Model Anna Robinson leaning against a white van wearing a voluminous brown faux fur coat for the No Standing project by Side-note.

Model Anna Robinson leaning backward around a metal pole on an urban street wearing a green cardigan and patterned socks for Side-note

Model Anna Robinson leaning against a granite wall wearing a black track jacket and yellow trousers for the Side-note project No Standing.

Model in dark dress partially hidden behind a large glossy black abstract sculpture on an urban street.

Model Anna Robinson wearing a dark denim jacket seated on white marble stairs for Side-note project No Standing

Model Anna Robinson leaning against an urban storefront wearing a navy jacket and plaid skirt for the Side-note project.

Model in grey velvet jumpsuit and green pointed heels posing on marble stairs next to an escalator

Model crouching among stacked plastic chairs in a white jacket and black lace skirt for the Side-note project No Standing

Model leaning backward in a brown zip coat and high heels inside a corridor with grey doors and white walls.

Model in dark clothing seated at a diner counter against a speckled terrazzo wall for the Side-note project No Standing

Model Anna Robinson wearing a charcoal ruffled denim gown seated on a metal railing against a granite wall.

A woman in a black dress drinking from a plastic cup with a straw against a textured granite stone wall background.

Model wearing a black draped dress drinking from a cup against a stone wall

Side-note No Standing 2025

About

No Standing is a fashion editorial series for Side-note, captured by photographer Pierre Toussaint. The project explores the intersection of high-fashion tailoring and urban architecture, utilising a candid, observational approach to document the collection against the stark lines of city pavements, marble staircases, and granite facades. Fashion editor Karla Clarke leads the styling, curating a contemporary aesthetic that leans into textured layering. From acid-washed denim and velvet jumpsuits to voluminous faux fur, the apparel is set against desaturated backdrops and minimalist environments. The imagery, featuring model Anna Robinson, relies on natural light and analogue film techniques to emphasize raw, authentic textures and geometric precision throughout the series.