AnOther Man Magazine
AnOther Man Magazine's cutting-edge editorial fashion and contemporary menswear campaigns
Featured AnOther Man Magazine projects
This week's top AnOther Man Magazine projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project AnOther Man Magazine · AnOther Man Magazine Volume II, Issu ...
AnOther Man Magazine Volume II continues to push the boundaries of contemporary media and entertainment, manifesting as a sprawling, multifaceted editorial project that expertly balances high-fashion rigor with raw, visceral storytelling. Under the guidance of creative director Lina Kutsovskaya, the issue serves as a masterclass in visual tension, oscillating between candid lifestyle snapshots and deeply conceptual fine art pieces. The editorial execution relies heavily on dramatic low-key and chiaroscuro lighting, which anchors the project in a cinematic atmosphere while highlighting the intricate styling contributions of fashion editors like Ai Kamoshita and Ellie Grace Cumming. Through a series of diverse portraits and layered compositions, the magazine bridges the gap between traditional print media and bold, modern artistic expression. From the startling, high-contrast imagery featuring conceptual motifs to vibrant, graphic-heavy layouts that celebrate movement and form, the project avoids the polished sterility often found in modern glossies. Instead, it leans into tactile, gritty realism, utilizing diverse settings ranging from industrial interiors to quiet, lived-in domestic spaces. This commitment to variety, supported by the collaborative efforts of photographers like Keizō Kitajima and Marie Valognes, creates an immersive experience that feels both urgent and timeless. By integrating meticulous typography and avant-garde styling, the team delivers a cohesive aesthetic that feels distinctly authentic, cementing the publication's position at the intersection of serious cultural reportage and high-end creative production.
Project AnOther Man Magazine · Paris by Reto Schmid
Captured through the evocative lens of photographer Reto Schmid, this editorial feature for AnOther Man Magazine offers a masterful study of modern masculine elegance set against the timeless backdrop of a classic Parisian interior. The project leans into a cinematic editorial style, utilizing soft natural light to trace the clean, architectural lines of the setting while highlighting the intricate textures of the high-fashion garments. Through the expert fashion direction of Ola Ebiti, the styling creates a dialogue between rigid tailoring and relaxed, lived-in silhouettes, ranging from structured olive leather trench coats and herringbone blazers to vibrant knitwear in primary hues. The visual narrative is defined by a sense of quiet stillness, where models such as Gabriel Tiercelin, Niels Arrot, Raphaël Hosatte, and Yahne Ba move through bright, minimalist spaces with deliberate grace. By integrating elements of portraiture with domestic lifestyle cues, Schmid crafts an atmosphere of contemplative intimacy that elevates the subjects beyond mere fashion photography. Every composition is meticulous, favoring the play of shadows against ornate moldings and parquet flooring, which grounds the high-fashion aesthetic in a tangible, elegant reality. With hair by Michael Delmas and makeup by Thierry Do Nascimento contributing to the clean, polished look, this series serves as a sophisticated testament to the power of editorial minimalism, transforming classical surroundings into a canvas for contemporary sartorial expression.
Project AnOther Man Magazine · GIVENCHY
This menswear editorial for AnOther Man Magazine highlights the latest collections from Givenchy through a series of striking, high-contrast portraits. The project leans into a raw, tactile aesthetic, utilizing grain-heavy textures and saturated backgrounds that evoke a nostalgic feel. By balancing minimalist studio compositions with bold, experimental color palettes, the series emphasizes the precise tailoring and intricate fabric details of the garments. The editorial was captured by photographer Chris Rhodes, with creative styling led by fashion editor Alister Mackie. The visual language is defined by a blend of hard-light studio techniques and softer, natural-light approaches, often employing an analogue feel to ground the high-fashion imagery. Supporting the visual narrative, hair styling was directed by Anthony Turner with makeup artistry by Laura Dominique, rounding out a cohesive, multifaceted look.
Project AnOther Man Magazine · A movement study by Viviane Sassen and Raphael Hirsch
Photographer Viviane Sassen and fashion editor Raphael Hirsch collaborate on a conceptual movement study for AnOther Man Magazine. The editorial series examines the intersection of the human form, graphic geometry, and architecture, utilizing large circular hoops and metal apparatuses as focal points for motion. The project channels a range of visual languages, shifting between high-contrast monochrome studies and saturated color blocking. Whether shot outdoors against clear blue skies or within controlled studio environments, the work leans into hard, directional lighting to cast dramatic silhouettes. The execution highlights athletic poses and deconstructed tailoring, with makeup artistry by Irena Ruben and casting by Michiel van Maaren adding layers of tactile texture to the performance-led photography.
Project AnOther Man Magazine · Frank Lebon Photographs Jim Jarmusch for the Cover of Another Man
AnOther Man magazine presents a cover story profiling filmmaker Jim Jarmusch, captured through the lens of photographer Frank Lebon. This editorial spread blends high-contrast portraiture with documentary-style imagery, utilizing a distinct monochrome palette and analogue film techniques to create a gritty, atmospheric visual narrative. The feature leans into an experimental layout, juxtaposing crisp portraits of Jarmusch with tactile details and urban vignettes. Fashion editor and stylist Ellie Grace Cumming provides the sartorial direction, complementing the raw, textured aesthetic of the shoot. The series is defined by its artistic use of light and grain, incorporating collage elements and graphic lettering to anchor the editorial design.
Project AnOther Man Magazine · Ethan Herisse
Captured for AnOther Man Magazine, this editorial portrait series featuring Ethan Herisse explores textures and silhouettes through a series of dynamic, intimate frames. Photographer Martine Syms leans into an analogue aesthetic, utilising natural light and a grainy film finish to ground the subject across both urban streetscapes and minimal, studio-based sets. The imagery balances the tactile quality of leather tailoring and heavy knitwear against stark wooden planks, pleated velvet, and structured drapery. Fashion styling by Julie Ragolia highlights a shift between sharp, monochromatic tailoring and relaxed, earth-toned layers. The production is supported by hair styling from Johnnie Sapong and makeup by Alana Palau, with set design by Jeremy Reimnitz creating a varied, high-contrast visual environment. Casting by Greg Krelenstein completes the team, resulting in a cohesive, moody, and detailed editorial package.
Project AnOther Man Magazine · Paul Kooiker at rietveld
Captured by photographer Paul Kooiker, this fashion editorial for AnOther Man Magazine presents a rigorous exploration of tailored silhouettes and textured layering. The series employs an analogue film aesthetic and directional lighting to ground its subjects within architectural and industrial settings, balancing stark studio environments with intimate, contemplative portraits. Fashion editor Ai Kamoshita crafts a complex visual narrative through the juxtaposition of vibrant prints, structured blazers, and eccentric accessories. The production integrates precise makeup artistry by Kathinka Gernant and casting by Michiel van Maaren to emphasize a refined, narrative-driven aesthetic that leans into gritty and desaturated color palettes.
Project AnOther Man Magazine · Dior For Another Man Volume II, Issue III
Captured for AnOther Man Magazine’s second volume, this editorial feature showcases the latest collections from Dior through a lens of artistic austerity. Photographer Malick Bodian utilizes soft, directional natural light to highlight the intricate embroidery, sculptural silhouettes, and precise tailoring of the garments, set against a backdrop of weathered concrete and minimalist artist studio interiors. Fashion editor and stylist Ellie Grace Cumming leads the visual narrative, working alongside art director Lina Kutsovskaya to cultivate a refined, conceptual aesthetic. The project frequently employs a monochromatic palette and chiaroscuro techniques, alternating between sharp, clean studio portraits and textured, atmospheric compositions. Notable contributions include set design by Felix Gesnouin, hair styling by Benjamin Muller, and makeup artistry by Peter Philips, with casting by Shelley Durkan.
Project AnOther Man Magazine · Photography Norbert Schoerner
AnOther Man Magazine presents a series of fashion editorials featuring photography by Norbert Schoerner. The imagery leans into moody, atmospheric visuals, contrasting contemporary menswear with textured, avant-garde styling choices. The production utilizes a mix of analogue film techniques and natural light, set against both misty landscapes and studio environments featuring neon light streaks. Art direction by Lina Kutsovskaya and fashion editing by Imruh Asha provide a cohesive aesthetic throughout the spreads. The series emphasizes tactile fabric details and conceptual garment layering, with hair styling by Matt Mulhall and makeup by Thierry Do Nascimento, capturing a sophisticated editorial tone.
Project AnOther Man Magazine · Photography Estelle Hanania
This fashion editorial series for AnOther Man Magazine, photographed by Estelle Hanania, explores structured tailoring and sculptural form through a series of minimal studio portraits. The collection features a male model styled by Ola Ebiti, focusing on clean compositions that emphasize fabric textures and layered garments against both neutral and bold red backdrops. The project utilizes editorial techniques such as long exposure to introduce motion blur and directional lighting to highlight the tactile quality of the wardrobe. With hair styling by Michael Delmas and makeup by Thierry Do Nascimento, the production is complemented by set design from Felix Gesnouin, maintaining a cohesive aesthetic across all vertical and horizontal frames.
Project AnOther Man Magazine · Photography Chris Rhodes
AnOther Man Magazine presents a series of fashion editorials featuring model Cole Mohr, captured through the lens of photographer Chris Rhodes. The project utilizes a mix of monochrome and high-chroma palettes to explore the intersection of structured menswear and urban geometry. The imagery leans into a raw, cinematic aesthetic, often employing analogue film techniques to highlight the tactile qualities of tailored wool, leather, and patterned knits. Creative execution is led by fashion editor and stylist Alister Mackie, who integrates precise color-blocking and environmental framing against industrial backdrops. Supporting the production are hair stylist Shiori Takahashi and makeup artist Laura Dominique, while casting is directed by Piotr Chamier. The work relies on natural light to cast deep, architectural shadows, emphasizing both the form of the garments and the surrounding urban textures.
Project AnOther Man Magazine · Photography Paul Sepuya
Captured for AnOther Man Magazine, this extensive fashion editorial series features photographer Paul Mpagi Sepuya exploring the intersection of portraiture, sculptural props, and studio documentation. The work utilizes a minimalist aesthetic, often set against stark white walls and concrete floors to emphasize form, texture, and the interplay of reflective metallic spheres. Fashion editor Jordan Duddy provides styling that leans into contemporary silhouettes, ranging from structured leather and athletic jerseys to ornate patterned sets. The series frequently incorporates framed photographic prints into the scene, creating a meta-narrative of studio space. The production featured casting by Bert Martirosyan and appearances by actor Hari Nef alongside a broad ensemble of models, all realized through soft, even lighting.
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