Elle U.S.
Featured Elle U.S. projects
This week's top Elle U.S. projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project Elle U.S. · Elle U.S. September 2026 Cover
For the September 2026 cover of Elle U.S., the publication delivers an exercise in editorial restraint, placing global icon Rihanna at the heart of a narrative defined by texture and presence. Photographed by the visionary duo Inez and Vinoodh, the portrait eschews the high-octane saturation common in modern magazine covers in favor of a cinematic, minimalist approach. By utilizing natural light and soft lighting techniques, the photographers capture the subject with a raw, intimate clarity that highlights the intricate detail of her ornamental tattoos and the structural elegance of her metallic headpiece. This commercial aesthetic is meticulously refined, with the styling by Jahleel Weaver grounding the image in a sophisticated, avant-garde sensibility that feels both timeless and urgent. Every element, from the neutral gray backdrop to the deliberate, expressive posture of the subject, is calibrated to command attention without the need for visual noise. The collaboration brings together the masterful creative guidance of Editor-in-Chief Nina Garcia alongside the precise artistry of hair stylist Jawara and makeup artist Hector Espinal to create a cover that feels less like a traditional media asset and more like a captured moment of stillness. In an industry often dominated by digital artifice, this September feature stands as a powerful reminder of how editorial photography can command the cultural conversation through sheer, unfiltered character.
Project Elle U.S. · Forever Posh
Elle U.S. features Victoria Beckham in the 'Forever Posh' editorial project, a series of portraits and cover imagery showcasing high-fashion textile work. The imagery employs a mix of industrial location settings and clean studio aesthetics, utilising monochrome and desaturated palettes to contrast against the rich textures of leather, fur, and crystal appliqué. Photographer Daniel Jackson leads the visual direction, capturing Beckham in a variety of structured and avant-garde garments. Fashion styling is handled by Alex White, while hair styling by Ken Paves and makeup by Yumi Lee provide a polished finish. Set designer Jacob Burstein rounds out the production, contributing to the detailed editorial environment across the shoot.
Project Elle U.S. · Karol G
For this striking feature in Elle U.S., photographers Elliot and Erick Jimenez craft a visual narrative that transcends the typical celebrity cover story. Centering on global superstar Karol G, the editorial portrait series masterfully balances high-fashion artifice with intimate, painterly warmth. Through a meticulous blend of techniques—ranging from studio strobe precision to the nostalgic, film-like quality of soft-focus analogue imagery—the project channels an ethereal, cinematic mood. Fashion editor and stylist Nycole Sariol curates a wardrobe defined by voluminous silhouettes, intricate ruching, and dramatic textures, while set designer Natalie Fält constructs immersive, earthy environments that oscillate between rustic moss-strewn landscapes and moody, low-key chiaroscuro interiors lit by flickering taper candles. The execution feels deeply intentional; whether capturing the surreal flutter of golden butterfly motifs or the tactile weight of velvet and ruffled gowns, the imagery leans into a sophisticated aesthetic that celebrates the intersection of music and editorial minimalism. With hair and beauty contributions from Bo S and manicured details by Stephanie Stone, every frame is anchored by a sense of movement and grace. This collection of portraits succeeds not only as a showcase of style but as an evocative exploration of identity, utilizing natural light to highlight the intricate embroidery, metallic accents, and personal tattoos that define Karol G’s multifaceted persona.
Project Elle U.S. · Elle U.S. May 2026 Cover
The Elle U.S. May 2026 cover story captures the quintessential intersection of high-fashion editorial portraiture and the unmistakable, brooding charisma of musician Billie Eilish. Photographed by Willy Vanderperre, this expansive portfolio channels a sharp, minimalist aesthetic that allows the subject to command the frame against stark, clean studio backgrounds. Vanderperre utilizes precise studio strobe lighting to navigate between high-key compositions that emphasize clean lines and dramatic low-key chiaroscuro setups that lean into a more cinematic, moody intensity. The styling, curated by Paul Sinclaire, expertly balances haute couture silhouettes—such as voluminous, ruffled gowns and structured double-breasted trench coats—with subcultural staples like embellished baseball caps and oversized graphic tees. This stylistic juxtaposition highlights a mature, modern evolution of Eilish's signature visual language. Complementing the photography, the beauty direction by Benjamin Mohapi and Emily Cheng keeps the focus on textured hair and natural, striking features, ensuring the visuals remain grounded despite the high-fashion grandeur. With an editorial direction overseen by Editor-in-Chief Nina Garcia, the project reinforces the magazine's commitment to sophisticated, stripped-back portraiture that avoids superfluous clutter. Every frame, from the high-contrast black-and-white full-body shots to the direct-gaze close-ups, emphasizes a refined, modern approach to the traditional magazine cover, proving that professional editorial minimalism remains the most powerful tool in contemporary fashion media.
Project Elle U.S. · Sofia Coppola by Carin Backoff
In this evocative feature for Elle U.S., photographer Carin Backoff captures the singular aesthetic of director Sofia Coppola, blending high-fashion sensibilities with the quiet intimacy of a personal interior space. The project functions as a masterclass in editorial portraiture, utilizing a mix of natural light and punchy, direct flash to define the texture of Coppola’s wardrobe—ranging from bold, polka-dot-patterned outerwear to understated, structured tailoring. With fashion styling by Alex White, the imagery leans into a clean, cinematic minimalism that feels both candid and deliberate. The shoot transcends traditional celebrity coverage by grounding the subject in an environment that feels lived-in, featuring meticulous contributions from hair stylist Orlando Pita, makeup artist Dick Page, and manicurist Eri Handa, whose subtle details provide a polished finish to each look. Set design by Elaine Winter further enhances the narrative, transforming the space into a cohesive backdrop that reflects a refined, global lifestyle. By oscillating between high-contrast chiaroscuro techniques and bright, airy lifestyle compositions, Backoff creates a visual dialogue that feels as sophisticated as its subject. This collaboration is a quintessential example of modern media production, where technical precision meets a relaxed, authentic energy, resulting in a series of portraits that are as timeless as the classic silhouettes they highlight.
Project Elle U.S. · Found Objects
In the Found Objects series for Elle U.S., the boundary between luxury retail and fine art blurs through a series of meticulously crafted still life compositions. By positioning high-end handbags and footwear alongside idiosyncratic, sculptural elements—ranging from rustic artisan ceramics to organic, relief-style floral carvings—the project elevates accessories into the realm of the surreal. Photographer Sharon Radisch masterfully employs studio strobe lighting to navigate the complex dialogue between the polished, reflective surfaces of premium leather and metal against the matte, porous textures of clay and stone. The work leans heavily into editorial minimalism, utilizing clean, graduated grey backgrounds to ensure the focus remains anchored on the interplay of shape and shadow. Set designer Jill Nicholls plays a pivotal role here, creating bespoke, precarious arrangements that allow the products to transcend their functional origins. By balancing delicate chains and structured silhouettes atop bird sculptures or floral-crowned vessels, the imagery creates a sense of tension and aesthetic curiosity. Through this sophisticated lens, the Found Objects series acts as a masterclass in modern fashion photography, favoring a controlled, artful environment that rewards the viewer with rich, tactile detail and a refined, monochromatic color palette, ultimately proving that even the most grounded products can occupy a space of pure creative expression.
Project Elle U.S. · Odessa A'zion
In this striking editorial feature for Elle U.S., actress Odessa A'zion takes center stage, demonstrating an effortless command of space and silhouette. Photographer Carin Backoff captures the rising star through a lens of refined minimalism, utilizing a mix of studio strobe and natural light to emphasize the sculptural quality of the garments. The project thrives on the juxtaposition of high-fashion tailoring and playful, candid moments; whether A'zion is draped in tiered, ruffled black volumes or pairing a structured, gold-buttoned jacket with a casual serving of french fries, the imagery maintains a cohesive, sophisticated rhythm. Fashion editor and stylist Alex White curates a wardrobe that balances architectural complexity with casual, lived-in textures, while the clean, white-walled backdrop ensures the focus remains entirely on the interplay between fabric and form. The technical precision of the photography is elevated by the intricate grooming work of hair stylist Teddy Charles and makeup artist Kennedy, alongside a subtle but effective set design by Lauren Machen that leans into the quiet, editorial portrait style. Every frame functions as a study in poise, utilizing direct lighting and sharp composition to transform simple studio portraiture into a vibrant, modern statement. The result is a series that feels both curated and refreshingly authentic, anchoring the editorial narrative through meticulous attention to detail and a clear, focused creative vision.
Project Elle U.S. · A Winter's Tale
In A Winter's Tale, Elle U.S. leans into the intersection of high-end luxury and raw materiality through a striking editorial campaign that redefines the traditional fashion still life. Photographer Sergiy Barchuk captures a series of meticulously curated compositions where iconic accessories, including pieces from Miu Miu and Chanel, are juxtaposed against disparate natural and industrial elements. By pairing polished, structured handbags and delicate footwear with rugged components like concrete bricks, forest moss, and even organic forms, the project channels a raw, textural energy that highlights the craftsmanship of each item. The visual narrative relies heavily on studio strobe lighting to maintain a clean, minimalist aesthetic, allowing the intricate details of leather grains and metallic hardware to remain the central focus. The work of set designer Alicia Sciberras is instrumental here, as she constructs precise, sculptural vignettes that transform everyday fashion items into artful objects of desire. Whether featuring a high-heeled shoe balanced precariously on heavy industrial stone or a tan leather bag resting amidst wild moss, the imagery emphasizes a tactile contrast that feels both sophisticated and grounded. This collection successfully marries editorial minimalism with creative art direction, resulting in a series that feels perfectly at home in the elevated pages of a premier fashion publication while pushing the boundaries of standard commercial product photography.
Project Elle U.S. · Jennifer Aniston Has No Regrets
Elle U.S. presents a portrait-led feature profiling Jennifer Aniston. The editorial captures the subject in a variety of domestic settings, ranging from minimalist studio backgrounds to textured interior spaces including tiled bathrooms and light-filled doorways. The series leans into a polished, editorial aesthetic defined by vertical compositions and clean, soft lighting. Throughout the feature, Aniston is styled in textures of satin, silk, and denim, with techniques such as analogue film and natural daylight utilised to create a warm, tactile visual experience across the magazine spreads.
Project Elle U.S. · Rose Byrne Is Queen of the Curveball
Elle U.S. features actress Rose Byrne in a series of editorial portraits that explore minimalist fashion and structural composition. The collection employs soft, warm lighting and a refined color palette, utilizing the contrast between vibrant red surfaces and neutral backdrops to anchor the imagery. Techniques such as long exposure shutter drag and motion blur appear alongside clean, polished portraiture, highlighting the versatility of the editorial aesthetic. The spread captures a thoughtful, focused look at contemporary style, grounded by curated textures and architectural framing.
Project Elle U.S. · Sculpture Garden
Sculpture Garden is a fashion editorial for Elle U.S. that explores the intersection of high-concept design and arid landscapes. Shot on analogue film, the series channels a minimalist aesthetic, using natural light to carve geometric silhouettes against desert terrain and salt flats. The photography emphasizes tactile fabric textures and bold, monochromatic contrast. Photographed by Sarah van Rij with fashion editing and styling by Dimphy den Otter, the project features models Caren Jepkemei and Ning Jinyi. The visual narrative relies on surreal, graphic compositions to place architectural garments within expansive outdoor settings, incorporating hair styling by Tiago Goya, makeup by Homa Safar, and casting by Clare Rhodes.
Project Elle U.S. · Modern Love
Modern Love, a fashion editorial for Elle U.S., explores contemporary silhouettes against a backdrop of stark, architectural minimalism. The series channels a clean, sophisticated aesthetic, juxtaposing structured tailoring and plush textures with the geometric lines of modern interior spaces and urban landscapes. Photographer Nick Chard captures the editorial through a mix of crisp, direct flash and diffuse natural light, creating a range of moods from intimate, grainy analogue-style portraits to high-contrast studio compositions. Fashion editor and stylist Elissa Santisi curates a diverse wardrobe, anchoring the visual narrative in layers of leather, faux fur, and tailored essentials. The project features model Betsy Gaghan, with hair styling by Dennis Lanni and manicures by Tracylee. Casting was overseen by Shaun Beyen.
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