Exit Magazine
Featured Exit Magazine projects
This week's top Exit Magazine projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project Exit Magazine · Shape Shifter
Shape Shifter is a fashion editorial series for Exit Magazine that explores the intersection of avant-garde tailoring and minimalist studio aesthetics. Featuring model Fatou Kebbeh, the project focuses on sculptural silhouettes and high-contrast textures, ranging from oversized wool outerwear to graphic color-blocked ensembles. Photographer Jorin Koers utilizes soft, directional lighting to accentuate the rhythmic geometry of the garments. Under the fashion direction of Sam Ranger, the series leans into a clean, graphic visual language, employing both monochrome palettes and bold, saturated tones to highlight the interplay between form and fabric. Key production credits include makeup artistry by Claire Urquhart and Karla Quiñonez Leon, with casting by Clare Rhodes.
Project Exit Magazine · Superstar by Boris Lutters
The Superstar project for Exit Magazine is a fashion editorial series captured by photographer Boris Lutters. Exploring the intersections of sportswear and studio portraiture, the work features styling by Rebecca Purshouse and makeup by Hicham Ababsa. The collection centers on a series of character studies, utilizing techniques ranging from multiple exposure and chiaroscuro lighting to classic analogue film photography. Throughout the imagery, the subjects are positioned against minimalist studio backgrounds, allowing the textures of braided hairstyles and athletic apparel to remain the primary focus. The editorial draws on a cool color palette and controlled lighting setups to maintain a cohesive visual identity across its varied vertical and horizontal compositions.
Project Exit Magazine · Clowning Around
Clowning Around, an editorial project for Exit Magazine, leans into theatrical silhouettes and sculptural textures to reimagine classic fashion forms. Photographed by Ben Parks, the series features model Nanne Groenewegen positioned against minimalist studio backdrops, creating a clean, focused aesthetic. The imagery prioritizes material quality, ranging from intricate ruffled collars and shearling outerwear to structured tweed and vibrant color-blocked layering. Fashion direction by Sam Ranger defines the project, pairing avant-garde fabric detailing with playful, bold accessories. The execution is grounded by soft natural light, which highlights the precise tailoring and tactile variety of the wardrobe. Completing the look are hair styling by Masashi Konno and makeup by Faye Bluff, which incorporate experimental elements such as painted facial spots and monochromatic palettes to enhance the editorial's conceptual tone.
Project Exit Magazine · EXIT COVER SHOOTS AW26
Exit Magazine presents its AW26 editorial cover story, featuring writer Tish Weinstock. Captured by photographer Chessa Subbiando, the series adopts a restrained aesthetic, utilising soft natural light and clean compositions to highlight its subjects. The imagery leans into a minimalist editorial style. The portraiture is set against sparse, structured environments, creating a dialogue between the subjects and the surrounding architecture through vertical framing. Hair styling by Kiley Fitzgerald and makeup by Loftjet provide a subtle finish to the looks, which include sharp tailoring and monochrome ensembles.
Project Exit Magazine · An Inside Story
An Inside Story, featured in Exit Magazine, serves as a masterclass in editorial fashion photography, seamlessly blending high-concept styling with an authentic, lived-in sensibility. Captured through the lens of photographer Antonino Cafiero, the project leans into a narrative-driven aesthetic that feels both intimate and grand, drawing viewers into a series of quiet, cinematic moments. With fashion direction by Carolina Orrico, the editorial explores the interplay of contrasting textures, from voluminous puffer capes and ornate pearl embellishments to heavy tweed and delicate silk slips. The imagery utilizes a sophisticated monochromatic palette, with several portraits shot on 35mm film to evoke a timeless, analogue quality that feels grounded yet surreal. The casting, overseen by Evagria Sergeeva, brings together a diverse array of models, including Alicia Gutiérrez, Asher Burrows, and Gisele Zelauy, whose composed expressions anchor the series. Under the artful grooming of hair stylist Pasquale Ferrante and makeup artist Ingeborg, the subjects embody a raw, refined elegance, while Rebecca Ilse’s set design frames them within minimalist interiors and natural park environments. The series succeeds by grounding luxury fashion in organic, natural light, creating a visual dialogue between the architectural rigidity of urban structures and the fluid, emotive power of the portraits. Ultimately, this collaboration represents a profound commitment to the craft of editorial storytelling, where form, texture, and light converge to define modern luxury style.
Project Exit Magazine · Exit Magazine Spring Summer 2026 Cover
The Spring Summer 2026 cover for Exit Magazine serves as a bold masterclass in editorial minimalism, grounding high-concept luxury fashion within a punchy, monochromatic visual framework. Captured by photographer Maona Micoud, the portrait utilizes precise studio strobe lighting to pull the subject, model Aluel Keror, into sharp relief against a vibrant, saturated orange backdrop. This deliberate color blocking emphasizes the structural complexity of the wardrobe, specifically a white oversized bomber jacket paired with a textured deep blue fringe skirt that anchors the composition. Beyond the clothes, the work speaks to the collaborative synergy of the creative team, with fashion director Sam Ranger orchestrating a look that feels both contemporary and timeless. The clean lines of the full-length portrait allow the intricate details of the styling to resonate, elevated by the refined grooming choices of hair stylist Karla Quiñones Leon and makeup artist Pamela Cochrane. By stripping away extraneous narrative elements, the imagery focuses entirely on form and silhouette, highlighting a sophisticated approach to magazine editorial production. The cover stands as a testament to the power of deliberate, high-contrast casting and styling, curated by casting director Lewis Waters to ensure a striking, memorable presence on the newsstand. It is an exercise in restraint that simultaneously demands attention through its sheer visual clarity and deliberate, curated aesthetic choices.
Project Exit Magazine · Fringe Benefit
Fringe Benefit for Exit Magazine is a masterclass in modern fashion editorial, blending architectural silhouettes with a dynamic, tactile focus on movement. Photographer Maona Micoud collaborates with fashion director Sam Ranger to explore the interplay between high-fashion garments and diverse environments, ranging from stark studio setups to urban landscapes. The series leans into a bold, high-key aesthetic that elevates the interplay of texture, utilizing long, cascading fringe as a recurring motif that adds visual weight and rhythm to each portrait. Whether set against the vivid, saturated orange backdrops of a studio strobe session or within the diffused, soft atmosphere of natural light photography, the imagery maintains a sharp, graphic sensibility. Models such as Aluel Keror bring a commanding presence to the frame, embodying the avant-garde spirit of the collections. The work is meticulously polished by makeup artists Karla Quiñonez Leon and Pamela Cochrane, who highlight the models' features with a precision that balances the complex, decorative nature of the textiles. By juxtaposing the structured elegance of fringe-adorned pieces with industrial or floral settings, the project successfully bridges the gap between traditional portraiture and experimental lifestyle imagery. The resulting body of work serves as a sophisticated testament to the power of texture and color in contemporary luxury fashion, creating a visual language that feels both timeless and aggressively current.
Project Exit Magazine · Black Orchid
In Black Orchid, a compelling editorial project for Exit Magazine, fashion director Sam Ranger and photographer Ben Parks craft a visual narrative that thrives on the tension between architectural austerity and organic fluidity. This fashion photography series masterfully leans into the monochromatic, utilizing a stark palette of black and white to serve as a high-contrast canvas for the ethereal presence of pink orchids and lime green accents. Through a lens of editorial minimalism, the project eschews distraction, allowing the interplay of texture—ranging from dense black fringe and glossy leather to delicate floral petals—to dictate the mood. Model Lara Menezes anchors the work with a neutral, direct gaze that feels both grounded and otherworldly. The technical execution, captured through a blend of studio strobe and soft natural light, emphasizes the clean geometric lines of the curated ensembles, which oscillate between avant-garde sculptural forms and tailored sophistication. Makeup artists Karla Quiñonez Leon and Phoebe Walters elevate the portraits with precise, subtle touches that highlight the subject's features while maintaining the project's cool, composed atmosphere. By stripping away extraneous detail, Black Orchid reads as a refined meditation on contrast, showcasing how minimalist studio portraiture can breathe new life into classic luxury fashion tropes while maintaining a sharp, contemporary edge that feels entirely at home within the pages of a high-end publication.
Project Exit Magazine · Exit Magazine #52 Spring/Summer 2026 ...
For its Spring/Summer 2026 edition, Exit Magazine #52 delivers a masterclass in editorial portraiture, curating a diverse collection of covers that balance high-fashion sensibilities with profound cultural resonance. By blending minimalist design with tactile, high-contrast imagery, the publication reinforces its reputation as a vanguard in the magazines, media, and entertainment sector. Each cover feels distinct yet unified by a clean, deliberate composition that forces the viewer to engage with the subject. The project highlights a range of visual techniques, from the raw, authentic feel of analogue film and natural light portraits to the precise, controlled aesthetic of studio strobe setups. Whether capturing the quiet tension in a low-key chiaroscuro photograph of director Yorgos Lanthimos or the playful, textured energy of a portrait featuring musician Thundercat, the magazine manages to oscillate effortlessly between stark vulnerability and bold, stylized fashion. The curation by fashion director Sam Ranger and stylists like Manvi Bhatnagar creates an environment where subjects such as Hannah Dodd, Anson Boon, Aluel Keror, and Lara Menezes are presented with refreshing clarity. These portraits lean into the intersection of art and personality, utilizing clever typography and monochromatic backdrops to ensure each cover functions as a standalone piece of art. This issue stands as an evocative exploration of contemporary portraiture, proving that even within a rigid editorial framework, there is immense room for creative evolution and visual storytelling.
Project Exit Magazine · EXIT SS26 COVERS
For the SS26 edition of Exit Magazine, the creative team has delivered a masterclass in editorial portraiture that leans into the crisp, elevated aesthetic synonymous with high-end print media. Captured by photographer Giuseppe Vaccaro, the cover story features actor Hannah Dodd in a series of striking frames that prioritize tactile detail and a refined, contemporary finish. The project relies on expert studio strobe lighting to carve out the depth of the textures, specifically highlighting a black leather jacket featuring substantial curly shearling lapels. This focus on material contrast is perfectly balanced by the precision of the styling, with fashion director Sam Ranger and fashion editor Manvi Bhatnagar curating a look that feels both timeless and sharp. The technical execution is further elevated by the work of hair stylist Joshua Knight and makeup artist Sara Hill, whose contributions ensure a polished, cohesive look that anchors the bold white typography. By blending classic editorial sensibilities with a clean, high-fashion visual language, the team has produced a cover that commands attention through its minimalism. Every element, from the distinct gold and silver rings captured in the frame to the deliberate positioning, functions to create a narrative that is both intimate and iconically magazine-ready, cementing this SS26 iteration as a definitive statement in modern entertainment and media branding.
Project Exit Magazine · Exit Magazine Fall/Winter 2025 Covers
Exit Magazine presents a series of covers for its Fall/Winter 2025 edition, highlighting a diverse array of talent through clean, editorial portraiture. The series leans into natural light and organic settings, juxtaposing soft botanical backgrounds with high-contrast, minimalist studio environments. Across the collection, the photography highlights tactile textures and structural fashion, from oversized quilted outerwear to intricate lace and leather detailing. The layouts maintain a consistent visual language, anchored by bold masthead typography and script lettering that frames each subject. Featuring photography from Clara Nebeling, Clay Stephen Gardner, Jorin Koers, Lea Winkler, Lee Whittaker, and Olivia Malone, the issue draws together a wide range of creative contributors to capture a singular, cohesive aesthetic. Fashion direction by Sam Ranger and editorial styling by Carolina Orrico, Giulio Ventisei, and Kat Typaldos emphasize the architectural and varied silhouettes of the season.
Project Exit Magazine · EXIT SS 25 COVER - Devon Lee Carlson
Exit Magazine features Devon Lee Carlson on the cover of its SS 25 issue. Photographed by Lea Winkler, the portrait utilizes natural light to frame the subject against a vintage floral backdrop. Fashion styling is provided by Marissa Baklayan, with hair by Kazu Katahira and makeup by Michaela Bosch. The composition integrates clean overlay typography, maintaining a classic editorial aesthetic.
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