Short Film

Short Film · We Used To Own Houses

We Used To Own Houses is a narrative short film produced by Good Oil. The production leans into a moody, cinematic aesthetic, defined by deliberate framing and low-key, chiaroscuro lighting that prioritizes dramatic, character-focused storytelling. Set within a muted interior, the film captures intimate performances that emphasize the textures and details of the environment. The project highlights a grounded approach to independent media production.

Short Film · The Shirt Off Your Back

The short film The Shirt Off Your Back centres on intimate narrative visual storytelling, focusing on character-driven portraiture. Directed by Visie Admin with production by Good Oil, the project utilises cinematic character framing to ground its visual tone. Captured with natural light and a desaturated palette, the film leans into a deliberate, shallow depth of field. The production maintains a cinematic sensibility through its focus on detail and performance.

Short Film · Mud Crab

The short film 'Mud Crab' is a cinematic narrative centered on tense, intimate exchanges within a dimly lit diner, contrasted by sweeping atmospheric sequences. The story pivots from these quiet, interior dialogues to expansive coastal landscapes at dusk and a sequence involving a burning vehicle in a rural field. Produced by Good Oil, the work leverages moody lighting and a shallow depth of field to heighten its visual tension. The production utilizes live-action technique and deliberate, horizontal compositional framing to guide the viewer through the shift from close-quarters character study to larger-scale outdoor imagery.

Short Film · Rival Dealer (Trailer)

Rival Dealer is a short film that captures a narrative trailer through a cinematic and gritty lens. The visual language leans into moody lighting, utilizing tight framing to build tension across various urban street settings. Produced by Good Oil, the project follows intimate character interactions set against nighttime backdrops. The sequence highlights contrasting urban environments through a live-action technique, focusing on character-driven moments.

Short Film · Escape - The Making Of

This behind-the-scenes documentary captures the production process for the short film Escape. Produced by Tinygiant, the project highlights the technical workflow involved in modern virtual production within an LED studio environment. The footage showcases the coordination of robotic camera arms and lighting rigs as the crew captures action sequences featuring a classic convertible. By blending finished cinematic shots with technical glimpses of the soundstage, the documentary illustrates the intersection of live-action technique and digital environments.

Short Film · Let’s get this over with…(BTS)

This documentary-style behind-the-scenes look captures the production process for the short film Let’s get this over with. The footage documents the collaborative environment on set, highlighting the interaction between cast and crew as they navigate blocking and script review within a domestic interior. Utilizing a live-action technique, the film provides an authentic perspective on the daily operations of a set, from the specific wardrobe choices to the logistical coordination required for the production.

Short Film · Let’s Get This Over With…

Produced by Madam Films, the short film 'Let’s Get This Over With…' documents a candid, observational look at the holiday season. The project captures an individual navigating a domestic space, blending a live-action technique with the warmth of natural light and golden hour illumination. The film focuses on a series of interactions within a decorated home interior, characterized by brick walls and wooden textures. Post-production and sound design were handled by Creative Outpost, providing a textured sonic backdrop to the holiday preparations.

Short Film · Cowboys Doing Laundry

Cowboys Doing Laundry is an independent short film that explores the juxtaposition of classic western tropes within the mundane setting of a local laundromat. The narrative centres on a lone protagonist navigating a brightly lit, utilitarian space filled with the rhythmic hum of commercial machinery. The production, supported by Good Oil, utilises a distinct aesthetic that leans into cinematic storytelling. The cinematography emphasises texture and mood through the application of vintage film grain and a deliberate monochrome colour palette. By leveraging natural light, the sequence captures a series of sharp shadows across the concrete floor, providing a visual rhythm to the character study.

Short Film · Lollipop Man

Short Film · Don't Blame Us Cos We're Famous!

Short Film · Night Out

Short Film · Awake