Logo
Maxim Magazine
Industries

Maxim Magazine

3 projects·0 creatives·

Featured Maxim Magazine projects

This week's top Maxim Magazine projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.

Elle Macpherson posed for the Maxim Magazine Summer 2025 cover wearing white jeans and an argyle sweater tied around her chest. Project

Maxim Magazine · Maxim Magazine Summer 2025 Cover

Maxim Magazine features Elle Macpherson for their Summer 2025 cover, captured by photographer Gilles Bensimon. The imagery leans into a monochrome aesthetic, utilizing beauty light to frame the subject in a clean, high-contrast studio environment. Working in a minimalist editorial style, the cover pairs an argyle knit sweater and denim with gold foil-style typography. Eamonn Hughes provided hair styling for the session, while Liz Pugh managed makeup artistry.

Elle Macpherson poses with hands behind head wearing a white t-shirt and white jeans with a black belt on a white studio background. Project

Maxim Magazine · Heaven & Elle

Maxim Magazine presents 'Heaven & Elle,' an editorial series featuring model Elle Macpherson. Photographed by Gilles Bensimon, the project captures a range of candid and posed moments within a studio environment, utilizing a consistent monochrome palette to explore texture and form. The imagery channels a clean editorial aesthetic, relying on high-key lighting and seamless backdrops to define the subject. Hair styling by Eamonn Hughes and makeup by Liz Pugh complement the compositions, which incorporate dynamic movement and a mix of formal and relaxed wardrobe choices. The series was shot on analogue film, with the final edit emphasizing crisp lines and high-contrast studio portraiture.

Cindy Crawford sitting in a vintage sports car on an airstrip with a low-flying airplane overhead Project

Maxim Magazine · Maxim Magazine March/April 2025 Cover

Maxim Magazine’s March/April 2025 issue features model Cindy Crawford on the cover in a classic editorial portrait. Captured in a monochromatic setting, the imagery finds Crawford behind the wheel of a vintage sports car situated on a tarmac, paired with the sight of a propeller plane in flight. This vertical cover integrates the brand’s signature bold red masthead typography with the stark, high-contrast aesthetic of the feature.