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Model in white blazer holding a black woven leather handbag against a grey backdrop
Model wearing a dark structured coat with a wide belt and ribbed turtleneck sweater against a grey studio backdrop.
Model in textured white fringe jacket looking over shoulder against a grey background
Model wearing a black woven leather jacket and holding a matching black tote bag against a plain studio background.
Model wearing a pink button-up shirt against a blue background for the To Have and Hold project by Family Style
Model wearing a dark belted leather coat and trousers standing against a seamless studio background
Model wearing a white structured top against a white draped curtain background for Family Style
Two models wearing textured fringed garments posing against a grey studio background by photographer Indigo Lewin
Model in a bright red textured sleeveless dress standing against a light draped curtain background.
Model in white blazer holding a black woven leather handbag against a grey backdrop
Model wearing a dark structured coat with a wide belt and ribbed turtleneck sweater against a grey studio backdrop.
Model in textured white fringe jacket looking over shoulder against a grey background

Family Style To Have and Hold 2026

About

To Have and Hold is an editorial fashion series for Family Style, capturing a collection of structured, sculptural garments through a focused lens. Photographer Indigo Lewin collaborates with fashion editor Chloe Grace Press to highlight the tactile qualities of the apparel, from dense woven leather and fringe to refined knits. The project employs a consistent studio-based approach, utilising soft directional lighting and monochrome palettes to emphasise the silhouettes. The series features models Bebe Parnell and Pauline Schubach, set against neutral grey backgrounds and draped curtains. The work relies on clean, vertical compositions that prioritise form and material detail. Supporting the visual narrative, the production team includes hair stylist Lachlan Mackie, manicurist Saffron Goddard, and set designer Harry Stayt, together establishing a moody, tactile aesthetic.

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