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Bright orange hardcover book with a centered cut-out window showing architectural columns and green foliage
Open book titled Emotional Landscapes featuring bilingual typography, photography, and an abstract folded insert
Three bright orange books arranged to form a sculptural stool structure against a minimal neutral grey backdrop.
An open book on a grey surface showing printed text, headers, and a photograph of landscape architecture.
Multiple open and closed orange-covered books arranged flat on a light grey surface, displaying botanical imagery and typography
Open hardcover book with orange spine displaying architectural layouts and landscape photography on muted grey background
An open hardcover book displaying full-color landscape photographs and descriptive text blocks on two facing pages.
An open book displaying photography of vibrant orange flowers on the left page and an aerial garden landscape on the right page.
Bright orange hardcover book with a centered cut-out window showing architectural columns and green foliage
Open book titled Emotional Landscapes featuring bilingual typography, photography, and an abstract folded insert
Three bright orange books arranged to form a sculptural stool structure against a minimal neutral grey backdrop.

unknown Brand Identity 2019

About

The brand identity for Emotional Landscapes: Paisagens para emocionar, a sophisticated publication focused on the architectural and botanical legacy of Burle Marx, serves as a masterclass in editorial design. With graphic design led by PORTO ROCHA, the project masterfully balances the vibrant, saturated energy of its signature orange palette against the deep, organic greens of the subject matter. The visual language leans into a bold, architectural minimalism, where the books themselves are treated as physical objects that interact with light and geometry, often staged in deliberate, structural formations. Throughout the pages, the editorial layout creates a dialogue between bilingual text and rich photographic archival material, utilizing clean, modern typography to ground the more abstract, fluid garden designs of Burle Marx. The execution relies heavily on intentional negative space and a refined sense of scale, allowing the tactile nature of the print to shine through under soft, diffuse lighting. By integrating these artistic and commercial design elements, the project transcends traditional book design, functioning instead as an immersive study of landscape, color blocking, and typography. The overall aesthetic is one of deliberate clarity and sophisticated layering, where every spread—from high-key overhead compositions to detailed macro photography—reflects a highly curated approach to media and entertainment publishing, ensuring the work feels as much like an art object as an information piece.

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