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Numéro New York
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Numéro New York

17 projects·0 creatives·

Featured Numéro New York projects

This week's top Numéro New York projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.

Woman in a long red satin dress lounging near a glowing floor lamp while a man in a beige trench coat stands in the background. Project

Numéro New York · Hello, I Love You

In Hello, I Love You, Numéro New York explores the intersection of intimacy and architectural moodiness through a striking editorial fashion campaign. This narrative-driven series leans heavily into the chiaroscuro technique, utilizing deep, dramatic shadows and saturated crimson tones to evoke a sense of voyeuristic suspense. Photographer Emmie America masterfully composes each frame as a cinematic vignette, where natural light interacts with structured silhouettes and vintage props to create a palpable, tactile atmosphere. The project moves beyond traditional fashion photography, treating clothing as a component of a larger, private drama. From the play of horizontal light across silk textures to the subtle narrative of a retro rotary phone, the visuals emphasize a deliberate, slow-paced aesthetic. The styling, elevated by the refined contributions of hair stylist Jenni Iva Wimmerstedt and makeup artist Kuma, complements the high-contrast environment, ensuring the subjects remain anchored within the lush, moody interiors. By blending editorial portraiture with lifestyle-inspired cues, the campaign succeeds in crafting a visual language that feels both timeless and deeply specific. Through Alexander Ermolin’s polished retouching, every fabric fold and shadow is heightened, cementing this work as a masterclass in modern luxury storytelling. The result is an evocative exploration of human connection that feels less like a lookbook and more like a stolen glance into an impossibly elegant world.

Artist studio with a bentwood chair, a round stool, and a large figurative painting leaning against a white and blue wall. Project

Numéro New York · Jamian_Juliano-Villani

Numéro New York profiles artist Jamian Juliano-Villani in an editorial feature that juxtaposes raw, industrial studio environments with high-fashion portraiture. The series explores the intersection of art and fashion, set against the backdrop of the subject's workspace and gallery settings. Captured by photographer Nagi Sakai, the project leans into a raw, flash-lit aesthetic that emphasizes texture and direct lighting. The visual narrative is supported by fashion styling from Alexander Fisher, with hair styling by Pasquale Ferrante and makeup artistry by Ingeborg, contributing to a clean, documentary-style register.

Formally dressed couple standing by a white limousine in a rural field with a tornado and lightning storm in the background. Project

Numéro New York · Love in America

Numéro New York presents 'Love in America,' an editorial feature that explores narrative fashion through a series of surreal, high-contrast vignettes. The project captures an array of character-driven compositions, moving from desolate rural landscapes marked by turbulent skies to weathered coastal settings. Utilizing a combination of editorial fashion photography and VFX, the work creates a distinct juxtaposition between composed, static subjects and chaotic environmental elements. Hard light and retro-inspired styling define the aesthetic, emphasizing crisp silhouettes and texture across both the sprawling field scenes and the intricate details of the veranda settings.

A man in a black tuxedo with a feathered collar and a woman in an embellished evening gown posing for a magazine cover at night. Project

Numéro New York · TOP OF THE HEAP

TOP OF THE HEAP is a fashion editorial feature for Numéro New York that captures a series of street-inspired portraits across diverse urban landscapes. The series leans into a moody, atmospheric aesthetic, utilising natural light and chiaroscuro techniques to heighten the textures of heavy, layered outerwear and patterned textiles. From industrial steel overpasses to the facades of historic stone buildings, the project frames its subjects against a range of gritty and classic architectural backdrops. The editorial employs a mix of clean daylight captures and high-contrast, low-key lighting, maintaining a consistent focus on the tactile qualities of leather, faux fur, and intricate tailoring.

Two models holding a bag of grapes and cherries against a dark metallic wall for Numéro New York magazine. Project

Numéro New York · Numéro New York 03 Fall /Winter 2026 ...

Numéro New York presents its third issue for Fall/Winter 2026, an editorial collection captured by photographer Roe Ethridge. The project leans into a retro aesthetic, utilizing clean, high-contrast studio lighting and structured compositions to define its visual identity. The feature brings together fashion editors Esther Matilla and Julian Ganio, alongside model River Klein, for a series of portraits defined by glossy textures and saturated color palettes. Set design by Mike Feswick grounds the imagery, incorporating graphic elements and studio props that balance the editorial's polished, vertical layout.

Model wearing a thick turtleneck sweater reclining against paneled walls for Numero New York Project

Numéro New York · Creature Comforts

Creature Comforts is a fashion editorial series for Numéro New York, captured by photographer Paul Wetherell. The project leans into a moody, introspective aesthetic, utilising natural light to define the interplay between textured knitwear, heavy wool tailoring, and domestic architectural details. Fashion editor and stylist Julian Ganio curated the wardrobe, which features oversized layering and structured silhouettes. Set within sparse interior spaces against paneled walls, the imagery uses monochrome grading and an analogue film aesthetic to emphasize tactile surfaces and clean, focused portraiture. Hair styling by Matt Mulhall and makeup by Kyle Dominic provide a grounded finish to the editorial, with casting directed by Evagria Sergeeva.

Model River Klein lying on white seamless background wearing a textured yellow top and skirt with printed slip-on shoes for Numéro New York. Project

Numéro New York · Cream Of The Crop

Numéro New York presents Cream Of The Crop, a fashion editorial project captured by photographer Roe Ethridge. The series leverages a clean, minimalist studio aesthetic to explore textural interplay, featuring an array of vibrant knitwear, leather, and layered ensembles. Stylists Esther Matilla and Julian Ganio curate the looks, which incorporate tactile elements ranging from organic produce to structured accessories. The project utilizes a mix of flash and natural lighting to create sharp, deliberate shadows across seamless backgrounds. Technique-wise, the work leans into an analogue film aesthetic, resulting in a distinct, grainy editorial look. The production team included hair stylist Levi Monarch, makeup artist Nolan Eakin, and set designer Mike Feswick, with casting by Evagria Sergeeva and Piergiorgio Del Moro under the direction of editor-in-chief Philip Utz.

Model with long dark hair wearing a black sweater with a pink collared shirt against a white backdrop. Project

Numéro New York · Casting Call

Numéro New York presents Casting Call, a wide-ranging fashion editorial series captured by photographer Alix Angjeli. The project leans into an observational, candid aesthetic, utilizing natural light and clean, minimalist framing to document a diverse cast of models including Iyah Knife and Solomon Marcus. The series moves between stark, concrete-heavy indoor settings and raw, bustling metropolitan street scenes. Through a mix of tight portraiture and structured lifestyle shots, the collection highlights precise tailoring and contemporary accessories, favoring a clean visual register that emphasises texture and sculptural posture.

Model seated on an office chair wearing a grey blazer, white shirt, and tie, with a monogram handbag placed beside them on a concrete floor. Project

Numéro New York · NUMERO NEW YORK SEPTEMBER 2026 Digit ...

Numéro New York presents its September 2026 editorial spread featuring model Iyah Knife. The series leans into a minimalist aesthetic, set against a stark, industrial backdrop that emphasizes clean lines and a grounded, professional silhouette. Photographer Alix Angjeli captures the editorial through a clean, warm lens, focusing on tailored textures and structured menswear-inspired styling. The composition utilizes vertical framing to highlight the interplay between the interior space and the central subject.

Man lying in a grassy meadow holding yellow dandelions for a Numéro New York fashion editorial photographed by Andy Jackson. Project

Numéro New York · Friends, Romans, Countrymen lend me ...

In a visual narrative that blurs the lines between nostalgic boyhood and high-end fashion, the latest lifestyle editorial for Numéro New York, titled Friends, Romans, Countrymen lend me ..., captures the essence of youthful camaraderie through a distinctively cinematic lens. Photographed by Andy Jackson, the series leans into the raw, tactile quality of 35mm film, utilizing natural light to elevate a series of rural and pastoral settings. Models Blue River Wild, Ian Jeffrey, and Samuel Watson inhabit a world where the domestic and the performative collide, moving seamlessly from playful, staged sword fights with hand-crafted paper props to quiet, contemplative moments in weathered rowboats. The styling prioritizes rich, varied textures, juxtaposing chunky cable-knit wools and tailored tweed blazers against the rugged backdrop of a rustic barn and sparse, wintry landscapes. By weaving together active, athletic snapshots—such as a mid-air game of American football—with intimate, soft-focus portraits, the project eschews traditional editorial minimalism in favor of a more layered, storytelling approach. The result is a grounded, evocative body of work that feels both candid and meticulously staged, effectively utilizing the imperfections of analogue photography to imbue the subjects with an authentic, timeless sense of belonging and discovery within the vast, natural environment.

Shirtless male model holding a heavy sledgehammer outdoors in a wooded forest setting for a Numéro New York digital cover. Project

Numéro New York · Numero New York 04 May Digital Covers

The latest digital covers for Numéro New York offer a masterclass in editorial composition, grounding high-fashion sensibilities within the untamed texture of the natural world. Captured through the lens of photographer Andy Jackson, these images lean into a raw, tactile aesthetic that balances human presence against rural landscapes. One composition features model Samuel Watson in a stark, forest-heavy environment, holding a sledgehammer as a visceral prop while a yellow illustrative line drawing of a horse is superimposed over his torso, effectively bridging the gap between traditional portraiture and graphic art. This use of live-action technique creates a striking tension between the rugged setting and the editorial polish synonymous with the publication. The second cover takes a more layered approach, featuring models Blue River Wild and Ian Jeffrey in an outdoor field characterized by tall, dry grasses and soft, natural light. By focusing on intricate fabric textures and structural poses, the imagery reinforces a lifestyle-driven narrative that feels both cinematic and grounded. The deliberate, clean editorial typography sits comfortably over these scenes, ensuring the magazine remains a beacon of style while embracing a more experimental visual language. Through these digital covers, Numéro New York proves that the magazine industry continues to evolve by blending traditional portraiture with modern, unconventional layering, ultimately crafting a cohesive visual story that feels both timeless and distinctly contemporary.

Model Alay Deng holding a giant paintbrush in a studio set with paint cans, for Numéro New York Character Studies Project

Numéro New York · Character Studies

Character Studies for Numéro New York is a masterclass in high-fashion editorial storytelling, pushing the boundaries of traditional portraiture through a lens of surrealist precision. Photographer Ellen Fedors orchestrates a visual narrative that elevates luxury fashion into a tactile experience, utilizing sharp studio strobe lighting to emphasize the juxtaposition between industrial grit and sartorial elegance. The series leans into a distinct editorial minimalism, where the focus remains steadfastly on the interplay of texture and form. Central to the project is model Alay Deng, who commands each frame with a poised intensity that anchors the conceptual set design. From oversized paintbrushes dipped in vibrant hues to sculptural, avant-garde headpieces, every element is curated to challenge conventional aesthetics. The creative collaboration extends to the intricate grooming details, with hair stylist Shin Arima and makeup artist Ayami Nishimura crafting looks that harmonize with the bold garments and mismatched color palettes. By layering disparate textures—such as shearling against layered paper backdrops—the work feels both grounded and otherworldly. Casting director Michelle Lee brings a cohesive energy to the talent selection, ensuring that each shot captures a unique character arc. This project highlights a sophisticated approach to fashion photography, where the deliberate use of space and color creates a lasting, resonant impact that feels both contemporary and timelessly editorial.