Close-up portrait of a male model wearing a bright blue mask with text printed across the forehead for an i-D Magazine editorial.

Man wearing a dark green hooded top and tan t-shirt with a black sculptural eye mask, photographed by Aidan Zamiri for i-D Magazine.

Two men wearing masks and accessories seated in the back of a car for an i-D Magazine editorial titled Masc Appeal.

Close-up portrait of Saul Rodriguez wearing a white t-shirt and yellow glasses on his head for i-D Magazine

Close-up portrait of a man's face with heavy film grain and editorial text styling on the right side of the frame.

Man wearing a brown t-shirt and black blindfold holding a smartphone in front of a window and studio fan.

Close-up portrait of model wearing a black baseball cap with white text and a tan high-collared jacket against a white background

Two men seated in the back of a car wearing masks and casual clothing in an editorial portrait for i-D Magazine.

Man wearing a brown t-shirt and dark eyewear holding a smartphone indoors near a window with a standing fan.

Model in brown fitted top and black trousers standing indoors next to a large floor fan with framed art on the wall

Model holding an orange mask over his eyes, wearing a white t-shirt and shorts against a paneled wall.

Model wearing a tan crewneck sweater over a white shirt with a yellow tie against a plain white background

Shirtless man wearing a blue mask next to a green Statue of Liberty replica under a tiled ceiling

i-D Magazine Masc Appeal 2026

About

In Masc Appeal for i-D Magazine, photographer Aidan Zamiri explores the fluid boundaries of masculinity through a striking series of portraiture that leans into the intersection of high fashion and street-level subculture. The project functions as a visual manifesto on identity, utilizing editorial minimalism and experimental styling to challenge traditional masculine tropes. By incorporating sculptural masks, vibrant plastic accessories, and unconventional face paint, the editorial team creates a compelling aesthetic tension between the covered and the exposed. The use of 35mm film adds a raw, textured grain that bridges the gap between documentary sincerity and the polished demands of a contemporary fashion spread. Guided by the precise fashion curation of Billy Lobos, the visual narrative is further sharpened by the deliberate, high-contrast lighting of studio strobe setups juxtaposed against softer natural light environments. Every frame, from close-up portraits of models like Saul Rodriguez to candid car-interior lifestyle shots, feels intentional and deeply considered. With hair by Joey George and makeup by Marcelo Gutierrez, the series maintains a cohesive, edgy sophistication throughout. This project exemplifies how modern media platforms can dissect gender performance while remaining firmly rooted in the visual language of youth culture. It is a masterclass in styling and casting, proving that even with obscured faces, a powerful, human-centered narrative can resonate with clarity, grit, and significant cultural resonance.