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The Hunger Magazine

29 projects·0 creatives·

Featured The Hunger Magazine projects

This week's top The Hunger Magazine projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.

Project

The Hunger Magazine · Rachel McAdams

In this evocative feature for The Hunger Magazine, actress Rachel McAdams is reimagined through a lens of quiet intensity and modern sophistication. Captured by photographer Andrew Yee, the editorial portrait series masterfully balances cinematic allure with the clean lines of contemporary high fashion. The visual narrative leans into a rich, moody aesthetic, utilizing both dramatic low-key chiaroscuro lighting and crisp studio strobe techniques to anchor the subject in a state of confident repose. Stylist Alicia Lombardini curates a wardrobe that ranges from structured leather blazers to fluid, minimalist silhouettes, perfectly complemented by the sleek, wet-look hair styling from Clara Leonard and deep, berry-toned makeup by Kayleen Mcadams. Each composition feels deliberate, whether McAdams is framed against the sprawling, blurred architecture of a city skyline or centered within a controlled studio environment where set designer Shari Anlauf provides a grounded, neutral backdrop. The result is a study in textures and poise that transcends traditional celebrity portraiture, inviting the viewer to engage with the refined aesthetic of the composition. By blending natural light with sharp studio precision, the shoot establishes a timeless quality, ensuring that every detail—from the layered metallic accents to the intentionality of each pose—contributes to a cohesive, high-fashion storytelling experience that is both intimate and undeniably bold.

Project

The Hunger Magazine · Issue 38: Reality vs. Fantasy

For Issue 38 of The Hunger Magazine, titled Reality vs. Fantasy, the creative team navigates the intersection of tangible craft and dreamlike artifice through a series of striking fashion portraits. Captured through the lens of photographer Andrew Yee, the imagery leans into a narrative of elevated luxury fashion, where meticulously curated garments are treated as centerpieces of a broader visual dialogue. The editorial series utilizes high-contrast studio backdrops—ranging from deep teal to saturated burgundy—to anchor the compositions, allowing the intricate textures of sequined gowns, layered ruffles, and architectural accessories to take precedence. The execution is defined by an interplay between studio strobe precision and the soft, organic qualities of natural light, which collectively heighten the tactile nature of each look. With precision grooming by hair stylist Kim Roy and makeup artist Marco Antonio, the aesthetic maintains a sharp, minimalist edge that feels both timeless and evocative of contemporary editorial minimalism. By stripping away extraneous environment, the project directs an unwavering focus toward the dialogue between the model and the lens, where stylized poses and deliberate framing challenge the viewer to oscillate between the literal and the surreal. The resulting portfolio reads as a cohesive study in contrast, texture, and refined craftsmanship that reinforces the publication's position at the forefront of modern high-fashion visual storytelling.

Project

The Hunger Magazine · Photography Andrew Yee

Photographer Andrew Yee captures model Babacar N'doye in this editorial series for The Hunger Magazine. The collection of portraits highlights a diverse range of styling, moving from tailored ensembles to layered, eclectic street-inspired pieces. Featuring makeup artistry by Marco Antonio, the photography utilizes varied studio lighting techniques including moody low-key chiaroscuro and clean, directional light. The compositions play with saturated gradients and painterly backgrounds, leaning into an editorial aesthetic that balances whimsical accessories with structured apparel.

Project

The Hunger Magazine · SHAPE UP! By Charlie Cummings

SHAPE UP! is a fashion editorial series captured for The Hunger Magazine by photographer Charlie Cummings. The project features model Jefferson Obuseri, highlighting structured silhouettes and monochromatic tailoring through a series of studio-based portraits. The imagery employs a minimalist aesthetic, utilizing clean lines and controlled soft studio lighting against neutral grey backdrops. Fashion direction and styling were handled by Marco Antonio, who also contributed makeup artistry, focusing on the interplay of high-collared jackets, velvet suits, and sharp, graphic typography.

Project

The Hunger Magazine · Pre-Fall 2025

The Hunger Magazine presents Pre-Fall 2025, a fashion editorial series that leans into a moody, monochromatic aesthetic. The collection of images, captured by photographer Andrew Yee, explores sculptural tailoring and minimalist styling through a lens of desaturated, cool tones. Featuring models Delice Rimmer and Dylan Moffett, the project utilizes a blend of urban environments and controlled studio sets. The visual narrative makes frequent use of chiaroscuro lighting and analogue film textures to emphasize the sharp lines of leather outerwear and bespoke tailoring. Makeup artist Marco Antonio rounds out the creative team, ensuring a polished, unified look across the editorial.

Project

The Hunger Magazine · Toni Garrn x Gucci

The Hunger Magazine presents a fashion editorial featuring Toni Garrn, produced in collaboration with Gucci. Captured by photographer Andrew Yee, the series leans into a minimalist aesthetic, utilizing a mix of directional hard lighting and soft, diffused light to highlight the intricate detailing of the garments and fine jewellery. The imagery features fashion styling by Anna Katsanis and makeup artistry by Eric Polito. The project maintains a clean, editorial focus, with Toni Garrn styled in a range of textures from tailored trench coats and pinstriped blazers to casual ribbed tanks, all accented by signature gold horsebit pieces.

Project

The Hunger Magazine · Chic Athletique

Chic Athletique is a fashion editorial series produced for The Hunger Magazine. Captured by photographer Andrew Yee, the project explores the intersection of high-fashion styling and sportswear aesthetics within a meticulously constructed studio environment. Featuring makeup artistry by Marco Antonio, the editorial employs a series of saturated, graphic settings characterized by pastel-tiled walls and artificial coastal vistas. The imagery utilizes hard light and geometric compositions to highlight the textures of the apparel, ranging from knit crochet to metallic vinyl and layered athletic silhouettes.

Project

The Hunger Magazine · The Hunger Magazine July 2025 Cover

The Hunger Magazine presents a series of striking covers for its July 2025 edition, highlighting a diverse approach to editorial photography. The project features portraits of Bryan Whitby and Toni Garrn, each captured with a distinct visual focus. Photographers Andrew Yee and Mateusz Sitek employ a clean aesthetic, balancing graphic composition with soft light. The work highlights styling by Anna Katsanis, with makeup artistry by Eric Polito and Marco Antonio to define the editorial look, while casting direction is credited to Dean Goodman. The imagery leans into a playful, high-contrast visual language suited for a contemporary magazine format.

Project

The Hunger Magazine · Bagged & laced Cover Story

The Hunger Magazine presents Bagged & laced, a fashion cover story that centers on structured luxury accessories. Photographed by Mateusz Sitek, the editorial series utilizes bold, monochromatic studio backdrops in vibrant yellow, red, turquoise, and pink to isolate and amplify the silhouettes of monogrammed handbags. With casting by Dean Goodman and makeup by Marco Antonio, the project features model Brian Whitby in a sequence of dynamic, sculptural poses. The minimalist art direction emphasises the contrast between the dark, fitted apparel and the high-saturation color palette, leveraging clean lighting to define the textures of leather and knitwear in this editorial work.

Project

The Hunger Magazine · Pom Klementieff

The Hunger Magazine features actor Pom Klementieff in a series of editorial fashion portraits that explore texture and monochromatic palettes. Photographed by Andrew Yee, the collection highlights a range of denim-focused ensembles set against both urban, weathered backgrounds and clean studio environments. With hair styling by Marcia Lee and makeup artistry by Vincent Oquendo, the shoot leans into a cool aesthetic. The imagery utilizes natural light to define the metallic embellishments on denim pieces and sharp graphic eyeliner, maintaining a consistent editorial quality across both portrait and full-length captures.

Project

The Hunger Magazine · Pooja Mor

The Hunger Magazine presents a fashion editorial featuring model Pooja Mor. Photographed by Andrew Yee, the series captures the subject against rugged red sandstone rock formations, utilizing the arid, textured landscape to create a high-contrast visual narrative. The project leans into a sculptural aesthetic, blending vibrant teal and chartreuse textiles with the earthy tones of the desert environment. Captured under natural light, the editorial utilizes analogue film techniques to emphasize the interplay between the flowing silhouettes of the clothing and the weathered terrain. Makeup artist Marco Antonio provides a natural beauty look that grounds the dramatic, outdoor composition.

Project

The Hunger Magazine · Go With The Flow

Go With The Flow is a fashion editorial series for The Hunger Magazine, featuring a cohesive set of monochromatic studio portraits. The project centres on model Lily Nova, with photography by Mark Cant and makeup artistry by Marco Antonio. The series leans into a classic, vintage-inspired aesthetic, utilizing analogue film techniques and visible grain to emphasize fabric textures and structured silhouettes. With casting by Dean Goodman, the imagery explores layered apparel and tailored outerwear across a variety of neutral and distressed studio backdrops. The work is characterized by its intentional use of soft, directional lighting and a consistent, desaturated color palette.