In the latest campaign for Family Style, titled Interlude, photographer Benjamin Werner crafts a compelling dialogue between urban transit aesthetics and high-fashion editorial polish. This project masterfully bridges the gap between the mundane stillness of a waiting area and the elevated, structured world of luxury fashion. By utilizing a deliberate mix of studio strobe and clean natural light, Werner captures the nuanced silhouettes of a diverse cast, creating a visual rhythm that balances the geometric rigidity of subway-inspired set design with the fluid, eclectic textures of the clothing. Styled by Jessica Diehl, the wardrobe spans from sharp, pinstriped tailoring to avant-garde knitwear, each piece highlighted through a rigorous black-and-white lens that leans into a high-contrast chiaroscuro aesthetic. The cinematic framing and carefully curated composition—helped by the precise casting efforts of Anita Bitton—transform static, lifestyle-leaning portraits into a cohesive narrative of urban isolation and collective style. With hair by Hiroki Kojima and makeup by Erin Green, the technical execution remains sharp, leaning into a minimalist, high-key sensibility that grounds the elaborate tailoring. This project serves as a sophisticated testament to how editorial minimalism can translate the frantic pace of transit into a serene, curated display of modern luxury, effectively blending live-action technique with the static elegance of contemporary portraiture.
