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Model in red dress wearing layered pearl necklaces seated in an armchair for Valentino campaign
Model in houndstooth coat holding a pug and handbag for Valentino Avant les Debuts campaign
Model seated in an armchair wearing a patterned dress with pugs at her feet for Valentino
Model wearing a houndstooth jacket and white turban holding a structured black and white handbag against an interior backdrop
Valentino Garavani ad campaign featuring models on a bed in a bedroom setting for Avant les Débuts Resort 2025.
Model in purple dress with fur coat and tan handbag for Valentino Avant les Débuts campaign
Three models holding pugs on a red sofa beneath a classical statue for Valentino
Model in a white coat and matching handbag posing indoors in an elegant room for Valentino Resort 2025 campaign.
Model in fur collar coat holding white handbag with silk head wrap for Valentino campaign
Two models posing together against a neutral wall for Valentino Avant les Débuts campaign, holding a white leather handbag
Model in red dress wearing layered pearl necklaces seated in an armchair for Valentino campaign
Model in houndstooth coat holding a pug and handbag for Valentino Avant les Debuts campaign
Model seated in an armchair wearing a patterned dress with pugs at her feet for Valentino

Valentino "Avant les Débuts" Resort 2025 Ad Campaign 2024

About

The Avant les Débuts Resort 2025 campaign for Valentino marks a significant stylistic evolution, signaling a new chapter under creative director Alessandro Michele. Shot by the acclaimed Glen Luchford, the campaign adopts a distinctly cinematic and nostalgic visual language that feels both historical and remarkably fresh. By leaning into an editorial and commercial hybrid approach, the imagery expertly utilizes analogue film techniques, including instant polaroid-style frames and natural light, to evoke a sense of intimate, lived-in luxury. Set against grand, classical interiors featuring marble checkerboard flooring and antique sculptures, the collection is brought to life through a series of structured yet whimsical portraits. The styling, curated by Jonathan Kaye, emphasizes intricate textures, from ruffles and voluminous faux-fur cuffs to the iconic V-logo leather handbags, while the deliberate inclusion of charming pug dogs adds an unexpected layer of character to the high-fashion narrative. Art direction by Christopher Simmonds maintains a cohesive thread throughout, utilizing low-key chiaroscuro lighting to draw focus to the meticulous craftsmanship of the garments. The collaboration between the creative team and a diverse cast of models creates an evocative, layered atmosphere that avoids the clinical coldness of modern advertising in favor of a textured, narrative-driven aesthetic that feels deeply rooted in the storied heritage of the house.

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