Numéro New York
Featured Numéro New York projects
This week's top Numéro New York projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project Numéro New York · Hello, I Love You
In Hello, I Love You, Numéro New York explores the intersection of intimacy and architectural moodiness through a striking editorial fashion campaign. This narrative-driven series leans heavily into the chiaroscuro technique, utilizing deep, dramatic shadows and saturated crimson tones to evoke a sense of voyeuristic suspense. Photographer Emmie America masterfully composes each frame as a cinematic vignette, where natural light interacts with structured silhouettes and vintage props to create a palpable, tactile atmosphere. The project moves beyond traditional fashion photography, treating clothing as a component of a larger, private drama. From the play of horizontal light across silk textures to the subtle narrative of a retro rotary phone, the visuals emphasize a deliberate, slow-paced aesthetic. The styling, elevated by the refined contributions of hair stylist Jenni Iva Wimmerstedt and makeup artist Kuma, complements the high-contrast environment, ensuring the subjects remain anchored within the lush, moody interiors. By blending editorial portraiture with lifestyle-inspired cues, the campaign succeeds in crafting a visual language that feels both timeless and deeply specific. Through Alexander Ermolin’s polished retouching, every fabric fold and shadow is heightened, cementing this work as a masterclass in modern luxury storytelling. The result is an evocative exploration of human connection that feels less like a lookbook and more like a stolen glance into an impossibly elegant world.
Project Numéro New York · Jamian_Juliano-Villani
Numéro New York profiles artist Jamian Juliano-Villani in an editorial feature that juxtaposes raw, industrial studio environments with high-fashion portraiture. The series explores the intersection of art and fashion, set against the backdrop of the subject's workspace and gallery settings. Captured by photographer Nagi Sakai, the project leans into a raw, flash-lit aesthetic that emphasizes texture and direct lighting. The visual narrative is supported by fashion styling from Alexander Fisher, with hair styling by Pasquale Ferrante and makeup artistry by Ingeborg, contributing to a clean, documentary-style register.
Project Numéro New York · Love in America
Numéro New York presents 'Love in America,' an editorial feature that explores narrative fashion through a series of surreal, high-contrast vignettes. The project captures an array of character-driven compositions, moving from desolate rural landscapes marked by turbulent skies to weathered coastal settings. Utilizing a combination of editorial fashion photography and VFX, the work creates a distinct juxtaposition between composed, static subjects and chaotic environmental elements. Hard light and retro-inspired styling define the aesthetic, emphasizing crisp silhouettes and texture across both the sprawling field scenes and the intricate details of the veranda settings.
Project Numéro New York · TOP OF THE HEAP
TOP OF THE HEAP is a fashion editorial feature for Numéro New York that captures a series of street-inspired portraits across diverse urban landscapes. The series leans into a moody, atmospheric aesthetic, utilising natural light and chiaroscuro techniques to heighten the textures of heavy, layered outerwear and patterned textiles. From industrial steel overpasses to the facades of historic stone buildings, the project frames its subjects against a range of gritty and classic architectural backdrops. The editorial employs a mix of clean daylight captures and high-contrast, low-key lighting, maintaining a consistent focus on the tactile qualities of leather, faux fur, and intricate tailoring.
Project Numéro New York · Creature Comforts
Creature Comforts is a fashion editorial series for Numéro New York, captured by photographer Paul Wetherell. The project leans into a moody, introspective aesthetic, utilising natural light to define the interplay between textured knitwear, heavy wool tailoring, and domestic architectural details. Fashion editor and stylist Julian Ganio curated the wardrobe, which features oversized layering and structured silhouettes. Set within sparse interior spaces against paneled walls, the imagery uses monochrome grading and an analogue film aesthetic to emphasize tactile surfaces and clean, focused portraiture. Hair styling by Matt Mulhall and makeup by Kyle Dominic provide a grounded finish to the editorial, with casting directed by Evagria Sergeeva.
Project Numéro New York · Casting Call
Numéro New York presents Casting Call, a wide-ranging fashion editorial series captured by photographer Alix Angjeli. The project leans into an observational, candid aesthetic, utilizing natural light and clean, minimalist framing to document a diverse cast of models including Iyah Knife and Solomon Marcus. The series moves between stark, concrete-heavy indoor settings and raw, bustling metropolitan street scenes. Through a mix of tight portraiture and structured lifestyle shots, the collection highlights precise tailoring and contemporary accessories, favoring a clean visual register that emphasises texture and sculptural posture.
Project Numéro New York · NUMERO NEW YORK SEPTEMBER 2026 Digit ...
Numéro New York presents its September 2026 editorial spread featuring model Iyah Knife. The series leans into a minimalist aesthetic, set against a stark, industrial backdrop that emphasizes clean lines and a grounded, professional silhouette. Photographer Alix Angjeli captures the editorial through a clean, warm lens, focusing on tailored textures and structured menswear-inspired styling. The composition utilizes vertical framing to highlight the interplay between the interior space and the central subject.
Project Numéro New York · Friends, Romans, Countrymen lend me ...
In a visual narrative that blurs the lines between nostalgic boyhood and high-end fashion, the latest lifestyle editorial for Numéro New York, titled Friends, Romans, Countrymen lend me ..., captures the essence of youthful camaraderie through a distinctively cinematic lens. Photographed by Andy Jackson, the series leans into the raw, tactile quality of 35mm film, utilizing natural light to elevate a series of rural and pastoral settings. Models Blue River Wild, Ian Jeffrey, and Samuel Watson inhabit a world where the domestic and the performative collide, moving seamlessly from playful, staged sword fights with hand-crafted paper props to quiet, contemplative moments in weathered rowboats. The styling prioritizes rich, varied textures, juxtaposing chunky cable-knit wools and tailored tweed blazers against the rugged backdrop of a rustic barn and sparse, wintry landscapes. By weaving together active, athletic snapshots—such as a mid-air game of American football—with intimate, soft-focus portraits, the project eschews traditional editorial minimalism in favor of a more layered, storytelling approach. The result is a grounded, evocative body of work that feels both candid and meticulously staged, effectively utilizing the imperfections of analogue photography to imbue the subjects with an authentic, timeless sense of belonging and discovery within the vast, natural environment.
Project Numéro New York · Numero New York 04 May Digital Covers
The latest digital covers for Numéro New York offer a masterclass in editorial composition, grounding high-fashion sensibilities within the untamed texture of the natural world. Captured through the lens of photographer Andy Jackson, these images lean into a raw, tactile aesthetic that balances human presence against rural landscapes. One composition features model Samuel Watson in a stark, forest-heavy environment, holding a sledgehammer as a visceral prop while a yellow illustrative line drawing of a horse is superimposed over his torso, effectively bridging the gap between traditional portraiture and graphic art. This use of live-action technique creates a striking tension between the rugged setting and the editorial polish synonymous with the publication. The second cover takes a more layered approach, featuring models Blue River Wild and Ian Jeffrey in an outdoor field characterized by tall, dry grasses and soft, natural light. By focusing on intricate fabric textures and structural poses, the imagery reinforces a lifestyle-driven narrative that feels both cinematic and grounded. The deliberate, clean editorial typography sits comfortably over these scenes, ensuring the magazine remains a beacon of style while embracing a more experimental visual language. Through these digital covers, Numéro New York proves that the magazine industry continues to evolve by blending traditional portraiture with modern, unconventional layering, ultimately crafting a cohesive visual story that feels both timeless and distinctly contemporary.
Project Numéro New York · Character Studies
Character Studies for Numéro New York is a masterclass in high-fashion editorial storytelling, pushing the boundaries of traditional portraiture through a lens of surrealist precision. Photographer Ellen Fedors orchestrates a visual narrative that elevates luxury fashion into a tactile experience, utilizing sharp studio strobe lighting to emphasize the juxtaposition between industrial grit and sartorial elegance. The series leans into a distinct editorial minimalism, where the focus remains steadfastly on the interplay of texture and form. Central to the project is model Alay Deng, who commands each frame with a poised intensity that anchors the conceptual set design. From oversized paintbrushes dipped in vibrant hues to sculptural, avant-garde headpieces, every element is curated to challenge conventional aesthetics. The creative collaboration extends to the intricate grooming details, with hair stylist Shin Arima and makeup artist Ayami Nishimura crafting looks that harmonize with the bold garments and mismatched color palettes. By layering disparate textures—such as shearling against layered paper backdrops—the work feels both grounded and otherworldly. Casting director Michelle Lee brings a cohesive energy to the talent selection, ensuring that each shot captures a unique character arc. This project highlights a sophisticated approach to fashion photography, where the deliberate use of space and color creates a lasting, resonant impact that feels both contemporary and timelessly editorial.
Project Numéro New York · Numéro New York 02 S/S 2026 Covers
For the latest iteration of Numéro New York, the publication leans into a refined, intimate aesthetic for its 02 S/S 2026 covers, capturing the intersection of high fashion and grounded portraiture. Under the editorial guidance of Philip Utz, the project masterfully utilizes the lens of photographer Torbjørn Rødland to explore human connection through subtle tactile motifs. The series features compositions that are deeply cinematic, balancing structured apparel with organic human touch. In one instance, a model framed in a sharp double-breasted coat sits beneath the gentle contact of another, while the second cover utilizes evocative, symbolic prop work—a white rope encircling the subject—to create a sense of tension and mystery. The artistic vision is realized through careful attention to detail, from the textured ring featured in the close-up to the soft, diffused natural light that defines the skin texture and garment nuances. With elevated styling by Alexander Fisher, and precision grooming from hair stylist Takuya Yamaguchi and makeup artist Christyna Kay, these images exemplify top-tier editorial photography. By prioritizing atmospheric portraiture over traditional commercial polish, the magazine successfully translates its heritage into a contemporary narrative, proving once again that the most compelling fashion stories are often those whispered rather than shouted. This project reinforces the enduring power of print media as a space for high-concept, provocative visual storytelling.
Project Numéro New York · Ave Marina
In a profound exploration of identity and stillness, Numéro New York’s Ave Marina feature captures the enigmatic presence of performance artist Marina Abramovic through an uncompromising lens. Shot by the iconic photography duo Inez and Vinoodh, this editorial project leans into a severe, minimalist aesthetic that strips away visual noise to focus entirely on the subject’s raw, emotive power. The collection utilizes a distinct low-key / chiaroscuro approach, where dramatic shadows and focused light carve out the sharp lines of Abramovic’s features against dark, impenetrable backdrops. The portrait series oscillates between intensity and introspection, utilizing a monochrome palette to unify the sequence of static, performance-driven poses. From the tactile richness of a shaggy coat to the stark geometry of a crisp white shirt, the styling by Akihisa Yamaguchi and Rommy Najor elevates each frame into a study of texture and shadow. The resulting imagery reads as a timeless dialogue between the artist and the camera, often playing with deliberate gestures that evoke a sense of supplication or quiet, existential questioning. Through the masterful use of both studio strobe and natural light, Inez and Vinoodh create a stark, graphic quality that aligns perfectly with the magazine’s high-fashion editorial sensibilities. This body of work serves as a testament to the power of a singular, focused gaze, where every gesture feels choreographed for maximum visual resonance and lasting impact.
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