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Spreading pages of a publication displaying bold typography and graphic black and white layout designs
Close-up macro shot of an open orange book showing typography and pages against a neutral surface
Open publication layout featuring bold typography on the left and a theatre poster with a portrait on the right.
Spread of a publication featuring dense columns of black typography printed on vibrant red paper pages.
Open book with grey cardboard cover and white inner pages displaying typography and a barcode on a brown surface
Open book showing two editorial spreads with bold geometric shapes, typography, and vibrant red, yellow, and purple colour blocks.
Spreading open pages of a design publication showing editorial layout, typography columns, and graphic posters against a black background.
Open book displaying dense printed typography across vibrant coral and white pages on brown paper.
A white printed book with debossed circular typography on a textured brown paper background.
Open book spread showing printed editorial pages with typography and pink graphic accents on a plain surface.
Open publication pages with solid bright red backgrounds and minimal black typography showing Chapter 1 and Creating Posters.
Open catalogue displaying multiple small graphic design prints arranged in a grid on paper pages
Spreading pages of a publication displaying bold typography and graphic black and white layout designs
Close-up macro shot of an open orange book showing typography and pages against a neutral surface
Open publication layout featuring bold typography on the left and a theatre poster with a portrait on the right.

OFFCUTS Brand Identity 2025

About

The brand identity for OFFCUTS manifests as a comprehensive publication that explores the intersection of graphic design, typography, and print craftsmanship. Across a series of tactile editorial spreads, the project employs meticulous grid structures and high-contrast color blocking to establish a distinct visual language. Featuring contributions from Frost on typeface design, G . F Smith on paper selection, and Northend on printing, the publication utilizes techniques such as screen print/silkscreen and emboss & deboss to heighten its physical presence. The design relies on a minimalist aesthetic to balance dense columns of text with bold, organic letterforms and structured editorial layouts.

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