Dry Clean Only Magazine
Featured Dry Clean Only Magazine projects
This week's top Dry Clean Only Magazine projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project Dry Clean Only Magazine · Spring Summer 2025 Covers
Dry Clean Only Magazine presents their Spring Summer 2025 covers, a series of editorial portraits that explore minimalist and avant-garde silhouettes. Across the collection, photography by Ismael Moumin, Joseph Echenique, Neva Wireko, and Rémi Lamandé employs both moody chiaroscuro lighting and clean, natural light to define the subjects. The series features models Omahyra Mota, Jiashan Liu, and Delilah Koch, styled by Marissa Baklayan, Oguz Erel, and Zeynep Enderer. The visuals emphasize tactile textures, ranging from sculptural fringe garments to embellished crystal headpieces, set against curated interior environments developed by set designer Rebecca Ilse. Hair styling by John Novotny and Ruby Howes, alongside makeup artistry from Catalina Sartor and Tayler Treadwell, grounds the aesthetic under the guidance of Editor-in-Chief Oguz Erel.
Project Dry Clean Only Magazine · Dry Clean Only Magazine #10 2026 Covers
For its milestone tenth issue, Dry Clean Only Magazine makes a bold statement with a collection of covers that redefine the intersection of high-concept fashion and intimate portraiture. This latest editorial project, centered on the theme of sensuality, moves beyond the standard glossy aesthetic to favor a sophisticated, tactile approach. By focusing on the interplay between shadow and silhouette, the magazine crafts an atmospheric narrative that commands attention through its minimalism. The standout cover portrait features a woman framed by an oversized sculptural hat, utilizing soft natural light to highlight subtle textures while maintaining a high-contrast elegance. The creative vision is brought to life through a collaborative effort involving photographers such as Jebi Labembika, Joseph Echenique, Rosie Harriet Ellis, Wera Nowak, and Verity Smiley-Jones, whose collective lenses capture a raw, arresting vulnerability. With artful styling by Marissa Baklayan and Oguz Erel, the imagery is elevated further, grounding the magazine firmly within the contemporary media and entertainment landscape. The casting, overseen by Alejandra Perez and Monika Domarke, brings together a compelling ensemble including Paz de la Huerta, Celeste, and Ouri, ensuring the visual identity remains both culturally relevant and artistically profound. This issue proves that editorial design can function as a piece of sculpture, where clean serif typography meets complex human emotion, marking a significant evolution for the brand.
Project Dry Clean Only Magazine · ouri by Jebi Labembika
Captured for the pages of Dry Clean Only Magazine, Ouri by Jebi Labembika is a masterclass in modern fashion editorial. This campaign navigates the delicate tension between the stark, industrial grit of urban tunnel settings and the intimate warmth of domestic interiors. Through the lens of photographer Jebi Labembika, the imagery leans into a cinematic atmosphere, balancing raw, live-action technique with the refined elegance of high-end design. With creative styling by Oguz Erel, the narrative emphasizes the tactile nature of luxury fashion, showcasing sculptural silhouettes, sheer lace, and intricate feather details that stand out against concrete textures and minimalist backdrops. The project is further elevated by the deliberate work of hair stylist Yumiko Hikage and makeup artist Ruben Masoliver, whose contributions ground the editorial in a contemporary, grounded aesthetic. By utilizing natural light to frame the subject—played by entertainer Ouri—the photography captures a sense of transient motion, transforming everyday urban environments into a stage for couture. The result is a series of portraits that oscillate between moody, low-key chiaroscuro and bright, high-key compositions, perfectly illustrating the symbiotic relationship between the model, the environment, and the avant-garde wardrobe choices that define this sophisticated publication spread.
Project Dry Clean Only Magazine · Celeste
In a striking editorial feature for Dry Clean Only Magazine, photographer Verity Smiley-Jones and fashion editor Oguz Erel collaborate on Celeste, a fashion editorial that defines the intersection of avant-garde structure and minimalist restraint. The project leans into a narrative of deliberate ambiguity, casting the entertainer Celeste as a chameleon-like figure who oscillates between stark, sculptural silhouettes and fluid, textural layering. Across the series, the imagery employs natural light and high-key lighting to draw out the intricate details of high-fashion garments, from voluminous shearling coats to lace-up corset tops. The visual language is deeply rooted in editorial minimalism, utilizing clean, architectural backgrounds—ranging from pristine white-tiled floors to earthy, contemplative room corners—that serve to anchor the more theatrical elements of the wardrobe. Makeup artist Laura Yard complements this aesthetic with a restrained, painterly approach, featuring subtle freckles and occasional dramatic smudges that echo the collection's unconventional spirit. Through a masterful use of cinematic framing and thoughtful composition, the project avoids the noise of traditional commercial fashion, opting instead for a quiet, contemplative atmosphere that allows the interplay of fabric, form, and shadow to take center stage. The resulting spread stands as a testament to the power of editorial storytelling in luxury fashion, where every fringe, fold, and metallic accent is curated to evoke a sense of refined, timeless sophistication.
Project Dry Clean Only Magazine · Paz de la Huerta
In this evocative series for Dry Clean Only Magazine, actor Paz de la Huerta is transformed into a study of raw contrast and cinematic tension. Captured through the lens of photographer Wera Nowak, the project leans into a narrative of isolation, placing the subject against the organic, weathered textures of rustic woodland shelters and sparse, leafless forests. This editorial portrait work masterfully navigates the intersection of high-fashion sensibility and earthy, unrefined environments. Fashion editor Marissa Baklayan orchestrates a wardrobe that bridges the gap between delicate lace silhouettes and striking, vibrant red accents, which serve as a recurring motif against the muted, natural palette. The technical execution relies heavily on natural light, which is utilized to accentuate the intricate details of the fabric and the subtle, moody shadows within each structure. Hair stylist Gor Duryan and makeup artist Gianluca Venerdini contribute to this aesthetic by emphasizing the subject’s signature auburn hair and bold, striking red lips, ensuring each frame retains a cohesive, heightened reality. Produced by Laura Soto, the imagery functions as a piece of editorial storytelling, where the deliberate juxtaposition of formal attire and decaying, makeshift settings creates a lingering sense of intrigue. By balancing cinematic composition with a raw, unpolished atmosphere, the project avoids traditional tropes to deliver an intimate and visually arresting portrait of its subject.
Project Dry Clean Only Magazine · Vilma & Louis
Dry Clean Only Magazine embraces a moody, high-fashion aesthetic in Vilma & Louis, a sprawling editorial spread that leans into the raw intersection of archival garments and domestic intimacy. Captured through the lens of photographer Joseph Echenique, the project channels a cinematic atmosphere where textures of black leather, vinyl, and fringe take center stage against the backdrop of rustic interiors and ornate, vintage-inspired spaces. The editorial narrative is anchored by model Vilma Friedlander, whose versatile presence across indoor and outdoor settings—ranging from stone-walled rooms to sun-drenched gardens—lends a sense of timelessness to the visual storytelling. With meticulous fashion editing and styling by Oguz Erel, the project highlights avant-garde silhouettes, incorporating live-action technique and analogue film elements that elevate the composition beyond typical portraiture. The layout design utilizes dynamic typography and clean, white-bordered frames to document archival pieces from designers like Junko Shimada and Maison Martin Margiela, transforming the magazine spread into a curated archive of style. Hair stylist Jesper Hallin and makeup artist Ruben Masoliver contribute to the precise, contrast-heavy aesthetic, ensuring that each frame remains rooted in editorial minimalism while simultaneously pushing toward a darker, more contemplative mood. Through the expert use of natural light, the collection feels both immediate and historical, resulting in a cohesive, stylized narrative that balances intricate textures with the stark simplicity of its subjects.
Project Dry Clean Only Magazine · Dry Clean Only Fall/Winter 2024 Covers
The Fall/Winter 2024 issue of Dry Clean Only Magazine presents a diverse collection of editorial covers, emphasizing high-fashion portraiture and graphic layout design. Under the creative direction of Oguz Erel, the project explores a broad aesthetic range, moving from moody, low-key chiaroscuro portraits to minimalist studio photography. The series leans into both natural light settings and high-key studio environments, utilising techniques such as multiple-exposure imagery and analogue film to establish a distinct visual identity for the publication. The covers feature models including Amanda Murphy, Chudier Billy, and Nora Svenson, with contributions from photographers Ismael Moumin, Hendrik Schneider, Emre Ünal, and Kévin Drelon. The editorial styling—managed by a team including Glen Mban and Zeynep Enderer—integrates avant-garde accessories and structured silhouettes that define the season’s look. The result is a cohesive yet varied set of vertical covers that highlight the intersection of contemporary fashion media and artistic direction.
Project Dry Clean Only Magazine · Out Of Place
Out Of Place is a fashion editorial series for Dry Clean Only Magazine, capturing sculptural silhouettes and textural contrasts through a refined, cinematic lens. The project leans into a moody, low-key chiaroscuro aesthetic, juxtaposing stark architectural forms with intimate, human-centric framing. Photographer Rémi Lamandé employs a warm color palette and granular analogue film techniques to anchor the series, creating depth across both indoor structural partitions and expansive, bright horizons. With editorial direction from Oguz Erel and fashion styling by Marissa Baklayan, the imagery spotlights a distinctive wardrobe and dynamic movement. The project also features casting by Conan Laurendot and model Peris Adolwi, resulting in a cohesive visual exploration of form and space.
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