King Kong Magazine
Featured King Kong Magazine projects
This week's top King Kong Magazine projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project King Kong Magazine · Carlife Therapy
Carlife Therapy for King Kong Magazine presents an evocative exploration of the symbiotic relationship between high-fashion editorial aesthetics and the visceral, intimate confines of luxury automotive design. Captured by photographer Francesco Bonasia, the project transforms the car interior into a stage for modern malaise and aspiration, leaning into a cinematic language that feels both hyper-real and dreamlike. By utilizing techniques like low-key chiaroscuro lighting and bold, live-action movement, the imagery blurs the line between a traditional fashion shoot and a voyeuristic narrative. The styling, curated by fashion editor Serena Pompei, acts as a sharp counterpoint to the deep red leather and polished metal of the vehicle cockpits, featuring a mix of distressed denim, intricate lace-up detailing, and vibrant pops of neon footwear. With makeup artistry by Natsuki Oneyama that emphasizes natural textures, models including Abbey Fouts, Jess PW, Raysa De Jesus, and Rodrigue Durard inhabit these cramped spaces with a sense of restless ennui. Whether capturing a cigarette curl of smoke in a tight portrait or the geometric lines of a Ferrari interior, the series channels a moody, high-contrast energy. Through its focus on movement, tactile surfaces, and dramatic silhouettes, Carlife Therapy reads as a sophisticated visual meditation on modern isolation and the private, fleeting moments contained within the machine.
Project King Kong Magazine · Brazilians doesn't like to wear clothes
This fashion editorial for King Kong Magazine explores textures and silhouettes through a series of studio portraits. Captured by photographer Mariana Maltoni, the series features model Sabryna Oliveira in a range of layered and minimalist ensembles. Fashion editor and stylist Leandro Porto leads the visual direction, pairing items such as fishnet catsuits, crocheted overlays, and sculptural accessories against muted, dark studio backgrounds. The production incorporates makeup by Ivan Barria and casting by Bill Macintyre, with imagery spanning clean, moody, and monochrome palettes. The editorial makes use of natural light and analogue film techniques to focus on form and detail.
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