The NY Times Online
Featured The NY Times Online projects
This week's top The NY Times Online projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project The NY Times Online · Kerry James Marshall on Making 'the Paintings Nobody is Making'
The New York Times Online captures a reflective editorial portrait of artist Kerry James Marshall in this feature documentation. The project leans into a clean, classic aesthetic through monochrome photography and soft light, emphasizing the interplay between the subject and his large-scale works within the museum environment. Photographer Amber Pinkerton employs a moody, low-key approach across the series, utilizing directional lighting to frame the artist against the gallery architecture and his own vibrant canvases. These editorial stills offer a measured look at the artist's process and presence, grounded by the architectural context of the exhibition space.
Project The NY Times Online · Charlie Sheen Is Ready To Tell You Everything
The NY Times Online features actor Charlie Sheen in an editorial portrait series documenting his recent career and personal reflections. Photographed by Molly Matalon, the project centers on a collection of candid and direct portraits that utilize natural light to emphasize texture and detail. The imagery plays with soft light and clean compositions, often set against a backdrop of pleated olive green curtains. The project leans into a minimalist editorial aesthetic, focusing on the subject’s expressions and wardrobe choices, including dark tailored blazers and crisp white shirts.
Project The NY Times Online · To Create a ‘Portrait of the Modern Dandy,’ the Met Enlisted a Superstar
The New York Times Online presents 'To Create a Portrait of the Modern Dandy,' an editorial feature examining contemporary formal aesthetics. Photographed by Tyler Mitchell, the series centers on a group portrait featuring Ike Ude, Abdou Ndoye, Christian Latchman, Craig Shimirimana, and Lamine Seck. The subjects are captured in formal evening attire, including tailored jackets and top hats. The project incorporates styling by fashion editor Carlos Nazario, with casting directed by Nico Mao and Rachel Chandler. Executed in monochrome with analogue film techniques, the series utilizes clean composition and sharp lighting to emphasize the structural details of the garments. The result is a series of theatrical portraits staged against a minimalist interior backdrop.
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