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Close-up portrait of a woman wearing statement earrings and a necklace for the Martine Rose Spring 2025 ad campaign.
Close-up portrait of a person wearing a dark baseball cap and a prosthetic nose, photographed by Sharna Osborne for Martine Rose.
A person standing in front of draped yellow fabric panels wearing dark garments and tall boots
Man with long dark hair wearing a striped red shirt and a dark cap featuring the word ROSE against a draped curtain background
Model wearing patterned shirt and dark trousers leaning back against a set surface with papers scattered around.
Man wearing a baseball cap, silver necklace, and metallic gold draped jacket against a textured white backdrop.
Close-up profile of a model wearing large textured metallic earrings for Martine Rose
Close-up portrait of a woman wearing statement earrings and a necklace for the Martine Rose Spring 2025 ad campaign.
Close-up portrait of a person wearing a dark baseball cap and a prosthetic nose, photographed by Sharna Osborne for Martine Rose.
A person standing in front of draped yellow fabric panels wearing dark garments and tall boots

Martine Rose Spring 2025 Ad Campaign 2025

About

The Spring 2025 ad campaign for luxury fashion house Martine Rose serves as a masterclass in subverting the traditional visual language of editorial photography. Through the lens of photographer Sharna Osborne, the collection leans into an experimental, lo-fi aesthetic that feels both raw and deliberate. The campaign utilizes a mix of analogue techniques, including 35mm film and distinct VHS-inspired textures, to ground the high-fashion designs in a tangible, almost nostalgic reality. Creative director Martine Rose continues to push boundaries, collaborating with stylist and art director Tamara Rothstein to construct a series of portraits that favor textural complexity over polished perfection. From subjects adorned with artificial prosthetics to the deliberate clutter of printed ephemera scattered across studio floors, the campaign is defined by its surreal, lived-in energy. The visual narrative is punctuated by strategic accessory choices—heavy silver chains and oversized industrial jewelry—that stand out against muted, natural light. With hair by Gary Gill, makeup by Marina Belfon Rose, and intricate set design by Polly Philp and Simon Gray, the production creates a cohesive, albeit uncanny, atmosphere. By emphasizing tactile elements and deliberate, grainy imperfection, the project captures the distinct spirit of the brand, offering a refreshing departure from the hyper-glossy standards currently dominating the luxury fashion industry landscape.

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