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Exhibition interior with a central mirrored sphere and black-and-white checkered floor inside a neoclassical building.
Folded printed brochure for The Turner Prize with circular cutouts, floor plans, and photographic artwork panels.
Three vertical graphic posters for the Turner Prize 2025 featuring bold typography and layered circular paper cutouts on white.
Wooden display shelf holding neat rows of Turner Prize 2025 family guide booklets against a wooden wall.
Six panel grid of light grey dimensional paper art with various circular cutouts and layered geometric forms.
White shipping container converted into a box office with colorful graphics and two people visible in service windows
Exhibition wall display featuring two screens with artist names Rene Matic and Mohammed Sami with headphones underneath
Gallery visitors holding drinks and carrying black branded Turner Prize 2025 canvas tote bags at an art exhibition opening.
Classical building exterior framed by dark foliage with white Turner Prize 2025 flags flying in front.
Exhibition interior with a central mirrored sphere and black-and-white checkered floor inside a neoclassical building.
Folded printed brochure for The Turner Prize with circular cutouts, floor plans, and photographic artwork panels.
Three vertical graphic posters for the Turner Prize 2025 featuring bold typography and layered circular paper cutouts on white.

The Turner Prize Brand Identity 2025

About

The Turner Prize 2025 brand identity, developed by design studio Rabbithole, establishes a contemporary visual language that contrasts bold, sans-serif typography with tactile paper art and organic geometry. The system leans into a minimalist aesthetic, utilizing punched-out circular voids and neon accents of pink, yellow, and green to animate the exhibition collateral, environmental signage, and digital motion graphics. The project encompasses a comprehensive rollout, from high-fidelity printed brochures and family guides to architectural installations and outdoor wayfinding. Photography by David Lindsay, Andrew Benge, and David Levene captures the identity within the neoclassical setting, highlighting the interplay between the clean, geometric graphic design and the historic exhibition architecture. Manufacturing support for the physical assets was provided by Duke Makes and Northend.

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