Logo
Open spread of Arts House publication featuring typographic layout and black and white photographs
Minimalist event poster for M/Other Land by Roberta Rich featuring typography and a photograph of a woman against a mountain.
Open brochure spread showing typography for Exhale by Black Birds alongside a photomontage artwork with silver-tipped hands.
Editorial publication spread featuring a biography text on the left and a black and white portrait of an artist on the right.
Three vertical poster panels displaying creative objects against a neutral backdrop with bold black typography at top and bottom.
White toaster equipped with caster wheels containing two toasted slices of bread on a grey backdrop
Open book page displaying a contents index with black typography on a pale cream background.
Open publication spread featuring white geometric shapes on the left page and typographic text on the right page.
Three minimalist event posters displayed on a white wall above wooden armchairs in a reception area with a dark red lower wall.
Open spread of Arts House publication featuring typographic layout and black and white photographs
Minimalist event poster for M/Other Land by Roberta Rich featuring typography and a photograph of a woman against a mountain.
Open brochure spread showing typography for Exhale by Black Birds alongside a photomontage artwork with silver-tipped hands.

Arts House Brand Identity 2018

About

The brand identity for Arts House signals a masterclass in editorial minimalism, establishing a sophisticated visual language that navigates the intersection of digital media and contemporary arts. Designed by M.Giesser, the identity leans into a stark, high-contrast aesthetic that favors clarity, legibility, and structural precision. Across a suite of media, including event posters, editorial layouts, and high-end publications, the work utilizes a clean, sans-serif typography that grounds the project in a professional, corporate sensibility. This foundation is cleverly disrupted by surrealist elements, such as metallic collages and whimsical, modified household objects, which infuse the brand with a distinct artistic personality. The execution frequently employs analogue film textures and low-key chiaroscuro lighting to elevate standard corporate collateral into a curated, gallery-worthy experience. By leveraging effective negative space and a disciplined, grid-based alignment, the identity achieves a balance between the utilitarian demands of event programming and the expressive nature of the arts. Each element, from the triptych of reconfigured domestic goods to the information-heavy festival posters, reinforces a cohesive narrative. The result is a refined brand identity that speaks with authority, utilizing a neutral palette to ensure the content remains the focal point while maintaining a design language that feels both timeless and deeply embedded in current industry trends for experimental and participatory media.

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