Q-P Magazine
Featured Q-P Magazine projects
This week's top Q-P Magazine projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project Q-P Magazine · Q-P Magazine Cover Issue 111
For Q-P Magazine Issue 111, the editorial team embraced a refined approach to contemporary menswear, resulting in a series of covers that balance youthful energy with a polished, minimalist sensibility. Through the lens of photographer Charlotte Hadden, the project captures model Habib Masovic across multiple iterations, each frame leaning into an aesthetic of editorial minimalism that feels both deliberate and approachable. The visual narrative relies on natural light and clean studio environments to emphasize the tactile quality of the wardrobe, ranging from a vibrant, windbreaker-clad ensemble to a textured cable-knit sweater that frames a casual, relaxed silhouette. Fashion Editor and Stylist Giulio Ventisei masterfully curates these looks, using sharp, centered typography to ground the compositions and reinforce the magazine's distinctive branding. Hair stylist Takumi Horiwaki contributes to the project’s cohesive look, ensuring the grooming remains understated to keep the focus firmly on the interplay between fabric and form. By eschewing over-complicated set designs, the team allows the portrait photography to take center stage, creating a series of portraits that feel authentic rather than staged. Casting director Monika Domarke completes this vision, selecting talent whose presence commands the frame without ever feeling overly stylized. The final output serves as a masterclass in modern lifestyle editorial work, demonstrating how simple lighting techniques and precise styling can elevate standard portraiture into compelling, high-end media pieces.
Project Q-P Magazine · Q-P Magazine Spring 2026 Cover
For the Spring 2026 issue of Q-P Magazine, photographer Niko Mitrunen and fashion editor Sanna Silander orchestrate a sophisticated dialogue between horological precision and high-end editorial fashion. Across two distinct covers, the project masterfully navigates the intersection of the jewellery and fashion industries, employing a clean, minimalist aesthetic to elevate the timepiece as the ultimate accessory. The first cover leans into the interplay of natural light and texture, capturing a model nestled within a manicured hedge. This outdoor portrait embraces a soft, cinematic colour palette that highlights the subtle complexities of a gold Chopard watch against an ethereal cream-toned ensemble. In stark contrast, the second cover pivots toward a high-contrast black-and-white composition. Here, Mitrunen utilizes precise studio lighting to emphasize the intricate mechanics of a skeletonised watch, focusing on the tactile quality of the garment and the sharp interplay of shadow and form. By balancing the organic, serene energy of the outdoors with the structured discipline of the studio, the editorial project succeeds in framing the watch not merely as a tool for timekeeping, but as a defining element of contemporary personal style. The result is a refined, cohesive visual narrative that speaks directly to the luxury market, proving that when technique is in bloom, the craftsmanship of fine watches and avant-garde tailoring become inseparable components of modern visual storytelling.
Project Q-P Magazine · Q-P Magazine Autumn 2024 Cover
Q-P Magazine unveils its Autumn 2024 editorial cover, featuring a portrait study centered on the intersection of horology and design. This project aligns with the magazine’s focus on watches and jewellery through a refined, artistic lens. Photographer Joss McKinley captures the subject in a clean, minimalist studio environment, utilizing soft lighting to emphasize a muted color palette. The execution maintains a desaturated, vertical aesthetic consistent with high-end editorial photography. Creative direction is led by Mujde Metin, with fashion styling by Holly Gorst. The production team includes hair styling by Chris Sweeney, makeup artistry by Faye Bluff, and casting by George Raymond Stead.
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