A24
A24's cinematic trailers and promotional media across movie studios and entertainment
Featured A24 projects
This week's top A24 projects, carefully handpicked by Visie's expert curators, showcase the best in style and innovation.
A24, Dior · Jonathan Anderson
A24 and Dior collaborate on a cinematic video project helmed by director Jonathan Anderson. The production presents a sequence of vignettes featuring diverse models and creative figures set within minimalist studio and gallery environments. Built upon live-action techniques, the work emphasizes sharp compositional framing and contemporary styling. Production duties were led by Object & Animal, with post-production and VFX provided by Corduroy and Ethos Studio. Concret Form oversaw the sound design and music composition for the project.
A24 · Marty Supreme Promo
A24’s promotional asset for Marty Supreme utilises a digital interface format to simulate a real-time conference call. The piece leans into a documentary-style aesthetic, presenting a multi-person screen layout that highlights interactions between participants. Directed by Josh Safdie and featuring actor Timothee Chalamet, the project employs a live-action technique to achieve its clean, modern visual output.
ESPN, A24 · Marty Supreme - Carol of the Bells
ESPN and A24 collaborate on this commercial video titled Marty Supreme - Carol of the Bells, bringing a cinematic lens to a high-stakes table tennis match. Set within a controlled studio environment, the project employs dramatic lighting and surreal elements to frame the athletic competition against a minimalist, dark backdrop. The production features creative contributions from Disney AdSales, ESPN Creative Studio, and Greenpoint Pictures, with sound design and score provided by Machine. The execution leans into a live-action technique, capturing the intensity of the sport through a stylized, atmospheric visual language.
A24 · Stop Making Sense
A24’s latest project for Stop Making Sense functions as a slice-of-life commercial spot, following an observational narrative centered on a protagonist navigating a series of routine errands. The film features a man interacting with a store clerk in a retail setting before transitioning to outdoor movement throughout the city. Produced by BRYGHT YOUNG THINGS, the work employs a live-action technique with a focus on clean, cinematic framing. The visual execution utilizes natural light to capture domestic environments and urban transit, maintaining a grounded aesthetic throughout the piece.
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