic, utilizing soft light and textural compositions to highlight diverse styling choices. Across the series, model Evelina Safenreiter is depicted in a range of environments, from minimalist interiors to weathered outdoor settings, showcasing varied attire from layered knits to structured formal wear. The production features fashion styling by Serena Pompei, with hair styling by Yohann Jouvanceau and makeup by Akari Sugino. Casting for the project was provided by Alan Brethaud. Through the use of a moody, analogue-influenced color palette and distinct props, the work explores a blend of classic editorial portraiture and playful, retro-inspired motifs.
Project Harper's Bazaar Kazakhstan · Harper's Bazaar Kazakhstan October 2024 Cover by Oksana Baranchykova
The October 2024 cover for Harper's Bazaar Kazakhstan centres on a dynamic editorial portrait captured by photographer Oksana Baranchykova. The composition leans into minimalist framing, contrasting a bright, clean background with the movement of the subject's hair and textured dark attire. Fashion editor and stylist Medina Gadzhi-Ismaylova curated the look, pairing a structured black leather jacket with a metallic choker. The imagery, created under the direction of Editor-in-Chief Larissa Azanova, utilises natural light to focus on the interplay of textiles and motion.
Project Harper's Bazaar Kazakhstan · Shopping List
Shopping List is a fashion editorial series for Harper's Bazaar Kazakhstan, showcasing a high-end approach to seasonal dressing through a mix of urban and minimalist settings. The production captures model Maya Mani in a diverse range of looks, moving from structured leather and tailored blazers to dynamic fringed dresses and draped silhouettes. Photographer Tiffany Mumford leads the visual direction, employing natural light and occasional long exposure techniques to emphasize texture and movement. Fashion editor Hannah Beck curates the wardrobe, with hair by Louis Byrne and makeup by Wendy Turner refining the project's clean, cohesive aesthetic. The imagery balances high-fashion styling with an observational, street-side perspective.
Project Harper's Bazaar Kazakhstan · Night Cravings
Harper's Bazaar Kazakhstan presents Night Cravings, a fashion editorial series that captures the intersection of luxury attire and nocturnal urban environments. Shot by photographer Natella Kiseleva, the project leans into a high-contrast aesthetic, utilizing low-key chiaroscuro lighting and direct flash to define the textures of metallic, feathered, and faux fur garments. Fashion editor and stylist Medina Gadzhi-Ismaylova orchestrates the wardrobe, which spans structured pantsuits and layered crimson gowns, set against cinematic, shadow-heavy city backdrops. Produced by Roman Muravev, the series maintains a consistent moody atmosphere across both monochrome and warm-toned frames, emphasizing the interplay between light and architectural silhouettes.
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