Love Want

Love Want · Love Want

Love Want presents a fashion editorial film featuring Yasmin Wijnaldum, navigating a series of vignette scenes set across varied domestic and natural environments. The project moves between outdoor sequences near lakes and grassy fields, interspersed with quiet, intimate moments captured indoors. Leaning into a nostalgic tone, the production utilizes analogue film and Super 8/16mm aesthetics to maintain a relaxed, candid feel. Natural lighting complements the casual styling, framing the subject against a backdrop of outdoor landscapes and simple, domestic interiors. Post-production and VFX were handled by Consulate.

Love Want · Montell Fisch, Issue 34

Love Want’s 34th issue presents an immersive profile of musician Montell Fish, documenting his creative process and live performance through a series of stark, high-contrast monochrome portraits. Photographed by Simon Lekias, the series moves between the quiet intensity of the studio and the atmospheric tension of the stage, utilizing low-key lighting and cinematic framing to capture the artist's focus. With editorial oversight from Editor-in-Chief Bart Celestino, the feature leans into a gritty, analogue aesthetic that emphasizes architectural depth and shadow. The project highlights both the solitary nature of musicianship and the raw energy of live performance, employing chiaroscuro techniques to define the textures of the artist’s environment.

Love Want · Jarrod Scott

Love Want presents a fashion editorial series starring Jarrod Scott, captured by photographer Derek Henderson. The shoot leans into natural, rugged environments, featuring a mix of close-up portraits and outdoor motion photography. The imagery utilizes analogue film and natural light, focusing on raw textures and elemental styling. Thomas Townsend serves as the fashion stylist, with grooming provided by Georgia Ramman and Filomena Natoli.

Love Want · Heather Kamesky

Love Want presents this fashion editorial series featuring the work of photographer Bec Parsons. The imagery leans into a clean and intimate aesthetic, focusing on close-up portraiture that highlights natural skin textures and refined cosmetic details. The project utilizes a mix of macro photography and soft, natural lighting to explore the intersection of beauty and personal expression. By layering candid gestures with deliberate styling choices, the series maintains a consistent editorial feel across its various vertical and horizontal compositions. From detailed shots of pigmented makeup to playful, minimalist product studies, the work relies on a warm color palette and subtle textural elements to create an authentic, tactile connection with the subject.

Love Want · Issue 35: Sweet Surrender

Love Want presents Issue 35: Sweet Surrender, a fashion editorial series that leans into minimalist aesthetics and clean studio compositions. Captured by photographer Bec Parsons, the imagery highlights a mix of textured layers, from delicate lace bralettes to structured trench coats and sculptural accessories. With fashion styling by Monica Russell, the series features hair styling by Daren Borthwick and make-up by Linda Jefferyes. The portraits utilize natural light and a neutral palette, emphasizing a consistent editorial narrative throughout the issue.

Love Want · Stella Hanan

Love Want presents this fashion editorial featuring Stella Hanan, captured by photographer Bec Parsons. The project highlights a series of portraits defined by a clean, minimalist studio aesthetic. Fashion stylist Jessica Dos Remedios curates a sharp, architectural wardrobe, juxtaposing structured blazers and knits against organic, stone-based props. The imagery employs natural light and high-contrast techniques to accentuate form and tactile details. With hair styling by Michele McQuillan and make-up by Filomena Natoli, the editorial leans into a polished, editorial look that emphasizes clean lines and sculptural poses.

Love Want · Montell Fish

Love Want magazine profiles musician Montell Fish in this editorial feature, capturing the artist through a series of stark, monochromatic portraits. The photography, lensed by Simon Lekias, leans into a low-key aesthetic that prioritizes shadow and contrast. Across the series, the visual language alternates between minimalist gallery settings and textured urban environments. The work utilizes chiaroscuro lighting and analogue film techniques to frame the subject, with the editorial layout integrating custom brushstroke typography and vertical text treatments.

Love Want · Issue 34

Love Want · Come as you are

The fashion editorial "Come as you are" for Love Want presents a series of portraits defined by a minimalist aesthetic. Photographed by Nagi Sakai, the project centers on a central figure captured against a plain white backdrop. Fashion stylist Natasha Royt highlights a textured contrast between leather garments and organic elements, including a selection of seashells. With hair styling by Pasquale Ferrante and make-up by Ingeborg, the work utilizes natural light to maintain a clean, vertical composition throughout the editorial.

Love Want · Issue 33

Love Want Issue 33 presents a series of fashion editorials focused on coastal aesthetics and clean, minimalist portraiture. Photographed by Bec Parsons, the collection explores the intersection of utilitarian denim and classic pearl accessories, set against soft-focus seaside horizons and neutral studio backdrops. Throughout the series, the imagery leans into a natural light aesthetic, prioritizing authentic skin textures and understated styling. The creative team includes fashion styling by Nichhia Wippell, with grooming featuring slicked-back hair by Michele McQuillan and minimal makeup by Victoria Baron.

Love Want · The Chanel Cometes Collective

Love Want presents The Chanel Cometes Collective, a beauty editorial project capturing detailed cosmetic application and portraiture. Photographed by Bart Celestino, the work features macro compositions that emphasize skin texture, precise makeup application, and metallic color palettes. Creative input from make-up artist Valentina Li and hair stylist Gor Duryan defines the project's visual identity, utilizing clean studio lighting and soft light techniques. Production was handled by Align Production, with the series appearing in a vertical editorial format.

Love Want · The Acceptance Issue

The Acceptance Issue for Love Want explores sculptural form and raw texture through a series of stark editorial portraits. Photographed by Paul Scala, the series leans into a stripped-back aesthetic, utilizing natural light and high-contrast monochrome grading to emphasize the contours of the subjects and their surroundings. Throughout the project, the focus remains on minimalism, with compositions that highlight subtle details—from the grain of charred wood to the delicate placement of a floating feather. The visual narrative is defined by the collaborative efforts of set designer Felix Jerome Grech and make-up artist Gillian Campbell, whose contributions help shape the clean, cinematic mood. Fashion styling by Jessica Dos Remedios ties the production together, favouring simple silhouettes and tactile fabrics that underscore the project's analytical approach to editorial photography.