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Dakota Johnson in a yellow strapless dress sitting on a white bed against a pale green wall for American Vogue.
Dakota Johnson in black blazer and trousers posing against a textured grey studio background for American Vogue.
Dakota Johnson in a vibrant red dress sitting against a bright blue pool water background for American Vogue.
Actor Dakota Johnson wearing a black lace dress leaning against a plain wall for an American Vogue editorial.
Dakota Johnson in a white top standing in a blue swimming pool for an American Vogue editorial portrait.
Dakota Johnson in a long red dress seated on a light couch next to white roses for American Vogue
Dakota Johnson in a red dress reclining on a bright red carpet inside a minimalist room with white walls.
Dakota Johnson submerged in a blue swimming pool wearing a sheer white blouse for American Vogue
Dakota Johnson in a black two-piece outfit standing against a textured grey studio backdrop.
Dakota Johnson in a yellow strapless dress sitting on a white bed against a pale green wall for American Vogue.
Dakota Johnson in black blazer and trousers posing against a textured grey studio background for American Vogue.
Dakota Johnson in a vibrant red dress sitting against a bright blue pool water background for American Vogue.

American Vogue Dakota Johnson’s New World 2026

About

American Vogue’s profile, Dakota Johnson’s New World, serves as a high-end editorial feature centered on actor Dakota Johnson. Through a series of carefully composed portraits, the project employs an aesthetic that bridges clean minimalism with bold color saturation. Photographer Larissa Hofmann captures the subject across diverse environments, utilizing a mix of natural light and studio flash to transition between the serene cool tones of an outdoor pool and the stark, moody atmosphere of monochromatic studio setups. Creative direction by Raúl Martinez ensures a cohesive visual language throughout the feature, further defined by fashion styling from Tonne Goodman that emphasizes fabric texture and architectural silhouettes. Technical execution relies on editorial vertical and horizontal framing, with select imagery utilizing analogue film to achieve its refined, artistic finish. The production is supported by contributions from hair stylist Mark Townsend, makeup artist Georgie Eisdell, manicurist Emi Kudo, and set designer Kelly Infield.

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