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Close-up of a pink gift voucher resting on top of a white debossed card with typography
Red textured hardcover bar menu book standing upright on a dark red surface with debossed Italian text and white lettering
Red and white printed brand identity cards with typography resting on a dark wooden tabletop next to a brass object.
Red binder featuring geometric branding and white printed pages resting on an olive green leather surface
An open ring binder menu with sage green cover and pink lettering next to a glass on a table.
Yellow restaurant menu resting on a white plate with gold rim, flanked by a wine glass and cutlery on a white table.
Fork lifting pasta with meat sauce and grated cheese from a ceramic bowl for Gowings brand identity
Close-up of an olive green menu book with debossed Italian text and a pink glass bottle on white surface
Overhead view of custom printed coasters and a red cocktail on a polished red marble table surface.
Close-up of a pink gift voucher resting on top of a white debossed card with typography
Red textured hardcover bar menu book standing upright on a dark red surface with debossed Italian text and white lettering
Red and white printed brand identity cards with typography resting on a dark wooden tabletop next to a brass object.

Gowings Brand Identity 2023

About

Gowings establishes a refined visual language through a comprehensive brand identity project for the restaurant sector. The work leans into tactile materiality, utilizing a diverse palette of red, olive green, and yellow paired with clean, minimalist layouts. The identity features sophisticated print craftsmanship, including blind deboss techniques and embossed typography that create depth across menus, gift vouchers, and custom coasters. The art direction emphasises a polished, editorial approach to food and hospitality, captured through natural light and high-contrast surface textures like marble and leather. Graphic design was led by Toben, with photography provided by Buffet and Nick De Lorenzo. Print production for the project was managed by Lisa McCulloch.

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