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A sleek white motorboat with a high-heeled shoe mounted on deck moving across calm water
Rear view of a red and green sports motorcycle on a grey and white seamless studio backdrop.
Close-up of a shirtless man flexing his bicep holding sunglasses against a plain backdrop
Close-up of a person's leg wearing a grey shoe while seated on a bright red motorcycle for an i-D Magazine editorial.
Sunglasses resting on the white bow of a fast motorboat carving through water creating heavy spray
Yellow printed bandana floating mid-air against an out-of-focus urban street background with motion blur.
Open magazine page featuring a fighter jet flying over a sunset sky with pearl earrings arranged vertically
A black fringed handbag placed over a silver car wheel against a neutral grey studio background.
A sleek white motorboat with a high-heeled shoe mounted on deck moving across calm water
Rear view of a red and green sports motorcycle on a grey and white seamless studio backdrop.
Close-up of a shirtless man flexing his bicep holding sunglasses against a plain backdrop

i-D Magazine FINANCIAL MISTAKE 2026

About

Financial Mistake, a conceptual editorial feature for i-D Magazine, masterfully blurs the boundaries between high-fashion luxury and industrial mechanics. Under the stewardship of Editor-in-Chief Thom Bettridge and Editorial Director Steff Yotka, the project channels a high-octane aesthetic that feels both surreal and grounded in modern commerce. The visual narrative relies on the sharp, deliberate lens of photographer Francesco Nazardo, who finds beauty in the unlikely collision of refined accessories and raw machinery. From stilettos resting on powerboats to delicate pearl earrings juxtaposed against fighter jets, the imagery creates a visceral tension between the organic and the mechanical. Set designer Samuel Pidgen plays a crucial role in grounding these surreal compositions, utilizing studio strobe lighting to emphasize the glossy, tactile quality of leather handbags and chrome engine components. The editorial leans into live-action technique and CGI to evoke kinetic energy, particularly in the blurred urban streetscapes and dynamic marine shots that define the project’s high-speed mood. By oscillating between the pristine artifice of studio photography and the cinematic sprawl of lifestyle reportage, the series reframes fashion as a form of high-performance engineering. Ultimately, the work stands as a sophisticated exploration of consumer desire, where the sleek precision of automotive parts provides a cold, industrial frame for the tactile, intricate textures of contemporary runway style.

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