Harper's Bazaar U.S.
Featured Harper's Bazaar U.S. projects
This week's top Harper's Bazaar U.S. projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
Project Harper's Bazaar U.S. · Julianne Moore Is Still Obsessed
Harper's Bazaar U.S. features actor Julianne Moore in the editorial series Julianne Moore Is Still Obsessed. Shot by photographer Senta Simond, the project leans into a minimalist aesthetic, utilizing natural light and clean studio compositions to emphasize structured tailoring and quiet poise. The production features fashion styling by Malina Joseph Gilchrist, with hair styling by Jimmy Paul, makeup by Romy Soleimani, and manicures by Yuko Tsuchihashi. Set designer Bailey Brown provides the subtle studio backdrop, which incorporates floral elements and purposeful seating to complement Moore's candid portraiture. Techniques such as long exposure and analogue film textures add a tactile quality to the editorial imagery.
Project Harper's Bazaar U.S. · Harper's Bazaar U.S. September 2026 ...
For the September 2026 issue of Harper's Bazaar U.S., the magazine delivers a masterclass in modern editorial craftsmanship, featuring the incomparable Céline Dion in a series of striking covers that balance high-fashion ambition with raw, human presence. Orchestrated by creative director Laura Genninger and brought to life through the lens of photographer Robin Galiegue, these visuals redefine the celebrity portrait. The project leans into editorial minimalism, allowing the sculptural textures of metallic gowns and intricate lace to command the frame. Whether capturing Dion against the architectural backdrop of a Las Vegas rooftop terrace in natural light or within the dappled, warm glow of a luxury car interior, the shoot maintains a cinematic quality that feels both candid and meticulously staged. Stylist Malina Joseph Gilchrist crafts a visual narrative that emphasizes Dion’s evolving public persona, while the clean, deliberate composition—supported by hair styling from Shay Ashual and makeup artistry from Lauren Parsons—ensures the focus remains firmly on the subject’s serene intensity. Through the strategic use of live-action techniques and soft lighting, the team creates a timeless aesthetic that honors the magazine’s heritage while pushing the boundaries of contemporary fashion media. This collaboration stands as a definitive moment in the industry, proving that true style is found in the synthesis of classic editorial polish and deeply authentic, character-driven storytelling.
Project Harper's Bazaar U.S. · Hopefully Devoted
Hopefully Devoted, a striking editorial spread for Harper's Bazaar U.S., masterfully navigates the intersection of high-fashion photography and minimalist art. Through the lens of photographer Casper Kofi, the campaign channels a sophisticated, pared-back aesthetic that leans into the power of raw, tangible texture. By utilizing a neutral grey studio backdrop as a canvas, the imagery allows the intricate craftsmanship of luxury garments to take center stage. The execution relies on a blend of cinematic framing and soft light to accentuate the tactile qualities of sequins, voluminous faux furs, and structured tailoring. With expert styling provided by Anastasia Barbieri, Malina Joseph Gilchrist, and Yashua Simmons, the portraits of figures such as Cara Delevingne and Christina Ricci evoke a sense of quiet intensity and poise. The project employs a masterful use of live-action technique and dramatic low-key or chiaroscuro lighting to elevate monochromatic compositions, ensuring each frame reads as both classic and contemporary. This editorial succeeds by stripping away excess to focus entirely on the silhouette, texture, and the deliberate gaze of its subjects. Every element, from the sleek hair styling to the deliberate makeup applications, reinforces a unified vision of modern luxury, confirming the magazine's role as a definitive arbiter of style in the current fashion landscape.
Project Harper's Bazaar U.S. · The Real Deal - Chloë Sevigny
In this evocative feature for Harper's Bazaar U.S., actress Chloë Sevigny takes center stage, embodying a masterclass in modern styling and editorial portraiture. Photographed by Philippine Chaumont and Agathe Zaerpour, the series leans into a cinematic, retro-inspired aesthetic that feels both intimate and grandly staged. Across a versatile collection of frames, Sevigny oscillates between the domestic warmth of a floral-walled interior and the crisp, high-fashion rigor of a studio setting. Fashion editor and stylist Robbie Spencer curates an eclectic, high-concept wardrobe that ranges from ostrich feathers and fringe to structured camel blazers and playful polka dot tights, allowing the images to vibrate with tactile complexity. The technical execution favors natural light to emphasize the soft, vintage-inspired waves styled by Louis Ghewy, while Karin Westerlund’s makeup and Cam Tran’s manicuring provide a polished finish that anchors the more eccentric fashion choices. Whether posed against the urban backdrop of a street corner or isolated against a clean white seamless, the work channels a timeless, editorial minimalism that celebrates the interplay of texture, color, and persona. This collaboration successfully captures the essence of a modern icon, proving that even within the highly curated environment of a major magazine feature, there is ample room for individual flair, sculptural silhouettes, and the enduring charm of a well-composed portrait.
Project Harper's Bazaar U.S. · Harper's Bazaar US: Sarah Pidgeon an ...
In a sophisticated demonstration of editorial fashion photography, Harper’s Bazaar U.S. delivers a masterclass in minimalist visual storytelling. The series, which features actress Sarah Pidgeon alongside male talent, strips away the noise of high-concept sets to focus entirely on the interplay between form, texture, and individual personality. Captured with the precision of studio strobe lighting tempered by the softness of natural light, the campaign leans into a clean, graphic aesthetic that prioritizes the structural integrity of the garments. Under the creative direction of Laura Genninger and the sharp, considered eye of photographer Ellen Fedors, the portraits utilize a stark white background to create a timeless, sculptural quality. Fashion editor and stylist Nicholas Grasa curates a wardrobe that ranges from structured pinstripe tailoring to fluid, textured lace, allowing the silhouettes to serve as the primary focus of each frame. Hair stylist DJ Quintero complements these looks with soft, intentional movement, ensuring the overall composition remains balanced and polished. The series reads as a modern interpretation of the classic portrait, proving that when the background is minimized, the subject gains immediate authority. This project is a quintessential example of high-end editorial work, where restraint acts as the ultimate luxury, inviting the viewer to engage with the tactile details of the fashion through an intimate and beautifully composed lens.
Project Harper's Bazaar U.S. · Party Down
Harper’s Bazaar U.S. leans into the magnetism of urban nightlife with Party Down, a high-fashion editorial that captures the raw, kinetic energy of after-hours glamour. Photographed by Cass Bird, the series bridges the gap between high-end luxury fashion and the gritty, atmospheric allure of the city. The project utilizes a sophisticated interplay of high-contrast lighting and low-key chiaroscuro techniques to heighten the cinematic quality of each frame. Fashion editor and stylist Yashua Simmons curates a wardrobe defined by structural complexity, from voluminous puff sleeves and metallic, reflective embellishments to glossy, synthetic trench coats, ensuring each look vibrates against the dark, moody backdrops. Models Rey and Valerie Scherzinger bring a poised, confident movement to these settings, whether traversing dimly lit bar interiors or posing against glowing neon storefronts. The editorial is elevated by the intricate hair styling of Tamas Tuzes and the polished makeup artistry of Francelle Daly, both of which emphasize the texture and detail of the garments. By balancing the sharp edges of flash-lit portraiture with the softness of natural light, the campaign creates a cohesive, rhythmic visual story. The resulting aesthetic feels both timeless and aggressively contemporary, solidifying the brand’s ability to turn an evening out into an evocative, high-fashion narrative that demands lingering attention.
Project Harper's Bazaar U.S. · Role Play
In the striking Harper's Bazaar U.S. editorial titled Role Play, the creative team orchestrates a masterclass in high-fashion storytelling, balancing avant-garde structuralism with intimate, character-driven portraiture. Under the sharp lens of photographer Vito Fernicola, the project explores the fluidity of identity through the lens of luxury fashion houses, utilizing a mix of studio strobe and high-key lighting to isolate bold silhouettes against neutral backdrops. Fashion editor and stylist Rae Boxer achieves a compelling visual tension, juxtaposing elaborate, feather-laden headpieces and sculptural couture garments with unexpected props like oversized ice blocks and vibrant tulip arrangements. The result is a series of images that feel both theatrical and meticulously disciplined. The technical execution relies heavily on the nuanced collaboration between hair stylist Kalle Eklund and makeup artist Petros Petrohilos, whose work lends a tactile, cinematic quality to the models. Supported by set designer Olivia Aine’s precise environment creation, the editorial leans into a classic yet experimental aesthetic that demands close inspection of fabric textures and tailoring. By moving fluidly between monochrome minimalism and vibrant, avant-garde maximalism, the team creates a coherent narrative of transformation. Through these editorial portraits, the project succeeds in elevating contemporary fashion photography, offering a refined, conceptual dialogue that feels both timeless and distinctly modern in its commitment to form and silhouette.
Project Harper's Bazaar U.S. · Warm Front
Warm Front is a fashion editorial feature for Harper's Bazaar U.S. that explores the intersection of volume and texture. Captured by photographer Sonia Szóstak under the creative direction of Laura Genninger, the series focuses on the architectural qualities of oversized knitwear, technical outerwear, and layered silhouettes. The project leans into a desaturated, monochromatic color palette, utilizing moody chiaroscuro lighting and raw, grainy textures to ground the high-fashion styling in an intimate, tactile atmosphere. The series alternates between stark, neutral studio environments and urban, cinematic outdoor settings. Fashion editor and stylist Beat Bolliger emphasizes sculptural forms and deliberate draping throughout the work, while dynamic movement—both in the model's poses and the wind-swept hair—adds a kinetic energy to the compositions. The editorial features model Apolline Rocco Fohrer with hair styling by Tamara McNaughton, makeup by Stephanie Kunz, manicures by Mayumi Abuku, and casting by Anita Bitton, under the guidance of Editor-in-Chief Samira Nasr.
Project Harper's Bazaar U.S. · Cynthia Erivo Is Unstoppable
Harper’s Bazaar U.S. presents a sweeping editorial feature, "Cynthia Erivo Is Unstoppable," highlighting the versatile performer through a lens of high-fashion sculpture and minimalist precision. Captured by photographer Cass Bird with creative direction from Laura Genninger, the series leans into a clean studio aesthetic, utilizing high-key lighting and monochromatic color grading to emphasize the architectural lines of the tailored garments. Styled by Yashua Simmons, the project weaves together a variety of textures—from structured velvet gowns and dramatic ruffles to avant-garde metallic bodysuits. By framing Cynthia Erivo against neutral, seamless backdrops, the execution shifts focus to the intersection of movement and form. The shoot incorporates subtle styling elements, including intricate nail art by Mycah Dior and hair and makeup artistry by Joanna Simkin, to create a cohesive editorial narrative.
Project Harper's Bazaar U.S. · Perfectly Imperfect
Perfectly Imperfect is an editorial fashion series for Harper's Bazaar U.S. that explores form and texture through a stark, monochromatic lens. Captured by photographer Ethan James Green, the project features model Ida Heiner in a sequence of clean, studio-based portraits that emphasize raw materiality and deliberate composition. The aesthetic leans into a high-contrast visual language, utilizing analogue film techniques to highlight the tactile details of layered textiles and structured leather garments. Fashion stylist Malina Joseph Gilchrist drives the visual narrative, working alongside hair stylist Lucas Wilson and makeup artist Kabuki to curate a polished, naturalistic look. The portraits benefit from refined set design by Dylan Bailey and precise casting by Anita Elizabeth Bitton, with production services provided by Tann Services.
Project Harper's Bazaar U.S. · Lover Girl
The latest editorial campaign for Harper's Bazaar U.S., titled Lover Girl, captures the singular energy of musician Dua Lipa through a lens of sophisticated high-fashion storytelling. By leaning into an aesthetic of editorial minimalism, the series of images bridges the gap between polished studio portraiture and authentic lifestyle photography. Whether she is positioned with structural intent against a gilded interior backdrop or reclining in a moment of candid intimacy on crisp white bedding, the visual narrative consistently prioritizes a clean, luminous quality. The shoot utilizes soft natural light to emphasize the intricate textures of her attire, from delicate lace bodysuits to sharp, metallic accents. This project masterfully balances the demands of commercial magazine branding with the raw personality of its subject, creating a visual rhythm that feels both timeless and current. By focusing on purposeful, focused framing, the creative execution avoids clutter, allowing the interplay of soft textures and bold, modern typography to take center stage. Ultimately, Lover Girl functions as a masterclass in modern editorial composition, proving that when the styling is precise and the light is handled with such clarity, the resulting imagery carries an inherent, elevated magnetism that resonates well beyond the printed page, cementing the magazine's position at the vanguard of contemporary cultural portraiture.
Project Harper's Bazaar U.S. · Just Can't Get Enough
Just Can't Get Enough is a fashion editorial feature for Harper's Bazaar U.S. centered on model Mona Tougaard. The series explores layered, textural silhouettes through a combination of clean studio photography and high-contrast monochrome portraits. Photographed by Luis Alberto Rodriguez, the work emphasizes sculptural tailoring and intricate garment details—from structured tweed and fur to distressed denim. The visual narrative relies on minimalist backgrounds, utilising a mix of soft-light gradients and chiaroscuro techniques to heighten the focus on fabric and form. Fashion styling is led by Carlos Nazario, with hair by Jimmy Paul and makeup by Sam Visser. Additional production credits include casting by Anita Bitton, manicures by Gina Edwards, and set design by Caz Slattery.
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