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Grazia Slovenia

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Featured Grazia Slovenia projects

This week's top Grazia Slovenia projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.

Model Andrea Denver wearing sunglasses and striped trousers in an editorial for Grazia Slovenia Project

Grazia Slovenia · ANDREA DENVER V EKSKLUZIVNI MODNI ZGODBI ZA GRAZIO

Grazia Slovenia features model Andrea Denver in a series of fashion editorials focused on contemporary menswear. Captured by photographer Diego Larez, the project highlights a variety of seasonal tailoring and loungewear, ranging from structured herringbone jackets and royal blue coats to striped pajama sets. The imagery maintains a minimalist aesthetic throughout, utilising soft light and a consistent white seamless backdrop. Techniques including Editorial styling and clean, high-key photography are applied across the set. Grooming by Diego Larez complements the look, featuring slicked-back hair and pensive, direct-gaze portraiture.

A model crouching in a dark outfit holding a clutch against a deep green backdrop for Grazia Slovenia Shining Spring. Project

Grazia Slovenia · Shining Spring

Shining Spring is a fashion editorial series produced for Grazia Slovenia. The project leans into a high-contrast aesthetic, utilizing low-key studio lighting and chiaroscuro techniques to emphasize sculptural silhouettes and the rich textures of the featured garments. Each portrait highlights intricate styling, ranging from elaborate braided updos to structured, metallic-accented tailoring. Photographer Leanna Šiupinys captures the collection through a blend of static editorial portraiture and kinetic motion. By incorporating long-exposure light trails and freeze-frame techniques, the series introduces a sense of dynamic energy to the compositions, set against a backdrop of deep, mood-driven tones and warm amber gradients.

Model wearing a blue high-neck top and dark trousers holding two round green panels against a white background Project

Grazia Slovenia · Grazia Slovenia Sept 2026 Digital Cover

Grazia Slovenia presents a digital cover editorial featuring a minimalist studio aesthetic. The shoot, captured by photographer Haoyu Jin under the creative direction of Manman Mira, focuses on a clean, high-contrast visual language. The editorial frames model Xiru Yang against a neutral backdrop, utilizing circular green panels to create structural focal points. The styling features a high-neck blue top with metallic choker detailing, complemented by bold serif typography that integrates with the magazine's layout. This editorial production was overseen by producer Nick Lv and Editor-in-Chief Spela Stamol.

Model seated inside a large white sculptural form against a wooden paneled wall for Grazia Slovenia editorial project Project

Grazia Slovenia · An Unfinished Room, The Beauty of Be ...

An Unfinished Room is a fashion editorial produced for Grazia Slovenia that explores the intersection of sculptural form and minimalist studio aesthetics. The series channels a contemplative mood, employing soft natural light and a neutral palette to frame modern apparel against stark, architectural environments. Creative direction by Manman Mira and photography by Haoyu Jin orchestrate a narrative defined by deliberate, surreal spatial concepts. Throughout the set, the styling incorporates playful, everyday props—from vibrant red stools and musical instruments to abstract paper structures—to contrast with the clean, gallery-like setting. With production by Nick Lv and talent including Xiru Yang, the project prioritizes texture and geometry. The execution leans into a clean and minimalist aesthetic, using geometric partitions and oversized inflatables to experiment with scale and negative space.

Model Xiru Yang reclined inside a large white sculptural pod wearing textured fringe trousers for Grazia Slovenia. Project

Grazia Slovenia · An Unfinished Room, The Beauty of Be ...

For 'An Unfinished Room, The Beauty of Being,' Grazia Slovenia explores a conceptual approach to fashion editorial photography. Photographer Haoyu Jin and creative director Manman Mira develop a visual language rooted in sculptural minimalism, utilizing clean, expansive studio spaces to frame model Xiru Yang amidst a series of disparate, domestic-inspired objects. The project leans into a tension between structured tailoring and playful, tactile elements. Across the series, the imagery incorporates diverse props—from unmade bedding and scattered yarn to violins and minimalist furniture—to create a sense of deliberate, unfinished narrative. Executed with a focus on soft, diffused lighting, the editorial maintains a restrained, contemporary aesthetic that balances sharp silhouettes with an open, airy composition.

Model Eva Navarro on the Grazia Slovenia digital cover against a crinkled white backdrop wearing a metallic mesh top and blue ruffle. Project

Grazia Slovenia · Grazia Slovenia July 2026 Digital Covers

Grazia Slovenia defines the aesthetic pulse of the season with their July 2026 digital covers, a project that skillfully blends high-fashion ambition with an accessible, narrative-driven visual language. The series leans into editorial minimalism, favoring clean compositions that elevate the subject while maintaining the glossy, authoritative allure expected from such a storied magazine brand. Photographer Marina Prinzi masterfully pivots between two distinct visual modes: the tactile, studio-based intensity of the portrait featuring model Eva Navarro, and the sprawling, ethereal lifestyle composition centered on Rupa Dash. In the former, the crinkled white paper backdrop creates a striking contrast against metallic textures and vibrant hues, while the latter utilizes the vast, atmospheric potential of a coastal landscape. Makeup artist Claverie Benoit plays a pivotal role in these images, specifically through the luminous, terracotta-toned glow that anchors the studio portrait, ensuring a cohesive beauty narrative across the collection. By utilizing natural light as a primary tool, the team captures an effortless, polished clarity that allows the intricate details of the styling, such as feather-trimmed cuffs and bold chainmail layering, to take center stage. These covers represent a sophisticated evolution for the title, grounding its digital presence in a refined editorial style that balances technical precision with a raw, human sensibility, ultimately reinforcing its commitment to contemporary visual storytelling within the global media landscape.

Rupa Dash poses in a pale blue gown with feather-cuffed sleeves at a balcony overlooking the sea for Grazia Slovenia. Project

Grazia Slovenia · Grazia Slovenia July 2026 Digital Cover

For the Grazia Slovenia July 2026 digital cover, the editorial team embraced a sophisticated aesthetic that perfectly balances high-fashion polish with the relaxed allure of a summer getaway. Featuring Rupa Dash in a commanding front-facing portrait, the project leans into a clean, refined composition that feels both timeless and distinctly contemporary. Captured by photographer Marina Prinzi, the imagery utilizes the vast, ethereal backdrop of the open ocean and distant mountains to provide a sense of scale, while the subject is elegantly styled in a floor-length light blue gown marked by striking feathered cuffs. The deliberate use of natural light elevates the visual narrative, casting a soft, luminous glow that softens the metallic geometry of the balcony railing. By prioritizing an editorial lifestyle approach, the session achieves a seamless synthesis between aspirational luxury and accessible beauty. The intentional framing, combined with the subtle choice of jewelry and loose, flowing waves in the styling, anchors the cover in a mood of effortless grace. This digital cover serves as a quintessential example of how magazine media can leverage nuanced visual storytelling to capture a fleeting, radiant moment, successfully blending high-end fashion sensibilities with the organic, warm atmosphere synonymous with mid-summer editorial features.

Model wearing an olive green two-piece set, straw hat, and white sunglasses posing in front of a teal paddleboard. Project

Grazia Slovenia · Grazia Slovenia July 2026 Cover

For the July 2026 cover of Grazia Slovenia, the editorial team leans into the quintessential spirit of midsummer escapism with a vibrant, resort-focused aesthetic that feels both elevated and accessible. Photographer Illya Ovchar captures a sun-drenched narrative that channels coastal nostalgia, utilizing natural light to highlight the rich textures of the model’s ensemble. The cover subject stands against the backdrop of a bright blue surfboard, grounding the imagery in a relaxed, oceanic atmosphere that signals the peak of the season. Fashion Editor and Stylist Tania Tuka curates a sophisticated look centered on a brown textured bandeau and matching mini skirt, accented by a classic wide-brimmed straw hat and modern oval-framed sunglasses. The tactile inclusion of a white and brown plaid towel with fringed edges adds a layer of depth and authenticity to the composition. Under the subtle guidance of makeup artist Marom Tal Winshenk, the overall look remains polished yet perfectly suited for a lifestyle publication of this caliber. This clean editorial execution avoids unnecessary clutter, allowing the strong magazine typography to sit harmoniously alongside the frame. The result is a cohesive visual piece that defines the intersection of high fashion and summer leisure, showcasing a refined approach to lifestyle photography within the competitive landscape of the international media and entertainment industry.

Blonde model in a black top and patterned pink headscarf looking over her shoulder against the blue ocean. Project

Grazia Slovenia · Veter z juga

Grazia Slovenia explores the intersection of coastal serenity and modern sophistication in Veter z juga, an evocative editorial fashion project that masterfully balances high-end styling with the raw, atmospheric beauty of the seaside. Photographer Illya Ovchar frames the subject with a cinematic sensibility, utilizing natural light to accentuate the intricate textures of the garments, from sheer, translucent fabrics to tactile, heavy-patterned headscarves. The visual narrative channels a sense of breezy elegance, leaning into the quiet introspection of the subject against the expansive horizon. Fashion editor and stylist Tania Tuka curates a versatile wardrobe that seamlessly blends traditional beachwear staples with bold, contemporary silhouettes, while the work of hair and makeup artist Marom Tal Winshenk adds a polished, lived-in quality that feels both aspirational and deeply grounded. By pairing the vibrant, saturated hues of sporting equipment with a clean, muted color palette, the shoot achieves a rhythmic visual contrast that keeps the focus firmly on the interplay between form and setting. Through this editorial, the team successfully elevates standard lifestyle photography into a refined aesthetic experience, proving that even the most casual beachside environments can serve as a sophisticated stage for high-fashion storytelling. The final output resonates with a sense of calm intentionality, successfully grounding complex styling choices within the timeless, shifting landscapes of the coast.

Woman in a voluminous red ruffled gown posing in front of the Carlton Hotel for a magazine cover. Project

Grazia Slovenia · Grazia Slovenia June 2026 Digital Cover

For the June 2026 digital cover of Grazia Slovenia, photographer Marina Prinzi captures a striking vision of high-fashion escapism set against the iconic, ornate architecture of the Carlton Hotel in Cannes. The project, which leans into the grandeur of editorial photography, features talent Sarah Farrell adorned in a voluminous red ball gown that commands the frame through its intricate ruffles and translucent, layered fabric. By leveraging natural light, Prinzi emphasizes the interplay between the garment’s vivid crimson hue and the crisp, pale facade of the historic landmark, resulting in a composition that feels both timeless and distinctly cinematic. This lifestyle-oriented cover story prioritizes a direct, eye-level aesthetic that allows the scale of the attire to dictate the visual narrative, successfully positioning the publication within a global luxury context. The deliberate choice of location, coupled with the sharp, bold typography characteristic of the Grazia brand, reinforces a narrative of prestige and elegance. Through precise framing and an evocative use of movement within the heavy ruffles, the editorial team has curated an image that balances high-octane fashion with the breezy, sun-drenched atmosphere of the French Riviera. The final result is a masterclass in modern digital cover design, where architectural history and contemporary couture converge to define the seasonal aesthetic for this prominent media outlet.

Diptyque fashion editorial featuring blonde female model in white shirt and dark trousers against a brick wall Project

Grazia Slovenia · WHERE THE WIND DOESN'T ANSWER

In the latest spread for Grazia Slovenia titled Where the Wind Doesn't Answer, photographer Giuseppe Vitariello masterfully orchestrates a high-fashion editorial that bridges the gap between structured luxury and urban authenticity. Eschewing the hyper-polished artifice of the studio, the project leans into an organic narrative by utilizing soft natural light to illuminate the interplay between intricate textiles and the rugged, tactile backdrop of traditional brick residential architecture. The editorial functions as a visual study in contrasts, where the sharp silhouettes of strapless gowns, opera gloves, and beaded mini dresses find balance against the weathered, urban grit of the city street. Vitariello employs a sophisticated editorial portrait style, ensuring that every frame serves to heighten the tension between high-fashion refinement and the quiet, contemplative lifestyle aesthetic inherent in the setting. Through the consistent use of a live-action technique, the imagery feels immediate and grounded, moving away from static posing to capture a sense of calm, wind-swept confidence. By anchoring opulent textures—from shimmering satin to structured fringe—within a raw, real-world environment, the project successfully elevates the fashion house aesthetic to something both aspirational and deeply human. It is a compelling exercise in composition, where the architecture of the clothes mirrors the urban geometry of the environment, resulting in a cohesive, timeless spread.

Model posing in a cream and pale yellow cut-out maxi dress outdoors among lush palm trees and tropical green rice terraces. Project

Grazia Slovenia · Fields of Stillness

For the Fields of Stillness feature in Grazia Slovenia, photographer Stef King masterfully crafts an editorial narrative that bridges the divide between high-fashion luxury and the untamed tranquility of the Balinese landscape. Across a diverse series of frames, the project leans into a sense of profound introspection, positioning the subject as a serene focal point amidst dense, verdant rice paddies, traditional stone architecture, and intricate bamboo installations. The work demonstrates a sophisticated use of natural light, which acts as a connective thread throughout, illuminating both the clean, minimalist lines of the curated wardrobe and the raw, organic textures of the surrounding environment. King utilizes the tension between soft, directional lighting and atmospheric shadow to evoke a cinematic quality, transforming simple fashion portraits into evocative explorations of peace and stillness. Whether the model is draped in vibrant, lime-toned sets or minimalist, earth-hued tailoring, the composition remains consistently intentional and refined. By emphasizing the contrast between delicate floral appliqués and the ruggedness of the tropical terrain, the imagery successfully captures an elevated, nature-inspired lookbook aesthetic. This collaboration with Flint represents a cohesive vision of editorial minimalism, where the environment serves not just as a backdrop, but as an essential, grounding force that complements the quiet confidence of the styling throughout the entire photographic journey.