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Mission Magazine

8 projects·0 creatives·

Featured Mission Magazine projects

This week's top Mission Magazine projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.

Model Prinnie Stott wearing a black buttoned jacket and skirt against a grey background for Mission Magazine Project

Mission Magazine · BOW BELLES

BOW BELLES is a fashion editorial spread produced for Mission Magazine. The project features a curated series of double-page layouts that explore structured tailoring and layered silhouettes through a minimalist lens. Captured by photographer Philip Sinden, the imagery utilizes a blend of monochromatic and desaturated color palettes to emphasize the sharp lines and architectural details of the apparel. The editorial styling, led by David Nolan, centers on model Prinnie Stott, who is featured across various studio and interior settings. The work relies on clean, directional light and analogue film techniques to highlight fabric textures and composition. The layout design maintains a consistent aesthetic, pairing portraiture with full-length shots to showcase contemporary fashion through an editorial framework.

Model in an oversized blue blazer, orange shirt, tie, and trousers against a white backdrop Project

Mission Magazine · Come As You Are

Come As You Are is a fashion editorial feature for Mission Magazine that emphasizes structural precision and minimalist aesthetics. Captured by photographer Paola Kudacki, the series leans into clean studio environments to highlight the tactile textures of high-end garments. Through a blend of horizontal and vertical framing, the project explores sculptural silhouettes and sharp tailoring. The series features styling by Carolina Orrico, who balances fluid, voluminous pieces with structured outerwear. The production utilized soft, directional lighting and natural light to accentuate the movement of fabrics and fine details. Casting by Abi Schwinck, alongside grooming by hair stylist Tina Outen, makeup artist Raisa Flowers, and manicurist Yukie Miyakawa, grounds the project in a polished, editorial visual language.