Flanelle Magazine
Featured Flanelle Magazine projects
This week's top Flanelle Magazine projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project Flanelle Magazine · LOOK AT ME
Flanelle Magazine’s LOOK AT ME is a multifaceted fashion editorial series featuring model Brenda Pivatto. The collection navigates a range of aesthetics, from high-contrast studio portraiture to candid, grain-heavy outdoor photography, captured by photographer Muraca. The imagery employs a variety of visual languages, utilizing editorial techniques such as moody saturation and clean, minimalist framing. With makeup artistry by Vini Vieira, the project emphasizes textural elements—ranging from sequined fabrics and satin drapes to weathered backgrounds—to construct a diverse study of form and style. Several frames incorporate the aesthetic of analogue film, complete with visible negative borders.
Project Flanelle Magazine · Lisbon runway
For Flanelle Magazine, photographer and creative director Julia Yatel presents a vibrant fashion editorial set against the urban backdrop of Lisbon. The series explores the intersection of contemporary designer fashion and classic European architecture, leaning into a saturated color palette and architectural geometry. The project uses natural light to accentuate the textures of high-gloss fabrics, fringe details, and sculptural gold accessories. Captured in a vertical format, the editorial integrates street-level candidness with composed, high-contrast portraiture, emphasizing a bold approach to style and character.
Project Flanelle Magazine · DOLCE FAR NIENTE
DOLCE FAR NIENTE is a fashion editorial series produced for Flanelle Magazine, captured by photographer Anton Patdu. The project draws on an evocative, coastal aesthetic, utilizing natural light to frame a series of contemplative portraits in outdoor, architectural settings. Moving between lush tropical foliage, textured stone backdrops, and the rugged edge of the ocean, the work leans into an earthy, warm colour palette. The imagery makes frequent use of analogue film techniques and grainy textures, lending a tactile, timeless quality to the composition. Through a relaxed, lifestyle-focused lens, the series explores organic movement and soft, cinematic lighting.
Project Flanelle Magazine · Home Again
Home Again, a compelling editorial spread produced for Flanelle Magazine, masterfully bridges the gap between high-fashion sophistication and the intimate, grounded reality of a domestic landscape. Through the lens of photographer Eric Hason, the project leans into a sense of quiet introspection, utilizing soft, natural light to illuminate the diverse textures of the wardrobe—ranging from delicate lace and crisp cotton to high-sheen satin and metallic finishes. By situating the subjects within minimalist residential settings, the imagery creates a narrative of relaxed luxury, where sculptural heels and crocodile-embossed leathers feel perfectly at home against the warmth of hardwood floors and mid-century furnishings. The execution relies on a refined editorial minimalism that prioritizes authentic movement and tactile detail over elaborate staging. Whether capturing a model reclining on a textured cowhide rug or framed by the subtle geometric shadows of window blinds, Hason demonstrates a precise eye for composition and mood. These portraits channel an aesthetic that is both accessible and elevated, proving that high-fashion storytelling does not always require a studio backdrop to make an impact. Instead, the series succeeds by letting the interplay of light, shadow, and premium materials tell a cohesive story of personal style finding its rhythm within the comfort of a lived-in space.
Project Flanelle Magazine · Nostalgia
In the latest editorial spread for Flanelle Magazine titled Nostalgia, photographer Maurizio Montani captures a masterclass in modern masculinity through a lens of refined, high-fashion restraint. Featuring model Bekanty Allou Kakou, the series leans into the intersection of heritage tailoring and contemporary edge, utilizing a deliberate studio strobe aesthetic to anchor the narrative. By blending structured luxury fashion house silhouettes with unexpected, tactile accessories—such as faux-fur wraps, silk scarves, and vintage-style crystal brooches—the project channels an atmosphere of quiet, timeless confidence. Montani emphasizes the interplay of high-contrast textures, moving seamlessly between the sleek sheen of leather jackets and the soft, organic drape of patterned silk shirts. The use of minimalist studio backgrounds ensures the focus remains entirely on the sharpness of the tailoring and the deliberate composure of the subject. These editorial portrait compositions, defined by their clean lines and soft, directional lighting, feel both cinematic and intimate. The result is a sophisticated visual study that strips away unnecessary noise, allowing the richness of the fabric and the precision of the styling to speak for themselves. This collection serves as a testament to the power of deliberate, minimal art direction, highlighting the enduring allure of well-crafted, elevated menswear within a contemporary framework.
Project Flanelle Magazine · Rainy Day in Glasgow by Ewa Michalik ...
Captured against the quintessentially moody backdrop of a drizzly Scottish city, Rainy Day in Glasgow for Flanelle Magazine masterfully blends high-fashion precision with the raw, cinematic textures of urban life. Photographer and stylist Ewa Michalik orchestrates a visual narrative that transcends the standard fashion editorial, leaning into a sophisticated interplay of layered knitwear, structured leather, and classic trench coats. The project leverages the soft, diffused natural light of an overcast day to emphasize the tactile contrast between plush fabrics and the weathered, historic stone architecture that defines the street-level environment. By weaving in recurring motifs like bright yellow doorways and stark construction barriers, the series establishes a distinct aesthetic rhythm. The imagery consistently channels a refined editorial minimalism, utilizing techniques such as cinematic flash and carefully composed portraiture to turn mundane city encounters into a high-concept fashion story. Through the lens of Michalik, the rain-slicked streets become a runway where traditional tailoring meets contemporary, pensive storytelling. Every frame serves to highlight the rich materiality of the garments—from croc-embossed textures to the fine weave of wool—while maintaining an authentic, atmospheric energy. This project exemplifies how location-based imagery can elevate luxury fashion houses into something deeply human, creating a cohesive, mood-driven portfolio that balances artistic tension with sharp, industry-relevant styling.
Project Flanelle Magazine · Purple Haze
Purple Haze, the latest editorial spread for Flanelle Magazine, masterfully blurs the lines between raw, personal vulnerability and curated high fashion. Photographer Eric Hason employs a deft command of light and texture to explore the nuances of masculinity, leaning heavily into a nostalgic, cinematic aesthetic that feels both intimate and expansive. The project utilizes techniques like 35mm film and chiaroscuro lighting to elevate simple portraiture into a moody, narrative-driven exploration of identity. Central to the visual success of the piece is the sophisticated styling by Kara Erwin, who juxtaposes gritty urban elements—such as rusted steel and graffiti-strewn walls—against the plush, tactile luxury of shaggy faux fur and ornate, layered beaded necklaces. Whether capturing a pensive moment in a vintage car or a stark, monochrome study of the human form, the imagery consistently channels a raw, unfiltered energy. The editorial serves as a masterclass in atmospheric photography, where the interplay of natural light and shadow informs the contemplative mood of every frame. Through a lens that feels distinctly analogue, the team creates a visual language that is simultaneously timeless and distinctly modern, showcasing how thoughtful composition and a cohesive stylistic vision can transform a series of portraits into a profound piece of contemporary storytelling within the magazines, media, and entertainment industry.
Project Flanelle Magazine · PLATINUM SIRENS
In the latest editorial series for Flanelle Magazine, Platinum Sirens pushes the boundaries of luxury fashion through a masterclass in monochromatic minimalism. Captured through the lens of a highly deliberate visual language, the project leans into an ethereal aesthetic where the line between humanity and sculpture blurs. Fashion Editor and Stylist Clémentine Bosch curates a sequence of high-key portraits that utilize a stark, overexposed white palette to strip away visual noise, forcing the viewer to confront the raw materiality of each garment. The work relies heavily on high-key lighting and natural light, which work in tandem to highlight intricate textures—from voluminous, wispy feather headpieces to avant-garde, fibrous textiles that frame the models in structural, oversized silhouettes. By embracing a dreamlike, often soft-focus quality, the series achieves an almost ghostly detachment, where the models serve as conduits for pure form and delicate geometry. The choice to favor an almost exclusively white environment emphasizes the intentional motion blur and architectural layering present throughout the collection. This is fashion photography that prioritizes atmosphere over narrative, succeeding as a potent exploration of texture and light. Through meticulous composition, the series proves that when color is removed from the equation, the interplay of silhouette and silhouette becomes the ultimate statement in contemporary editorial fashion.
Project Flanelle Magazine · Nadia
Nadia is a fashion editorial series produced for Flanelle Magazine, showcasing a versatile range of silhouettes and high-contrast textures. Photographed and styled by Ewa Michalik, the project moves through diverse settings, from domestic interiors to studio environments, emphasizing the interplay between light and structure. The series explores dynamic posing and refined tailoring, utilizing techniques ranging from soft natural light to direct flash photography. The editorial captures a narrative of contrast, layering sheer fabrics, leather, and intricate jewelry against both minimalist and moodier backdrops.
Project Flanelle Magazine · Alluring Intensity
Flanelle Magazine presents 'Alluring Intensity,' a beauty editorial portrait series that captures a bold, contemporary aesthetic. Featuring model Senia Sandru, the project leans into a dramatic visual narrative centered on high-contrast textures and vivid color accents. Photographed by Veronika Scherbik, the imagery utilizes clean, direct lighting against a neutral grey backdrop. The editorial incorporates polished styling by Victoria Chueva and precise makeup artistry by Elizaveta Vitko, focusing on sharp metallic details and expressive composition.
Project Flanelle Magazine · Utterly Unalike
Utterly Unalike is a fashion editorial series for Flanelle Magazine, captured by photographer Thanos Poulimenos. The project features model Ros Georgiou across a variety of studio-based compositions that emphasize geometric forms and material contrast. The layout integrates minimalist editorial spreads with detailed close-ups, utilizing graphic elements and a clean aesthetic to highlight apparel and accessories. Set design by Athanasios Kanakis provides stark architectural backdrops, while hair styling by Jose Quijano and makeup by Marita Politou contribute to the project's precise, high-contrast visual identity.
Project Flanelle Magazine · Flanelle Magazine October 2025 Cover
Flanelle Magazine presents its October 2025 cover, an editorial feature highlighting a sculptural aesthetic. The imagery places model Ros Georgiou in a minimalist studio environment, captured against a clean white backdrop that emphasizes form and silhouette. Photographer Thanos Poulimenos leads the creative execution, supported by set design from Athanasios Kanakis. The production incorporates professional hair styling by Jose Quijano and makeup artistry by Marita Politou, maintaining a consistent commercial look throughout the frame.
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