Logo
Stone building exterior featuring a painted address sign reading 22 Grosvenor Square with a brass handrail
White rectangular paper box with red trim and a red arched handle resting on a white fabric surface.
Gold key tassel with black fringe and silver key resting on white sheets
White drawstring bag with minimal black line illustration hanging from a door handle against a black door
Two white matchbooks with red typography resting on a polished dark wood grain circular table surface.
Close-up of a white paper box with debossed typography and a thin red edge resting on a dark textured surface.
An open black umbrella with white illustrative line art resting on light stone paving under dappled sunlight.
A white breakfast menu with red typography resting on a textured linen surface next to a plate rim
Guest registration form resting on a dark wood table with a black telephone object visible at the top.
Cream textured envelope and stationery card with dark branding displayed on a dark velvet surface
Stone building exterior featuring a painted address sign reading 22 Grosvenor Square with a brass handrail
White rectangular paper box with red trim and a red arched handle resting on a white fabric surface.
Gold key tassel with black fringe and silver key resting on white sheets

The Twenty Two Brand Identity 2022

About

The brand identity for The Twenty Two establishes a sophisticated visual language through a curated system of collateral and signage. Developed by Javas Lehn Studio, the design system leans into a clean, minimalist aesthetic, using a disciplined palette of white, black, and vibrant red to ground the identity. Photography by Thomas Adank captures these elements with a cinematic eye, utilizing natural light to accentuate the textures of stone, wood, velvet, and paper stock. The identity features detailed illustrations by Rosie McGuiness, which appear across various touchpoints—from custom matchbooks and fabric packaging to an architectural umbrella and morning menus. Each piece functions as a deliberate exercise in tactile, polished communication, prioritizing precise typography and subtle emboss and deboss techniques.

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